The Best of OMD | ||||
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Compilation album by | ||||
Released | 29 February 1988 [1] | |||
Recorded | 1979–1988 | |||
Genre | Synth-pop | |||
Length | 53:54 (LP and cassette) 73:41 (CD, MiniDisc, and DCC) | |||
Label | Virgin | |||
Producer |
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Orchestral Manoeuvres in the Dark chronology | ||||
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The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
The album was a worldwide success, becoming a Top 5 hit across Europe and achieving 3× platinum sales in the United Kingdom and gold status in the United States. [2] "Dreaming" was released as a single and made little impact on the UK charts, reaching No. 50, but it was a hit in the US (No. 16), Germany (No. 26) and South Africa (No. 2).
The Best of OMD was named by The Quietus and Classic Pop as one of the best compilation albums in history.
The version of "Electricity" used is the same as the one featured on their debut album (which itself is the band reworking Martin Hannett's original Factory version). The band was originally going to use their very first version of this song, but found the drumming to be inferior and so settled for the remix of the track instead. "Messages" is the more popular 10" single version; "Tesla Girls" is a compilation version not previously released; [3] and "Talking Loud and Clear" is the 7" edited version.
The worldwide CD, MiniDisc and DCC versions of the album are resequenced and feature four extra tracks not present on the LP version: "Telegraph" (a unique mix found only on this release, differing from the album version and both 12" versions), "Genetic Engineering", and 12" versions of "La Femme Accident" and "We Love You". The US CD adds only the latter two 12" versions. The Australian version of the vinyl album replaces "Secret" with "We Love You", since that song had been a popular hit there. There was also a video compilation released with the promo videos of some of the songs featured on the album.
The Best of OMD was the group's final album release of the decade, effectively closing a chapter on their history as co-founder Paul Humphreys left the following year. According to the band, they had no interest in releasing a hits compilation and did so in order to pay off seemingly inexplicable debts owed to Virgin Records. [4] [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Encyclopedia of Eighties Music | [7] |
Great Rock Discography | 8/10 [8] |
MusicHound | [9] |
Number One | [10] |
Tom Hull – on the Web | A− [11] |
The Village Voice | B+ [12] |
Max Bell of Number One wrote, "Every song seems to be a classic in its own right... [The Best of OMD] is a timely reminder of just how good pop music can be." [10] Robert K. Oermann noted, "For years, OMD has been pumping out a steady stream of shimmering, shiny dance-pop singles, custom-made for those late nights spent bobbing and weaving to hypnotic rhythms. This [album] contains 14 perfect OMD sonic ripples." [13] Detroit Free Press critic Gary Graff referred to the compilation as a "stellar collection of singles". [14] In mid-1988, The Observer reported that The Best of OMD was the ninth best-selling CD album in Britain for the first half of the year. [15]
In a retrospective review, Mike DeGagne of AllMusic highlighted the band's knack for strong hooks, and described The Best of OMD as an "excellent compilation" from a group who "were responsible for some of the catchiest and brightest synth pop that the '80s had to offer". [6] Trouser Press called the record "a concise recapitulation of the band's artistic development", [16] while Quietus writer Ian Wade dubbed it "one of the greatest singles collections ever". [17] It was ranked 13th in Classic Pop 's "Top 20 Compilation Albums". [18]
All songs written by OMD, except "Locomotion" written by OMD and Gordian Troeller, and "So in Love" written by OMD and Stephen Hague.
No. | Title | Writer(s) | Album | Length |
---|---|---|---|---|
1. | "Electricity" | Humphreys, McCluskey | Orchestral Manoeuvres in the Dark | 3:30 |
2. | "Messages" | Humphreys, McCluskey | Orchestral Manoeuvres in the Dark | 4:44 |
3. | "Enola Gay" | McCluskey | Organisation | 3:31 |
4. | "Souvenir" | Humphreys, Cooper | Architecture & Morality | 3:34 |
5. | "Joan of Arc" | McCluskey | Architecture & Morality | 3:47 |
6. | "Maid of Orleans" | McCluskey | Architecture & Morality | 4:09 |
7. | "Talking Loud and Clear" | Humphreys, McCluskey, Cooper | Junk Culture | 3:53 |
Total length: | 27:08 |
No. | Title | Writer(s) | Album | Length |
---|---|---|---|---|
1. | "Tesla Girls" | Humphreys, McCluskey | Junk Culture | 3:33 |
2. | "Locomotion" | Humphreys, McCluskey, Gordian Troeller | Junk Culture | 3:53 |
3. | "So in Love" | Humphreys, McCluskey, Stephen Hague | Crush | 3:28 |
4. | "Secret" | Humphreys, McCluskey | Crush | 3:56 |
5. | "If You Leave" | Humphreys, McCluskey, Cooper | Pretty in Pink | 4:28 |
6. | "(Forever) Live and Die" | Humphreys, Weir, Weir | The Pacific Age | 3:34 |
7. | "Dreaming" | Humphreys, McCluskey | Previously unreleased | 3:54 |
Total length: | 26:46 (53:54) |
No. | Title | Writer(s) | Album | Length |
---|---|---|---|---|
1. | "Electricity" | Humphreys, McCluskey | Orchestral Manoeuvres in the Dark | 3:30 |
2. | "Messages" | Humphreys, McCluskey | Orchestral Manoeuvres in the Dark | 4:44 |
3. | "Enola Gay" | McCluskey | Organisation | 3:31 |
4. | "Souvenir" | Humphreys, Cooper | Architecture & Morality | 3:34 |
5. | "Joan of Arc" | McCluskey | Architecture & Morality | 3:47 |
6. | "Maid of Orleans" | McCluskey | Architecture & Morality | 4:09 |
7. | "Telegraph" | Humphreys, McCluskey | Dazzle Ships | 3:43 |
8. | "Tesla Girls" | Humphreys, McCluskey | Junk Culture | 3:33 |
9. | "Locomotion" | Humphreys, McCluskey, Troeller | Junk Culture | 3:53 |
10. | "Talking Loud and Clear" | Humphreys, McCluskey, Cooper | Junk Culture | 3:53 |
11. | "So in Love" | Humphreys, McCluskey, Hague | Crush | 3:28 |
12. | "Secret" | Humphreys, McCluskey | Crush | 3:56 |
13. | "If You Leave" | Humphreys, McCluskey, Cooper | Pretty in Pink | 4:28 |
14. | "(Forever) Live and Die" | Humphreys, Weir, Weir | The Pacific Age | 3:34 |
15. | "Dreaming" | Humphreys, McCluskey | Previously unreleased | 3:54 |
16. | "Genetic Engineering" | Humphreys, McCluskey | Dazzle Ships | 3:35 |
17. | "We Love You" (12" Version) | Humphreys, McCluskey, Hague | The Pacific Age | 6:14 |
18. | "La Femme Accident" (12" Version) | Humphreys, McCluskey | Crush | 6:16 |
Total length: | 73:41 |
No. | Title | Length |
---|---|---|
1. | "Electricity" | |
2. | "Messages" | |
3. | "Enola Gay" | |
4. | "Souvenir" | |
5. | "Maid of Orleans" | |
6. | "Talking Loud and Clear" | |
7. | "Tesla Girls" | |
8. | "Locomotion" | |
9. | "So in Love" | |
10. | "Secret" | |
11. | "If You Leave" | |
12. | "(Forever) Live and Die" | |
13. | "Dreaming" | |
14. | "Telegraph" | |
15. | "We Love You" | |
16. | "La Femme Accident" |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [34] | Gold | 50,000^ |
Germany (BVMI) [35] | Gold | 250,000^ |
Netherlands (NVPI) [36] | Gold | 50,000^ |
New Zealand (RMNZ) [37] | Platinum | 15,000^ |
United Kingdom (BPI) [38] | 3× Platinum | 900,000^ |
United States (RIAA) [39] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Country | Date | Format | Label | Cat.no. |
---|---|---|---|---|
UK | 1988 | LP | Virgin | OMD1 |
Musicassette | TCOMD1 | |||
Compact Disc | CD OMD | |||
VHS | VVD247 | |||
1992 | DCC | 458604 | ||
1998 | MiniDisc | MD OMD1 | ||
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the second single from their studio album Dazzle Ships (1983). "Telegraph" was originally slated to be the first single released, but being unhappy with the mix and with pressure from Virgin, the group instead opted for "Genetic Engineering".
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
Messages: Greatest Hits is a compilation release by Orchestral Manoeuvres in the Dark (OMD), issued in 2008. At the time it was the most comprehensive of the band's retrospective packages, featuring a CD of 20 charting singles and a DVD of all the band's music videos. Material was drawn from the group's recording career from 1979 to their first disbandment in 1996.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
We did a Greatest Hits; we didn't want to.