A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs. It may be folk, classical, or commercial in genre.
Bruce Frederick Joseph Springsteen is an American rock singer, songwriter, and guitarist. Nicknamed "the Boss", he has released 21 studio albums during a career spanning six decades, most of which feature his backing band, the E Street Band. Springsteen is a pioneer of heartland rock, combining a commercially successful rock sound with poetic and socially conscious lyrics reflecting the issues of working class American life. He is known for his descriptive lyrics and energetic concerts, which sometimes last over four hours.
Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
Ronald Lawrence Kovic is an American anti-war activist, author, and United States Marine Corps sergeant who was wounded and paralyzed in the Vietnam War. His best selling 1976 memoir Born on the Fourth of July was made into the film of the same name which starred actor Tom Cruise as Kovic, and was co-written by Kovic and directed by Oliver Stone.
"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina.
Opposition to United States involvement in the Vietnam War began in 1965 with demonstrations against the escalating role of the United States in the war. Over the next several years, these demonstrations grew into a social movement which was incorporated into the broader counterculture of the 1960s.
"War" is a counterculture-era soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song – a self-evident anti-Vietnam War statement – with The Temptations as the original vocalists. After Motown began receiving repeated requests to release "War" as a single, Whitfield re-recorded the song with Edwin Starr as the vocalist, with the label deciding to withhold the Temptations' version from single release so as not to alienate that group's more conservative fans. Starr's version of "War" was a No. 1 hit on the Billboard Hot 100 chart in 1970, and is not only the most successful and well-known record of his career, but it is also one of the most popular protest songs ever recorded. It was one of 161 songs on the no-play list issued by Clear Channel following the events of September 11, 2001.
The Moratorium to End the War in Vietnam was a massive demonstration and teach-in across the United States against the United States involvement in the Vietnam War. It took place on October 15, 1969, followed a month later, on November 15, 1969, by a large Moratorium March in Washington, D.C.
Zemfira Talgatovna Ramazanova is a Russian rock musician. She has been performing since 1998 and has been popular in Russia and other former Soviet republics. To date Zemfira has sold over 3 million records.
"If I Had a Hammer " is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963.
We Shall Overcome: The Seeger Sessions is the fourteenth studio album by Bruce Springsteen. Released in 2006, it peaked at number three on the Billboard 200 and won the Grammy Award for Best Traditional Folk Album at the 49th Grammy Awards.
"Mrs. McGrath" is an Irish folk song set during the Peninsular War of the early 19th century. The song tells the story of a woman whose son enters the British Army and returns seven years later having lost his legs to a cannonball while fighting against Napoleon presumably at the Battle of Fuentes de Oñoro. The general theme of the song is one of opposition to war. Along with "Johnny I Hardly Knew Ye", it is one of the most graphic of all Irish folk songs that deal with sickness and injuries caused by warfare. Irish folk song collector Colm Ó Lochlainn described "Mrs. Grath" as "known to every true born citizen of Dublin". It was very popular among the Irish Volunteers in the years leading up to the 1916 Rising and has been recorded by many singers and folk groups.
The Bruce Springsteen with the Seeger Sessions Band Tour, afterward sometimes referred to simply as the Sessions Band Tour, was a 2006 concert tour featuring Bruce Springsteen and the Sessions Band playing what was billed as "An all-new evening of gospel, folk, and blues", otherwise seen as a form of big band folk music. The tour was an outgrowth of the approach taken on Springsteen's We Shall Overcome: The Seeger Sessions album, which featured folk music songs written or made popular by activist folk musician Pete Seeger, but taken to an even greater extent.
A war song is a musical composition that relates to war, or a society's attitudes towards war. They may be pro-war, anti-war, or simply a description of everyday life during war times.
"Draft Dodger Rag" is a satirical anti-war song by Phil Ochs, a U.S. protest singer from the 1960s known for being a harsh critic of the American military industrial complex. Originally released on his 1965 album, I Ain't Marching Anymore, "Draft Dodger Rag" quickly became an anthem of the anti-Vietnam War movement.
Protest songs in the United States are a tradition that dates back to the early 18th century and have persisted and evolved as an aspect of American culture through the present day. Many American social movements have inspired protest songs spanning a variety of musical genres including but not limited to rap, folk, rock, and pop music. Though early 18th century songs stemmed from the American colonial period as well as in response to the Revolutionary war, protest songs have and continue to cover a wide variety of subjects. Protest songs typically serve to address some social, political, or economic concern through the means of musical composition. In the 19th century, American protest songs focused heavily on topics including slavery, poverty, and the Civil War while the 20th century saw an increased popularity in songs pertaining to women's rights, economic injustice, and politics/ war. In the 21st century, popular protest songs address police brutality, racism, and more.
An anti-war movement is a social movement, usually in opposition to a particular nation's decision to start or carry on an armed conflict. The term anti-war can also refer to pacifism, which is the opposition to all use of military force during conflicts, or to anti-war books, paintings, and other works of art. Some activists distinguish between anti-war movements and peace movements. Anti-war activists work through protest and other grassroots means to attempt to pressure a government to put an end to a particular war or conflict or to prevent one from arising.
The Vietnam War is a 10-part American television documentary series about the Vietnam War produced and directed by Ken Burns and Lynn Novick, written by Geoffrey C. Ward, and narrated by Peter Coyote. The first episode premiered on PBS on September 17, 2017. This series is one of the few PBS series to carry a TV-MA rating.
GI coffeehouses were coffeehouses set up as part of the anti-war movement during the Vietnam War era as a method of fostering antiwar and anti-military sentiment within the U.S. military. They were mainly organized by civilian antiwar activists, though many GIs participated in establishing them as well. They were created in numerous cities and towns near U.S. military bases throughout the U.S as well as Germany and Japan. Due to the normal high turnover rate of GIs at military bases plus the military's response which often involved transfer, discharge and demotion, not to mention the hostility of the pro-military towns where many coffeehouses were located, most of them were short-lived, but a few survived for several years and "contributed to some of the GI movement's most significant actions". The first GI coffeehouse of the Vietnam era was set up in January 1968 and the last closed in 1974.
