"Mrs. McGrath" | |
---|---|
Song | |
Written | 1807–1814 |
Published | 1876 |
Genre | Folk song |
"Mrs. McGrath" (also known as "Mrs. McGraw", "My Son Ted", "My Son John", and "The Sergeant and Mrs. McGrath") is an Irish folk song set during the Peninsular War of the early 19th century. The song tells the story of a woman whose son enters the British Army and returns seven years later having lost his legs to a cannonball while fighting against Napoleon presumably at the Battle of Fuentes de Oñoro (fought between 3 and 5 May 1811). The general theme of the song is one of opposition to war. Along with "Johnny I Hardly Knew Ye", it is one of the most graphic of all Irish folk songs that deal with sickness and injuries caused by warfare. [1] Irish folk song collector Colm Ó Lochlainn described "Mrs. Grath" as "known to every true born citizen of Dublin". It was very popular among the Irish Volunteers in the years leading up to the 1916 Rising [2] and has been recorded by many singers and folk groups.
Although the song probably dates from the time of the Peninsular Wars between 1807 and 1814, the earliest written account of it in Ireland was in 1876. [3] It is believed to have been popular with soldiers during the American Civil War (1861-1865).[ citation needed ]
An archival recording was made in 1951 at the home of Seamus Ennis. [4] In 1958, the song was recorded by Burl Ives on Songs of Ireland (Decca DL-8444) and by the Belafonte Folk Singers (RCA LPM-1760) under the name of "The Sergeant and Mrs. McGrath". It was also recorded by Tommy Makem on his 1961 album, Songs of Tommy Makem. Peg and Bobby Clancy performed it on their LP, As We Roved Out, in 1964. The Clancy Brothers recorded the song on the 1966 album Isn't It Grand Boys under the title "My Son Ted". The Dubliners also recorded it on the 1965 EP In Person featuring Ronnie Drew, and later sang it to new lyrics, though keeping the tune of the original folk song, on the 1968 album Drinkin' and Courtin' . This latter version tells the story of a country boy who goes to college in Dublin but fails due to spending all his money and time on "women and drink". Pete Seeger also recorded it live for "Pete Seeger in Concert: I Can See a New Day" (CBS, 1964).
Bruce Springsteen recorded a version of the song on his 2006 album, We Shall Overcome: The Seeger Sessions . Performed frequently on the subsequent Sessions Band Tour, this incarnation was included on the 2007 Bruce Springsteen with The Sessions Band: Live in Dublin audio and video release. Springsteen changed the traditional lyrics slightly. In the original song, Mrs. McGrath would rather have her "son as he used to be than the King of France and his whole navy." In Springsteen's version, this is changed to "King of America."
Fiddler's Green recorded the song with slightly different lyrics for their 2009 album Sports Day at Killaloe. The Stanfields also recorded the song with modified lyrics for their 2012 album Death & Taxes.
German Folk Metal Band Suidakra recorded the song as a Bonus Track for their 2013 album "Eternal Defiance". The version was sung by female singer Tina Stabel.
Another version of the song tells the same story about a boy called John. The text of this version is much shorter. [5] The "My Son John" version of the song has been recorded by several different artists, including Martin Carthy with The Imagined Village, Tim Hart and Maddy Prior of Steeleye Span, Lew Bear, and actor John C. Reilly. Of these, critic Steven L. Jones singled out Minneapolis group Boiled in Lead's rendition, from their 1989 album From the Ladle to the Grave as a skillful modernization that also stayed true to the song's politics and "underlying rage and terror." [5]
Being a well-documented song publicised by Mudcat, [6] and Mainly Norfolk, [7] the song was recorded by Jon Boden and Oli Steadman for inclusion in their respective lists of daily folk songs "A Folk Song A Day" [8] and "365 Days Of Folk". [9]
"Whiskey in the Jar" is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee (highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s.
Luke Kelly was an Irish singer, folk musician and actor from Dublin, Ireland. Born into a working-class household in Dublin city, Kelly moved to England in his late teens and by his early 20s had become involved in a folk music revival. Returning to Dublin in the 1960s, he is noted as a founding member of the band The Dubliners in 1962. The Irish Post and other commentators have regarded Kelly, known for his distinctive singing style and sometimes political messages, as one of Ireland's greatest folk singers.
Liam Clancy was an Irish folk singer from Carrick-on-Suir, County Tipperary. He was the youngest member of the influential folk group the Clancy Brothers, regarded as Ireland's first pop stars. They achieved global sales of millions and appeared in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall.
Thomas Makem was an Irish folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" and "The Godfather of Irish Music".
Séamus Ennis was an Irish musician, singer and Irish music collector. He was most noted for his uilleann pipe playing and was partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for having preserved almost 2,000 Irish songs and dance-tunes as part of the work he did with the Irish Folklore Commission. Ennis is widely regarded as one of the greatest uilleann pipers of all time.
"Captain Wedderburn's Courtship" is an old Scottish ballad dating from 1785 or earlier. It is Child Ballad #46, Roud 36. It is known by a number of titles, including "Lord Roslin's Daughter" and "The Laird of Rosslyn's Daughter".
The Bruce Springsteen with the Seeger Sessions Band Tour, afterward sometimes referred to simply as the Sessions Band Tour, was a 2006 concert tour featuring Bruce Springsteen and the Sessions Band playing what was billed as "An all-new evening of gospel, folk, and blues", otherwise seen as a form of big band folk music. The tour was an outgrowth of the approach taken on Springsteen's We Shall Overcome: The Seeger Sessions album, which featured folk music songs written or made popular by activist folk musician Pete Seeger, but taken to an even greater extent.
Makem and Clancy was an Irish folk duo popular in the 1970s and 1980s. The group consisted of Tommy Makem and Liam Clancy, who had originally achieved fame as a part of the trailblazing folk group The Clancy Brothers and Tommy Makem in the 1960s. Makem and Clancy sang a combination of traditional Irish music, folks songs from a variety of countries, and newly written pieces, including compositions that Tommy Makem himself wrote. One reporter described their music as "more polished and varied than that used by the Clancy Brothers."
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Sarah Makem a native of Keady, County Armagh, Northern Ireland, was a traditional Irish singer. She was the wife of fiddler Peter Makem, mother of musicians Tommy Makem and Jack Makem, and grandmother of musicians Tom Sweeney, Jimmy Sweeney, Shane Makem, Conor Makem and Rory Makem. Sarah Makem and her cousin, Annie Jane Kelly, were members of the Singing Greenes of Keady.
"I Know My Love" is a traditional Irish folk song, which was first collected by Herbert Hughes and published by Boosey & Hawkes in 1909, in Volume 1 of "Irish Country Songs" - although the song is likely to be considerably older than that. The book can be viewed or downloaded as a PDF here.
Tradition Records was an American record label from 1955 to 1966 that specialized in folk music. The label was founded and financed by Guggenheim heiress Diane Hamilton in 1956. Its president and director was Patrick "Paddy" Clancy, who was soon to join his brothers Liam and Tom Clancy and Tommy Makem, as part of the new Irish folk group, The Clancy Brothers and Tommy Makem. Liam Clancy designed the company's maple leaf logo. Columbia University Professor of Folklore Kenneth Goldstein was also involved in the early creation of the company, which operated out of Greenwich Village, New York, United States.
Diane Hamilton was the pseudonym of Diane Guggenheim, an American mining heiress, folksong patron and founder of Tradition Records.
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"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
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