Enola Gay (song)

Last updated

"Enola Gay"
Enola Gay - OMD - CD Single.jpg
Cover of the original 7" single, designed by Peter Saville.
Single by Orchestral Manoeuvres in the Dark
from the album Organisation
B-side "Annex"
Released26 September 1980 (1980-09-26) [1]
Studio Ridge Farm Studio (Dorking)
Genre
Length3:33
Label Dindisc
Songwriter(s) Andy McCluskey
Producer(s)
Orchestral Manoeuvres in the Dark singles chronology
"Messages"
(1980)		"Enola Gay"
(1980)		"Souvenir"
(1981)
Music video
"Enola Gay" on YouTube

"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.

Contents

"Enola Gay" met with largely positive reviews but was seen as unlikely to impact the charts; aside from its subject matter, the song faced some resistance due to its being perceived as a gay anthem. It eventually reached No. 8 on the UK Singles Chart, becoming the band's first top 10 entry in their home country. It was also a hit throughout continental Europe, topping the charts in Italy, Portugal and Spain. The track achieved sales in excess of 5 million copies. It has been named as one of the best songs of its era and genre, and, along with 1986's "If You Leave", is regarded as OMD's signature song.

Composition

Arrangement

Typical of early OMD compositions, the track does not feature a vocal chorus, [5] and is recognisable by its distinctive lead synthesizer hook and ambiguous lyrical content. [6] [7] Most of the melodic parts were recorded on a Korg Micro-Preset, and the drum machine sound was "about the last thing to go on" the recording. [7] The song is based on the '50s progression, which repeats throughout the entire song. Speaking to Songwriting Magazine, McCluskey stated, "It's a typical linear OMD song, it is the same four chords all the way through and it never varies. The verse, the melody, the middle eight, it's all the same." [8]

Keyboardist Paul Humphreys and OMD manager Paul Collister were not fans of "Enola Gay" (the latter originally threatened to resign if it were released as a single). Collister did, however, believe it was a surefire hit – a view that drummer Malcolm Holmes did not share. Initially proud of the song, McCluskey's confidence wavered: he re-recorded his vocal, but was dissatisfied with the final mix of the track. [9]

Title

Enola Gay, a B-29 Superfortress, pictured in 1945 B-29 Superfortress Enola Gay.jpg
Enola Gay , a B-29 Superfortress, pictured in 1945

The song is named after the Enola Gay , the USAAF B-29 Superfortress bomber that carried Little Boy, the first atomic bomb to be used in an act of war, dropped on the Japanese city of Hiroshima on 6 August 1945, killing more than 100,000 of its citizens. The name of the bomber itself was chosen by its pilot, Colonel Paul Tibbets, who named it after his mother, Enola Gay Tibbets (1893–1983), who had been named after the heroine of the novel Enola; or, Her fatal mistake. [lower-alpha 1] [11]

Lyric

The lyric to the song reflects on the decision to use the bomb and asks the listener to consider whether the bombings were necessary ("It shouldn't ever have to end this way"). [12] The phrase "Is mother proud of Little Boy today?", is an allusion to both the nickname of the uranium bomb and pilot Paul Tibbets naming the aircraft after his mother. The phrase, "It's 8:15, and that's the time that it's always been", refers to the time of detonation over Hiroshima at 8:15 am JST; as many timepieces were "frozen" by the effects of the blast, it becomes "the time that it's always been". It is identified as an "anti-war" track, [lower-alpha 2] although McCluskey stated he "wasn't really politically motivated to write the song", which was informed by a fascination with World War II bombers. He hoped it "conveyed an ambivalence about whether it was the right or the wrong thing to do". [20]

Critical reception

The song met with largely positive reviews. [9] Greg Reibman of Boston Rock wrote, "With 'Enola Gay', Orchestral Manoeuvres drop another devastating warhead on the world of inferior pop music... these guys are right on target." [21] Canberra Times critic Jonathan Green described the track as "super", with "a lovely melody that makes for an utterly infectious song". [22] Daniela Soave of Record Mirror called it "infinitely danceable, joyous and jumpy", while noting an uneasy juxtaposition between the musical content and sombre lyrics. [23] NME said the track has "considerable plusses" including a "glorious melody", but expressed reservations about its commercial prospects, feeling it was destined for "chartless oblivion". [24] The song was banned from being played on popular BBC1 children's programme Swap Shop , because it was thought to promote homosexuality. [25] [26] [27]

Despite its subject matter, the single was released at a time of strong anti-nuclear sentiment in Britain. [20] [28] This, according to the BBC, helped it become an "unlikely hit". [20] The track entered the UK Singles Chart at number 59, [29] but climbed 51 places over the next four weeks to reach a peak of number 8, [30] becoming the group's first top 10 entry in their home country and one of the 50 best-selling singles in the UK in 1980. [31] It was also a hit throughout continental Europe, topping the charts in Italy, Portugal and Spain. [32] [33] [34]

In a retrospective assessment, AllMusic's Ned Raggett lauded the song as "astounding... a flat-out pop classic – clever, heartfelt, thrilling, and confident, not to mention catchy and arranged brilliantly". [35] Critic Dave Thompson called it a "perfect synth-dance-pop extravaganza". [28] John Bergstrom of PopMatters wrote, "'80s synthpop takes a lot of flack, much of it deserved. But 'Enola Gay' is a resounding refutation of the notion nothing substantial, beautiful, or timeless could ever come from skinny English guys with synths... Everything a classic should be." [36]

Legacy

Readers of NME , Record Mirror and Smash Hits voted "Enola Gay" one of the 10 best singles of 1980; [37] it later placed eighth in a Slicing Up Eyeballs reader poll of the year's best songs. [38] 88.5 XPN listeners positioned the track at no. 508 in the "885 All Time Greatest Songs". [39] It has featured in critics' lists such as NME's "100 Best Songs of the 1980s", [40] Classic Pop 's "Top 100 Singles of the 80s", [41] PopMatters ' "100 Best Alternative Singles of the 1980s", [42] MusicRadar 's "40 Greatest Synth Tracks Ever" [43] and Smooth Radio's "25 Greatest 1980s Synthpop Songs". [44] "Enola Gay" was selected by Danny Boyle for use during the opening ceremony of the 2012 Summer Olympics in London. [45] The track became a Celtic F.C. anthem in the mid-to-late 2010s, with fans changing its lyrics to revolve around player Stuart Armstrong. [46] It also became popular with Burnley F.C. supporters. [47]

The BBC described "Enola Gay" as a "long-lasting hit"; [20] the song's cumulative sales have exceeded 5 million copies. [27] [44] [48] It has been described – along with 1986's "If You Leave" [49] – as OMD's signature song. [44] [50] The track continues to be associated with LGBT culture; [51] [52] Rolling Stone critic Rob Sheffield wrote in 2020 that it is "about both coming out and nuclear destruction". [51] Gigwise writer Josh Williams named "Enola Gay" as one of the most impactful songs to be featured in TV drama series It's a Sin (2021), which focuses on a group of gay men living during the HIV/AIDS crisis in the UK. Williams said, "It's clear to see why a young gay or bisexual male can place a different meaning on a lyric about dropping the nuclear bomb through coming out to their own families." [52] OMD, aware of the song's perceived links to homosexuality, have embraced their large following within the LGBT community. [9] [53]

The track has been endorsed by other artists. In a 1981 interview with BBC Radio 1, Godley & Creme named OMD's "Enola Gay" and "Souvenir" as two of their favourite singles. [54] Musicians Howard Jones and Toyah Willcox have listed "Enola Gay" among their favourite records of the 1980s; [55] [56] Jones included the "fantastic" song as the only cover version in his early live sets. [55] [57] The track has also been lauded by Al Doyle of Hot Chip, [58] Rudi Esch of Die Krupps, [57] and solo artist Moby, who called it a "beautiful song" that he has "loved for decades". [57] No Doubt bassist Tony Kanal noted that he and lead singer Gwen Stefani were heavily influenced by the track. [59]

Home computer influence

"Enola Gay" is popular with early home computer enthusiasts, being used in demos such as Swinth (Commodore 64). [60] Hackers have also enjoyed the song; it can be found as the "music bed" for numerous mega-demos and "cracktro" found on releases by warez groups like the Beastie Boys. [61] The song was featured in the 2015 film Ex Machina , a sci-fi thriller about the implications of artificial intelligence. [62]

16-bit computers brought with them the popular music tracker format where no fewer than a dozen versions exist. [63]

Music video

The music video was shot at the ITN studios in three hours one afternoon. [64] It begins by showing sped-up footage of clouds passing through the sky. After the opening riff, which is shown as the keyboardist's hands playing whilst being animated using digital rotoscoping, it shows a transparent video image of McCluskey vocalising and playing bass guitar.

B-side

The B-side on the UK release of "Enola Gay" was a track entitled "Annex". The song was not included on the ensuing Organisation album and remained unique to this release until being included in the 2001 compilation album Navigation: The OMD B-Sides and the 2003 remastered edition of Organisation. Although the track was basically an improvisation "made up on the spot", Paul Humphreys described it in a 1980 interview as "the best thing we've done all year"; [65] AllMusic critic Aaron Badgley later called it a "brilliant" song. [66]

Track listing

1980 original release

Side one
No.TitleLength
1."Enola Gay"3:33
Side two
No.TitleLength
1."Annex"4:33

The 12" single contained the same tracks as on the 7".

2003 remix 12"

Side one
No.TitleLength
1."Enola Gay" (Dancefloor Killa Remix)9:02
Side two
No.TitleLength
1."Enola Gay" (dub remix)6:57
2."Enola Gay" (radio edit)3:05

2020 re-release 12"

Side one
No.TitleLength
1."Enola Gay" (extended mix)4:49
Side two
No.TitleLength
1."Enola Gay" (slow mix)4:05

Charts

Chart (1980–1981)Peak
position
Australia (Kent Music Report) [67] 47
France (IFOP) [68] 6
Ireland (IRMA) [69] 14
Italy ( Musica e dischi ) [70] 2
Italy (RAI Hit Parade) [71] 1
Italy ( TV Sorrisi e Canzoni ) [72] 1
New Zealand (Recorded Music NZ) [1] 31
Portugal (Música & Som) [33] 1
Spain (AFE) [34] 1
Switzerland (Schweizer Hitparade) [73] 2
UK Singles (OCC) [30] 8
US Hot Dance Club Play ( Billboard ) [74] 34

Certifications and sales

RegionCertification Certified units/sales
France—700,000 [75]
Italy (FIMI) [76] Gold300,000 [77]
United Kingdom (BPI) [78] Gold400,000‡

‡ Sales+streaming figures based on certification alone.

Alternative versions

In 1998, David Guetta & Joachim Garraud and Sash! made remixed versions of the song for the intended second disc of The OMD Singles . The second disc was dropped, and eventually only the Sash! remix appeared on The OMD Remixes EPs. In 2003 the double disc version was released in France only, which included the remixed versions by Guetta and Garraud as well. Hot Chip remixed the song to coincide with its 40th anniversary re-release. [58]

An early version of the song with a slightly different arrangement appears on the group's Peel Sessions 1979–1983 album. A live performance, recorded at the Guildhall in Portsmouth, England on 19 September 1980, is featured in the film Urgh! A Music War (1982).

Musician Howard Jones covered the song during early live performances. [79]

See also

Notes

  1. ↑ Enola; or, Her fatal mistake(sic) (1886), by Mary Young Ridenbaugh is the only novel of the period to use "Enola". [10]
  2. ↑ "Enola Gay" has been identified as an "anti-war" song by multiple outlets. [13] [14] [15] [16] [17] [18] It was also described as such in an official press statement regarding its 40th anniversary re-release. [19]

Related Research Articles

<span class="mw-page-title-main">Orchestral Manoeuvres in the Dark</span> English band

Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.

<span class="mw-page-title-main">Andy McCluskey</span> British singer, songwriter and bass guitarist

George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his on-stage frenetic 'trainee teacher' dance.

<i>Architecture & Morality</i> 1981 studio album by Orchestral Manoeuvres in the Dark

Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.

<i>Organisation</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.

<i>Orchestral Manoeuvres in the Dark</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.

<i>Crush</i> (Orchestral Manoeuvres in the Dark album) 1985 studio album by Orchestral Manoeuvres in the Dark

Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.

<i>Liberator</i> (album) 1993 studio album by Orchestral Manoeuvres in the Dark

Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.

<i>The OMD Singles</i> Extended play by Orchestral Manoeuvres in the Dark

The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides.

<i>The Best of OMD</i> 1988 compilation album by Orchestral Manoeuvres in the Dark

The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.

<span class="mw-page-title-main">If You Leave (song)</span> 1986 single by Orchestral Manoeuvres in the Dark

"If You Leave" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.

<span class="mw-page-title-main">Electricity (Orchestral Manoeuvres in the Dark song)</span> 1979 single by Orchestral Manoeuvres in the Dark

"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.

<span class="mw-page-title-main">So in Love (Orchestral Manoeuvres in the Dark song)</span> 1985 single by Orchestral Manoeuvres in the Dark

"So in Love" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their album Crush. It reached the top 30 of both the UK Singles Chart and the US Billboard Hot 100, becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland.

<span class="mw-page-title-main">Walking on the Milky Way (song)</span> 1996 single by Orchestral Manoeuvres in the Dark

"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.

<span class="mw-page-title-main">Secret (Orchestral Manoeuvres in the Dark song)</span> 1985 single by Orchestral Manoeuvres in the Dark

"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.

<span class="mw-page-title-main">Messages (Orchestral Manoeuvres in the Dark song)</span> 1980 single by Orchestral Manoeuvres in the Dark

"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.

<span class="mw-page-title-main">Locomotion (Orchestral Manoeuvres in the Dark song)</span> 1984 single by Orchestral Manoeuvres in the Dark

"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.

<span class="mw-page-title-main">Souvenir (song)</span> 1981 single by Orchestral Manoeuvres in the Dark

"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.

<span class="mw-page-title-main">Dream of Me (Orchestral Manoeuvres in the Dark song)</span> 1993 single by Orchestral Manoeuvres in the Dark

"Dream of Me (Based on Love's Theme)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in July 1993 by Virgin Records as the second single from their ninth studio album, Liberator (1993). The song uses a sample from "Love's Theme", a 1973 instrumental piece recorded by Barry White's Love Unlimited Orchestra. It was remixed by Gregg Jackman for release as a single and reached the top 30 in Belgium, the Netherlands, and the United Kingdom.

<span class="mw-page-title-main">Dreaming (Orchestral Manoeuvres in the Dark song)</span> 1988 single by Orchestral Manoeuvres in the Dark

"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.

<i>Messages: Greatest Hits</i> 2008 compilation album by Orchestral Manoeuvres in the Dark

Messages: Greatest Hits is a compilation release by Orchestral Manoeuvres in the Dark (OMD), issued in 2008. At the time it was the most comprehensive of the band's retrospective packages, featuring a CD of 20 charting singles and a DVD of all the band's music videos. Material was drawn from the group's recording career from 1979 to their first disbandment in 1996.

References

  1. 1 2 "OMD (Orchestral Manoeuvres In The Dark) – Enola Gay". Top 40 Singles. Retrieved 23 July 2013.
  2. ↑ Houghtaling, Adam Brent (2012). This Will End in Tears: The Miserabilist Guide to Music. HarperCollins. ISBN   978-0-0617-1967-7. Orchestral Manoeuvres in the Dark (OMD) made the haunting shadows left behind by the flashburnt victims of the first atomic bombs into the synthpop hit 'Enola Gay', which imagines an eternal kiss that is 'never gonna fade away'.
  3. ↑ Pirnia, Garin (12 June 2012). "Enola Gay". Rolling Stone . Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  4. ↑ QUINN, COLE. "Songs so good, they make the album look bad". The Daily Evergreen.
  5. ↑ "Interview: Andy McCluskey, OMD". PRS for Music. 19 March 2013. Archived from the original on 21 September 2013. Retrieved 1 October 2013. [PRS:] 'They are best known for their trademark synth-led choruses and abstract lyrics' (...) [McCluskey:] 'Many of our songs use the synth melody as the chorus. There are verses but generally the melody is the chorus. If you think of 'Electricity', 'Enola Gay', 'Souvenir' – in a lot of our songs the melody was the chorus'.
  6. ↑ Mansfield, Brian (4 April 2013). "On the Road Again: Orchestral Manoeuvres in the Dark". USA Today . Retrieved 5 October 2013. It's that Korg [Micro-Preset] that plays the distinctive keyboard hook in the band's early hit 'Enola Gay'.
  7. 1 2 Watkins, Jack (7 January 2013). "How we made: Orchestral Manoeuvres in the Dark on Enola Gay". The Guardian . London. Retrieved 11 October 2013.
  8. ↑ "How I Wrote Enola Gay". Songwriting Magazine. 27 February 2020. Retrieved 15 May 2023.
  9. 1 2 3 Waller, Johnny; Humphreys, Mike (1987). Orchestral Manoeuvres in the Dark: Messages. Sidgwick & Jackson. pp. 79–80. ISBN   0-283-99234-4.
  10. ↑ Ridenbaugh, Mary Young (1886). Enola; Or, Her Fatal Mistake. Kentucky: For the author. Retrieved 8 August 2023. Volume 3 of Wright American fiction Lock-green.svg
  11. ↑ Nathan, Richard (6 August 2021). "Literary Fallout: The legacies of Hiroshima and Nagasaki". Red Circle Authors. Retrieved 22 August 2021.
  12. ↑ "Songwords – Enola Gay". Archived from the original on 18 July 2009.
  13. ↑ Wuench, Kevin (4 November 2016). "Even in the '80s sometimes you pray history doesn't repeat itself". Tampa Bay Times . Retrieved 25 February 2021.
  14. ↑ Meagher, John (15 October 2017). "80s hitmakers OMD – Coming out of the dark". Irish Independent . Retrieved 25 February 2021.
  15. ↑ Christie, Niall (22 July 2018). "Rewind and party like it's 1989". The Herald . Retrieved 18 February 2022.
  16. ↑ Rudden, Liam (11 June 2021). "10 great things not to miss as Edinburgh reopens". Edinburgh Evening News . Retrieved 18 February 2022.
  17. ↑ Casagrande, Tim (21 March 2018). "Three Acts to See This Week: OMD, SSION, and Moon Hooch". SF Weekly . Archived from the original on 22 March 2018. Retrieved 18 February 2022.{{cite news}}: CS1 maint: unfit URL (link)
  18. ↑ Hulton, Anna Sky (30 November 2021). "OMD's 2021 'Architecture & More' tour: Everything you need to know". Greatest Hits Radio . Retrieved 18 February 2022.
  19. ↑ "OMD Celebrate 40 Years of Legendary Hit 'Enola Gay' with Limited-Edition 12" Colored Vinyl Out December 4th on UMe". Universal Music Enterprises. 25 September 2020. Retrieved 8 August 2023– via PR Newswire.
  20. 1 2 3 4 "Enola Gay". The One Show . BBC One. 26 January 2010.
  21. ↑ Reibman, Greg (November 1980). "Orchestral Manoeuvres in the Dark: Enola Gay". Boston Rock . p. 58.
  22. ↑ Green, Jonathan (26 November 1980). "Singles". The Canberra Times .
  23. ↑ Soave, Daniela (25 October 1980). "OMITD Get Organised". Record Mirror . p. 22.
  24. ↑ "Orchestral Manoeuvres in the Dark: Enola Gay". The History of Rock. No. 16 (1980). Time Inc. 6 October 2016. p. 117.
  25. ↑ Power, Ed (7 August 2020). "Enola Gay: how OMD made poignant pop from the ashes of Hiroshima". The Daily Telegraph . Retrieved 29 March 2021.
  26. ↑ Ryan, Gary (14 October 2019). "Does Rock 'n' Roll Kill Braincells?! – Andy McCluskey". NME . Retrieved 22 November 2020.
  27. 1 2 Sandbrook, Dominic (2019). Who Dares Wins: Britain, 1979–1982. Penguin Books. pp. 398–399. ISBN   978-1846147371.
  28. 1 2 Thompson, Dave. "Orchestral Manoeuvres in the Dark – Enola Gay". AllMusic. Retrieved 23 July 2013.
  29. ↑ "Official Singles Chart Top 75 – 28 September 1980 - 04 October 1980". Official Charts Company . Retrieved 23 July 2013.
  30. 1 2 "Official Singles Chart Top 100". Official Charts Company. Retrieved 23 July 2013.
  31. ↑ Copsey, Rob (26 February 2021). "The Official Top 50 best-selling songs of 1980". Official Charts Company. Retrieved 22 August 2021.
  32. ↑ Caroli, Daniele (21 November 1981). "Italian Talent Scene Wears International Face". Billboard . Archived from the original on 4 June 2022. Retrieved 4 June 2022.
  33. 1 2 "VENDAS DE DISCOS EM PORTUGAL: Top Música & Som 1980-1984". VENDAS DE DISCOS EM PORTUGAL. 15 December 2016. Retrieved 4 June 2022.
  34. 1 2 Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (in Spanish) (1st ed.). Spain: Fundación Autor-SGAE. ISBN   84-8048-639-2.
  35. ↑ Raggett, Ned. "Orchestral Manoeuvres in the Dark – Organisation". AllMusic. Retrieved 23 July 2013.
  36. ↑ Bergstrom, John (25 May 2016). "Orchestral Manoeuvres in the Dark – 'Enola Gay' (1980) (Singles Going Steady Classic)". PopMatters . Retrieved 19 July 2021.
  37. ↑ No. 8 in NME singles poll:
    • "Pop Poll Results". NME. 24 January 1981.
    No. 5 in Record Mirror singles poll:
    • "1980 Poll Results". Record Mirror. 10 January 1981. pp. 16–17.
    No. 9 in Smash Hits singles poll:
    • "The Smash Hits Readers' Poll Results". Smash Hits. Vol. 3, no. 5. 5–18 March 1981. p. 20.
  38. ↑ "Top 100 Songs of 1980: Slicing Up Eyeballs' Best of the '80s Redux – Part 1". Slicing Up Eyeballs . 10 February 2015. Retrieved 12 June 2021.
  39. ↑ "885 All Time Greatest Songs". WXPN. 2004. Archived from the original on 20 October 2010. Retrieved 1 June 2023.{{cite web}}: CS1 maint: unfit URL (link)
  40. ↑ "100 Best Songs of the 1980s". NME . Retrieved 23 July 2013.
  41. ↑ "Top 100 Singles of the 80s: 15-11". Classic Pop . March 2014. Retrieved 28 May 2020.
  42. ↑ Gerard, Chris (5 April 2021). "The 100 Best Alternative Singles of the 1980s". PopMatters . Retrieved 24 November 2021.
  43. ↑ "The 40 Greatest Synth Tracks Ever: pt 1, 1974-1986". MusicRadar. 27 October 2009. Archived from the original on 10 June 2015. Retrieved 23 July 2013.
  44. 1 2 3 Eames, Tom (11 September 2018). "The top 25 greatest 1980s synthpop songs". Smooth Radio . Retrieved 31 January 2019.
  45. ↑ "Ceremony's throbbing soundtrack adds aural excitement to a visual spectacular". The Guardian . Press Association. 27 July 2012. Retrieved 23 July 2013.
  46. ↑ "In this week's 63-game record-breaking Invincible Celtic View". The Celtic View . 10 November 2017. Retrieved 28 May 2020.
  47. ↑ Welton, Blake; Dubas-Fisher, David (16 September 2017). "The most popular songs used for football chants for each Premier League side". YorkshireLive . Retrieved 14 April 2024.
  48. ↑ Male, Andrew (July 2019). "Days of Future Passed". Mojo . No. 308. pp. 38–43.
  49. ↑ "'Now I'm bored and old': 27 deliberately confounding follow-ups to popular successes". The A.V. Club . 17 August 2009. Retrieved 26 December 2016.
  50. ↑ O'Brien, Jon. "Orchestral Manoeuvres in the Dark – Live in Berlin". AllMusic . Retrieved 29 September 2016.
  51. 1 2 "The 80 Greatest Albums of 1980". Rolling Stone . 11 November 2020. Retrieved 29 March 2021.
  52. 1 2 Williams, Josh (8 February 2021). "10 of the most impactful 80s tracks on the It's a Sin soundtrack". Gigwise . Retrieved 29 March 2021.
  53. ↑ Pratt, Paul E. (22 September 2011). "OMD Plays the Warfield October 3". San Francisco Bay Times . p. 10.
  54. ↑ West, Mike (1982). Orchestral Manoeuvres in the Dark. Omnibus Press. p. 43. ISBN   0-7119-0149-X.
  55. 1 2 "My 80s Playlist: Howard Jones chooses his favourite 80s tracks from Grace Jones to Japan". Virgin Radio UK. 6 April 2023. Retrieved 7 April 2023.
  56. ↑ "My 80s Playlist: Toyah Willcox picks her favourite 80s tunes from Bowie to Kate Bush". Virgin Radio UK. 5 May 2023. Retrieved 6 May 2023.
  57. 1 2 3 Houghton, Richard (2019). OMD: Pretending to See the Future (expanded paperback ed.). This Day in Music Books. pp. 178 (Jones), 370–371 (Moby), 387–388 (Esch). ISBN   978-1916115620. [Esch:] ...'Enola Gay', propelled by that growling bass tone. It's a song I always loved and was part of my soundtrack to the summer of '81.
  58. 1 2 "27 New Songs Out Today". BrooklynVegan . 25 September 2020. Retrieved 21 February 2021.
  59. ↑ Marchese, David (24 September 2012). "No Doubt Explain OMD, EDM, and Peter Hook Basslines on 'Push and Shove'". Spin . Retrieved 28 March 2023.
  60. ↑ Swinth Demo (Commodore 64) Enola Gay. YouTube. 8 August 2009. Archived from the original on 15 December 2021. Retrieved 25 July 2013.
  61. ↑ "Terramex by Beastie Boys". Pouet.net. Retrieved 23 July 2013.
  62. ↑ Whitworth, Spencer (2 March 2022). "7 References in 'Ex Machina' You May Have Missed". Collider. Retrieved 28 June 2022.
  63. ↑ "Browsing by Filename (E)". The Mod Archive. Retrieved 23 July 2013.
  64. ↑ "Enola Gay". Messages. Retrieved 11 August 2022.
  65. ↑ PaulB (5 August 2015). "Club 66 : Annex". Omd-messages.co.uk. Retrieved 17 May 2016.
  66. ↑ Badgley, Aaron. "Orchestral Manoeuvres in the Dark – Navigation: The OMD B-Sides". AllMusic. Retrieved 17 May 2016.
  67. ↑ Kent, David (1993). Australian Chart Book 1970-1992. St Ives, N.S.W.: Australian Chart Book. p. 224. ISBN   0-646-11917-6.
  68. ↑ "Le Détail par Artiste". InfoDisc (in French). Select "Orchestral Manoeuvres in the Dark" from the artist drop-down menu. Retrieved 15 May 2016.
  69. ↑ "The Irish Charts – Search Results – Enola Gay". Irish Singles Chart. Retrieved 23 July 2013.
  70. ↑ "Classifiche". Musica e dischi (in Italian). Set "Tipo" on "Singoli". Then, in the "Artista" field, search "Orchestral Manoeuvres in the Dark".
  71. ↑ "Hit Parade". RAI . 28 June – 4 July 1981.
  72. ↑ "IT-CHARTS: classifiche &..." www.it-charts.it. Retrieved 4 June 2022.
  73. ↑ "OMD (Orchestral Manoeuvres In The Dark) – Enola Gay". Swiss Singles Chart. Retrieved 23 July 2013.
  74. ↑ "Orchestral Manoeuvres in the Dark – Awards". AllMusic. Retrieved 23 July 2013.
  75. ↑ Lloyd, Jack (28 February 1982). "Pop/Rock". The Philadelphia Inquirer . p. 142 (10-I).
  76. ↑ "Italian single certifications – Orchestral Manoeuvres in the Dark – Enola Gay" (in Italian). Federazione Industria Musicale Italiana.
  77. ↑ West, Mike (1982). Orchestral Manoeuvres in the Dark. Omnibus Press. p. 34. ISBN   0-7119-0149-X.
  78. ↑ "British single certifications – OMD – Enola Gay". British Phonographic Industry . Retrieved 6 January 2023.
  79. ↑ Murphy, Tom (12 October 2011). "Howard Jones on performing Human Lib and Dream into Action in their entirety on this tour". Westword . Retrieved 14 November 2016.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.