Bauhaus Staircase | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 27 October 2023 | |||
Genre | Synth-pop | |||
Length | 42:50 | |||
Label | White Noise, 100% | |||
Producer | OMD | |||
Orchestral Manoeuvres in the Dark chronology | ||||
| ||||
Singles from Bauhaus Staircase | ||||
|
Bauhaus Staircase is the fourteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the fourth since their 2006 reformation. Released on 27 October 2023 by White Noise Records (and by 100% Records in the UK and Ireland), it is their first album in six years since The Punishment of Luxury (2017). The record was largely inspired by world politics during the late 2010s and early 2020s. Its release was preceded by three singles: the title track, "Slow Train", and "Veruschka".
Bauhaus Staircase received positive reviews. Record Collector and Classic Pop magazines named it the best new album release in their respective November 2023 issues, while other outlets considered it to be OMD's finest work since the mid-1980s. The record debuted at number two on the UK Albums Chart, becoming the group's highest-charting studio album in their home country, and matching the peak of 1988's The Best of OMD . It topped the UK Independent Albums Chart. [1]
During 2020's COVID-19 lockdown in the United Kingdom, OMD frontman Andy McCluskey "rediscovered the creative power of total bloody boredom", writing the majority of what would become Bauhaus Staircase. [2] This involved McCluskey penning music and lyrics to accompany various song title ideas he had accumulated, including "Bauhaus Staircase", "Kleptocracy", and "Anthropocene" (the album's original title). [3] Bandmate Paul Humphreys noted that the record also features older tracks the group had previously struggled to complete. [4] COVID restrictions meant that the duo had to work remotely, via the internet. [5] Humphreys had recently become a father, which delayed his mixing of the album; [2] rock producer David Watts was responsible for mixing "Kleptocracy" and "Slow Train". [3]
Bauhaus Staircase was largely inspired by world politics during the late 2010s and early 2020s, being described by the band as their "most explicitly political record". [6] [7] In particular, "Kleptocracy" takes aim at leaders such as Donald Trump, Boris Johnson and Vladimir Putin. The title track pays homage to the Bauhaus art movement in pre-Nazi Germany. Elsewhere, "Anthropocene" and "Evolution of Species" deal with ecological themes, while "G.E.M." and "Aphrodite's Favorite Child" are personal songs written for figures in McCluskey's life. The Goldfrapp-inspired "Slow Train" features stream of consciousness-style lyrics penned in a similar fashion to those of 1991 hit, "Sailing on the Seven Seas". [3] [8] The album title is derived from the Oskar Schlemmer painting, Bauhaus Stairway (1932). [9]
The release of Bauhaus Staircase – on 27 October 2023 [9] – was preceded by three singles: the title track, "Slow Train", and "Veruschka". [10] Kleptocracy was also later released as a single ahead of the start of the promotion tour for the album. [11]
Artwork for the album was supplied by Liverpool-based artist John Petch. [12] In April 2023, McCluskey stated that the next OMD album would "probably" be the band's last, although he described a potential future album as being one of collaborations with other artists. [13]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 85/100 [14] |
Review scores | |
Source | Rating |
Clash | 9/10 [8] |
Classic Pop | [15] |
Gaffa | [16] |
The Irish Times | [17] |
L'Obs | 4/4 [18] |
Mojo | [19] |
MusicOMH | [20] |
PopMatters | 8/10 [21] |
Record Collector | [22] |
Uncut | 8/10 [23] |
Bauhaus Staircase met with positive reviews, [24] [25] being named "New Album of the Month" in Record Collector . [22] Critic Dave Pollock wrote that it "is continued evidence that some recorded comebacks – this one, in particular – happen to be exactly the right thing for a group to do... It may occasionally sound warmly, comfortingly like the past, but this is an album with its mind fixed firmly on the future." [22] Classic Pop awarded Bauhaus Staircase "Best New Release" honours in their November–December issue, with John Earls calling it "yet another stellar latter-period gem" that would make for "a hell of a last studio statement". [15] Louder Than War 's Martin Gray noted that OMD's "knack for crafting brilliant electronic pop tunes remains intact... each of the 12 tracks is perfectly executed, arranged and produced." [26] According to Jason Anderson of Uncut , the band returned "with a new album as enthralling as anything they've recorded", striking "a balance between pristine electro-pop songcraft and the loopier inclinations that once fuelled [1983's] Dazzle Ships ." [23]
BrooklynVegan and The Irish Mail on Sunday each named Bauhaus Staircase their "Album of the Week", [27] [28] with the former's Bill Pearis calling it "one of [OMD's] best, certainly their most engaging, dialed-in record since 1984's Junk Culture ." Pearis added that the album "pulls off that extremely tricky maneuver of going forward while reminding us of why we loved OMD in the first place." [27] Matt Mitchell of Paste also highlighted Bauhaus Staircase as one of that week's finest releases, saying, "OMD's latest record is their best since Crush in 1985... the album is rife with synthesizers and drum machines that sound 40 years old and more timeless than ever." [29] MusicOMH critic Ben Hogwood wrote that the band "remain in fine form... they still have plenty to give, plenty to say – and Bauhaus Staircase stands up there with the cream of their electronically harvested crop." [20] Aggregator site Metacritic surveyed six reviews, generating a score of 85 out of 100. [14]
Bauhaus Staircase was listed as one of 2023's best albums by multiple outlets. [30] Physicist and musician Brian Cox described it as "superb" and the record that would be produced "if Kraftwerk came from the Wirral". [31]
All songs by Andy McCluskey and Paul Humphreys, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Bauhaus Staircase" | 3:57 | |
2. | "Anthropocene" | 5:51 | |
3. | "Look at You Now" | 3:20 | |
4. | "G.E.M." |
| 3:00 |
5. | "Where We Started" | McCluskey | 2:26 |
6. | "Veruschka" | 3:33 | |
7. | "Slow Train" |
| 3:58 |
8. | "Don't Go" | 3:30 | |
9. | "Kleptocracy" | McCluskey | 3:00 |
10. | "Aphrodite's Favourite Child" |
| 3:29 |
11. | "Evolution of Species" | 3:06 | |
12. | "Healing" |
| 3:40 |
Total length: | 42:50 |
Credits adapted from the liner notes of Bauhaus Staircase. [12]
OMD
| Additional personnel
|
Chart (2023) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [32] | 28 |
Belgian Albums (Ultratop Flanders) [33] | 62 |
Belgian Albums (Ultratop Wallonia) [34] | 64 |
German Albums (Offizielle Top 100) [35] | 7 |
Irish Albums (IRMA) [36] | 59 |
Polish Albums (ZPAV) [37] | 45 |
Scottish Albums (OCC) [38] | 2 |
Swiss Albums (Schweizer Hitparade) [39] | 38 |
UK Albums (OCC) [40] | 2 |
UK Independent Albums (OCC) [41] | 1 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
Universal is the tenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 September 1996 by Virgin Records. Frontman Andy McCluskey opted for a more organic, acoustic sound on the record, which peaked at number 24 on the UK Albums Chart. It was generally well received by music critics, although the British media's overall resistance to OMD – who had been rendered unfashionable by the prevalence of grunge and indie rock – prompted McCluskey to dissolve the group. Universal was their last album until 2010's History of Modern.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age. It was recorded remotely, with band members compiling the tracks via the Internet.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)[Bauhaus Staircase] was greeted very well not only in terms of sales... but also and above all in terms of criticism.
{{cite web}}
: CS1 maint: unfit URL (link)2. OMD: Bauhaus Staircase.
13. OMD: Bauhaus Staircase.