Related Research Articles
"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations.
Oh Mercy is the twenty-sixth studio album by American singer-songwriter Bob Dylan, released on September 12, 1989, by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of poorly reviewed albums. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in Norway and the UK.
"The Ballad of Frankie Lee and Judas Priest" is a song by American singer-songwriter Bob Dylan. It was released as the fifth track on his eighth studio album John Wesley Harding (1967). The track was written by Dylan and produced by Bob Johnston. It was recorded in one take on October 17, 1967, at Columbia Studio A in Nashville. The song's lyrics refer to two friends, Frankie Lee and Judas Priest. Lee asks Priest for a loan of money and Priest offers it freely. Lee spends it in a brothel over 16 days, then dies of thirst in Priest's arms. It has been suggested by commentators that the song refers to Dylan's relationship with his manager Albert Grossman or to his contractual negotiations with his record company. The song received a mixed critical reception. Dylan performed the song live in concert 20 times, from 1987 to 2000.
"Leopard-Skin Pill-Box Hat" is a song by the American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, whom Dylan had spent time with in December 1965.
"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album Highway 61 Revisited (1965). The song was written by Dylan, and produced by Bob Johnston. Critical interpretations of the song have suggested that the song references the Vietnam War and US President Lyndon Baines Johnson.
"Stuck Inside of Mobile with the Memphis Blues Again" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971).
"I Want You" is a song by the American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"One of Us Must Know (Sooner or Later)" is a song by American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out relationship. It was recorded at Columbia studio A in New York on January 25, 1966, with Dylan and other musicians developing the song through over twenty takes during the session.
"To Ramona" is a song by American singer-songwriter Bob Dylan, first released on his fourth studio album, Another Side of Bob Dylan (1964). The song was written by Dylan, and produced by Tom Wilson. The lyrics were started at the May Fair Hotel in London in May 1964, and finished during a week-long stay in the Greek village of Vernilya later that month. Dylan recorded all the tracks for the album, including the song, in a single three-hour session on June 9, 1964, at Studio A, Columbia Recording Studios, New York. Its narrator advises Ramona, who is preparing to return to "the South", not to follow the advice of others. Critics have suggested several different people as inspirations for the song, including Joan Baez, Suze Rotolo, and Sara Lownds.
"If Not for You" is a song by American singer-songwriter Bob Dylan from his October 1970 album New Morning. It was issued as the A-side of a single in Europe in early 1971. The song is a love song to Dylan's first wife, Sara Dylan. He recorded it several times in 1970; the session for the released version took place in New York in August. He also recorded the song with George Harrison on May 1, soon after the break-up of the Beatles, a session that attracted much speculation in the music press. The May recording remained unreleased until its inclusion on The Bootleg Series Volumes 1–3 in 1991.
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", is a song by American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he had probably written the song after the end of a relationship. The song's narrator criticizes the lies and weakness of a woman, and says that he finds it hard to care. The final verse establishes that the woman has been unfaithful to the narrator by having a relationship with another man, as he suspected all along.
"John Brown" is a song by American singer-songwriter Bob Dylan. The song, written in October 1962 was released under his pseudonym "Blind Boy Grunt" on the Folkways Records compilation album Broadside Ballads, Vol. 1 (1963). Live performances have been officially released on MTV Unplugged (1995), Live at The Gaslight 1962 (2005), and Live 1962–1966 – Rare Performances From The Copyright Collections (2018). A demo version was issued on The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964 (2010).
"On a Night Like This" is a song written by Bob Dylan and recorded in November 1973. It first appeared on Dylan's 14th studio album, Planet Waves, as the opening track. It was also released as the lead single from the album and reached #44 on the Billboard Hot 100 The song later appeared on several Dylan compilation albums including Biograph, in 1985, and Dylan, in 2007.
"Obviously 5 Believers" is a song by American singer-songwriter Bob Dylan, which was released as the last track of side three of his double album Blonde on Blonde (1966), and was the B-side to the single release of "Just Like a Woman" for releases in America and some other countries. The song was written by Dylan and produced by Bob Johnston. It was recorded at Columbia Music Row Studios, in the early morning hours of a March 9–10, 1966 session. Four takes were recorded, although the first two were incomplete. It has been interpreted as a blues song about loneliness, with critics noting similarities in melody and structure to Memphis Minnie's "Chauffeur Blues". Dylan's vocals and the musicianship of the band on the track have both received critical acclaim, although the track has been regarded as insubstantial by some commentators.
"Temporary Like Achilles" is a song by American singer-songwriter Bob Dylan that was released on side three of his double album, Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. It was recorded at Columbia Studio A, Nashville, Tennessee on March 9, 1966. The song is a blues number that incorporates elements of Dylan's incomplete "Medicine Sunday", which he had recorded with members of the Band in New York in October 1965. The song describes a narrator's frustration at being kept waiting by a woman that he wishes to be romantically involved with, who is guarded by "Achilles". Some critics have suggested that the song references the Iliad.
"When He Returns" is a gospel song written and performed by the American singer-songwriter Bob Dylan and released as the ninth and final track on his 1979 album Slow Train Coming. The title and content of the song explicitly reference the Second Coming of Jesus. In contrast to the bigger band arrangements on the album's other eight tracks, Dylan's vocal on "When He Returns" is accompanied only by Barry Beckett on piano. The song was recorded at Muscle Shoals Sound Studio in Sheffield, Alabama and produced by Jerry Wexler.
"One More Cup of Coffee (Valley Below)" is a song by American singer-songwriter Bob Dylan, which was released as the fourth track on his seventeenth studio album Desire (1976). The song was written by Dylan, and produced by Don DeVito. The album version of "One More Cup of Coffee (Valley Below)" was recorded on July 30, 1975, and released on Desire in January 1976. Dylan said the song was influenced by his visit to a Romani celebration at Saintes-Maries-de-la-Mer in France on his 34th birthday.
"I Shall Be Free No. 10" is a song by American singer-songwriter Bob Dylan, which was released as the fifth track on his fourth studio album Another Side of Bob Dylan (1964). The song was written by Dylan and produced by Tom Wilson. The song is a humorous talking blues, indebted to earlier songs including Lead Belly's "We Shall Be Free". Dylan opens the song by proclaiming that he is normal and average, but then acknowledges his reputation by singing the self-aware doggerel "Yippee! I'm a poet, and I know it/ Hope I don't blow it".
References
- ↑ Collected e.g. in "Folk Songs and Ballads of Scotland", Ed. Ewan McColl (Oak Publications, New York 1965. Library of Congress Catalogue no. 65-2295). McColl notes that "the tune appears to have been adapted from a slow strathspey".
- ↑ Margotin & Guesdon 2015 , p. 90
- ↑ Attwood, Tony (November 12, 2008). "Blind Willie McTell: the meaning behind Bob Dylan's song". Untold Dylan. Retrieved 15 May 2020.
- ↑ "No More Auction Block for Me". Smithsonian Folkways. Retrieved February 7, 2014.
- ↑ Sung by Odetta on many albums including Odetta at Carnegie Hall
- 1 2 Williamson 2004 , p. 257
- 1 2 3 4 5 6 7 8 Wall, Mick (2009). When Giants Walked the Earth: A Biography of Led Zeppelin. St. Martins Press. p. 66. ISBN 978-0312590390.
- ↑ Quoted in John Bauldie's sleeve notes for The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991
- 1 2 Heylin 2000 , pp. 106–107
- ↑ Margotin & Guesdon 2015, p. 427.
- ↑ Spitz 1991 , p. 200
- ↑ Moon, Tom. "Trickster Treat: Bob Dylan's New Song Sounds Awfully Old ... And Familiar". NPR.org. National Public Radio. Retrieved 15 May 2020.
- ↑ Margotin & Guesdon 2015 , p. 138
- ↑ Margotin & Guesdon 2015 , p. 177
- ↑ Ricks 2005 , p. 340
- ↑ Epstein, Daniel Mark (2012). The Ballad of Bob Dylan: A Portrait (Reprint ed.). Harper Perennial. ISBN 978-0061807336.
- ↑ Davis Inman (February 14, 2011). "'Maggie's Farm,' Bob Dylan". American Songwriter . Retrieved February 7, 2014.
- ↑ Harvey 2001 , p. 50
- ↑ "I've Made Up My Mind to Give Myself to You. And Offenbach and Johnny Cash. | Untold Dylan". 2 July 2020. Retrieved 2023-07-18.
- ↑ Heylin 2009 , p. 100
- ↑ Margotin & Guesdon 2015 , p. 107
- ↑ Heylin 2009 , p. 166
- ↑ Marqusee 2005 , p. 86
- ↑ Margotin & Guesdon 2015 , p. 238
- ↑ Margotin & Guesdon 2015 , p. 109
- ↑ Margotin & Guesdon 2015 , p. 220
- ↑ Heylin 2009 , p. 172
- ↑ Margotin & Guesdon 2015, p. 35.
- ↑ Jim Beviglia (8 September 2014). "Lyric Of The Week: Marty Stuart, "Observations Of A Crow"". American Songwriter . Retrieved 21 December 2020.
- ↑ Cramb, Auslan (11 April 2004). "Dylan traces his political anthem to bagpipe tune". The Telegraph. The Daily Telegraph. Retrieved 15 May 2020.
- ↑ Heylin 2009 , p. 151
- ↑ Margotin & Guesdon 2015 , p. 78
- ↑ "Modern Times (2006)". dylanchords.info. Retrieved 2022-01-23.
- ↑ Margotin & Guesdon 2015, p. 92.
