"Sister Marie Says" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album History of Modern | ||||
B-side |
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Released | 15 November 2010 | |||
Recorded | 2007–2010 The Motor Museum, Liverpool | |||
Genre | Synth-pop | |||
Length | 4:00 (album version) 3:32 (radio edit) | |||
Label | 100% Bright Antenna | |||
Songwriter(s) | McCluskey | |||
Producer(s) | OMD, Guy Katsav | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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"Sister Marie Says" is the 32nd UK single from English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 15 November 2010. [1] Remixes by Monarchy, Stopmakingme, Kinky Roland and Mirrors have been commissioned. [1]
"Sister Marie Says" was originally written in 1981. Elements of it were also commissioned. In 1996, the song was due to feature on the group's tenth album Universal , but was scrapped due to the song being out-of-character with the album's reflective tone.
The subject of the song is self-styled nun, prophet and astronomer 'Sister Marie Gabriel' (a.k.a. Sofia Richmond, Sofia Paprocski, Zofia Sagatis, Sofia Marie Angel, etc.; b. Poland, 1941) who became notorious for producing apocalyptic warnings of imminent world doom. This later culminated in 1994 with her publishing (from her London flat) alarming full-page advertisements in several British national daily newspapers, incorrectly predicting "God's final warning", a supposed massive fireball directed across space at planet Earth from Jupiter, resulting from the (already predicted) impact of comet Shoemaker-Levy 9.
After the band's reunion, the song was demoed in 2007 and released as a free download. The final version was produced and mixed by Guy Katsav at his London studio and its featured on their eleventh studio album History of Modern .
The duo announced the single on 18 October 2010. The artwork was also revealed, as well as the candidates for remixes which also include Switchblade, The Str8jackets & Zoned Out. On 26 October 2010, the limited edition 7 in vinyl single was released for pre-order on the band's website.
The music video for "Sister Marie Says" was released on 25 October 2010.
No. | Title | Writer(s) | Length |
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1. | "Sister Marie Says" (Radio edit) | OMD | 3:32 |
No. | Title | Length |
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2. | "History of Modern (Part III & IV)" | 3:00 |
The B-side track History of Modern (Part III & IV) on this Limited edition single is a longer version than the one on the EP History of Modern (Part I), where the track with the same name is only 2:03
Chart (2010) | Peak position |
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UK Singles (OCC) [2] | 169 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop. The band were also an early presence in the MTV-driven Second British Invasion of the US.
Vincent John Martin, known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter for several groups, including Depeche Mode, Yazoo, and the Assembly. In Erasure, he is known for his deadpan and low-key onstage demeanour, often remaining motionless over his keyboard, in sharp contrast to lead vocalist Andy Bell's animated and hyperactive frontman antics.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. The record's musical style has been characterised as "Talking Heads-meets-Kraftwerk".
The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
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The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 13 studio albums and 40 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's most influential works.
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