The Best of OMD

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The Best of OMD
The Best of OMD.jpg
Compilation album by
Released29 February 1988 (1988-02-29) [1]
Recorded1979–1988
Genre Synthpop
Length53:54 (LP and cassette)
73:41 (CD, MiniDisc, and DCC)
Label Virgin
Producer
Orchestral Manoeuvres in the Dark chronology
The Pacific Age
(1986)
The Best of OMD
(1988)
Sugar Tax
(1991)

The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.

Contents

The album was a worldwide success, becoming a Top 5 hit across Europe and achieving 3× platinum sales in the United Kingdom and gold status in the United States. [2] "Dreaming" was released as a single and made little impact on the UK charts, reaching No. 50, but it was a hit in the US (No. 16), Germany (No. 26) and South Africa (No. 2).

The Best of OMD was named by The Quietus and Classic Pop as one of the best compilation albums in history.

Background

The version of "Electricity" used is the same as the one featured on their debut album (which itself is the band reworking Martin Hannett's original Factory version). The band was originally going to use their very first version of this song, but found the drumming to be inferior and so settled for the remix of the track instead. "Messages" is the more popular 10" single version; "Tesla Girls" is a compilation version not previously released; [3] and "Talking Loud and Clear" is the 7" edited version.

The worldwide CD, MiniDisc and DCC versions of the album are resequenced and feature four extra tracks not present on the LP version: "Telegraph" (a unique mix found only on this release, differing from the album version and both 12" versions), "Genetic Engineering", and 12" versions of "La Femme Accident" and "We Love You". The US CD adds only the latter two 12" versions. The Australian version of the vinyl album replaces "Secret" with "We Love You", since that song had been a popular hit there. There was also a video compilation released with the promo videos of some of the songs featured on the album.

The Best of OMD was the group's final album release of the decade, effectively closing a chapter on their history as co-founder Paul Humphreys left the following year. According to the band, they had no interest in releasing a hits compilation and did so in order to pay off seemingly inexplicable debts owed to Virgin Records. [4] [5]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [6]
Encyclopedia of Eighties Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [7]
Great Rock Discography 8/10 [8]
MusicHound Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [9]
Number One Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [10]
Tom Hull – on the Web A− [11]
The Village Voice B+ [12]

Max Bell of Number One wrote, "Every song seems to be a classic in its own right... [The Best of OMD] is a timely reminder of just how good pop music can be." [10] Robert K. Oermann noted, "For years, OMD has been pumping out a steady stream of shimmering, shiny dance-pop singles, custom-made for those late nights spent bobbing and weaving to hypnotic rhythms. This [album] contains 14 perfect OMD sonic ripples." [13] Detroit Free Press critic Gary Graff referred to the compilation as a "stellar collection of singles". [14] In mid-1988, The Observer reported that The Best of OMD was the ninth best-selling CD album in Britain for the first half of the year. [15]

In a retrospective review, Mike DeGagne of AllMusic highlighted the band's knack for strong hooks, and described The Best of OMD as an "excellent compilation" from a group who "were responsible for some of the catchiest and brightest synth pop that the '80s had to offer". [6] Trouser Press called the record "a concise recapitulation of the band's artistic development", [16] while Quietus writer Ian Wade dubbed it "one of the greatest singles collections ever". [17] It was ranked 13th in Classic Pop 's "Top 20 Compilation Albums". [18]

Track listing

All songs written by OMD, except "Locomotion" written by OMD and Gordian Troeller, and "So in Love" written by OMD and Stephen Hague.

Vinyl LP and Music Cassette

Side one
No.TitleWriter(s)AlbumLength
1."Electricity"Humphreys, McCluskey Orchestral Manoeuvres in the Dark 3:30
2."Messages"Humphreys, McCluskeyOrchestral Manoeuvres in the Dark4:44
3."Enola Gay"McCluskey Organisation 3:31
4."Souvenir"Humphreys, Cooper Architecture & Morality 3:34
5."Joan of Arc"McCluskeyArchitecture & Morality3:47
6."Maid of Orleans"McCluskeyArchitecture & Morality4:09
7."Talking Loud and Clear"Humphreys, McCluskey, Cooper Junk Culture 3:53
Total length:27:08
Side two
No.TitleWriter(s)AlbumLength
1."Tesla Girls"Humphreys, McCluskeyJunk Culture3:33
2."Locomotion"Humphreys, McCluskey, Gordian TroellerJunk Culture3:53
3."So in Love"Humphreys, McCluskey, Stephen Hague Crush 3:28
4."Secret"Humphreys, McCluskeyCrush3:56
5."If You Leave"Humphreys, McCluskey, Cooper Pretty in Pink 4:28
6."(Forever) Live and Die"Humphreys, Weir, Weir The Pacific Age 3:34
7."Dreaming"Humphreys, McCluskeyPreviously unreleased3:54
Total length:26:46 (53:54)

Compact Disc, MiniDisc and Digital Compact Cassette

No.TitleWriter(s)AlbumLength
1."Electricity"Humphreys, McCluskeyOrchestral Manoeuvres in the Dark3:30
2."Messages"Humphreys, McCluskeyOrchestral Manoeuvres in the Dark4:44
3."Enola Gay"McCluskeyOrganisation3:31
4."Souvenir"Humphreys, CooperArchitecture & Morality3:34
5."Joan of Arc"McCluskeyArchitecture & Morality3:47
6."Maid of Orleans"McCluskeyArchitecture & Morality4:09
7."Telegraph"Humphreys, McCluskey Dazzle Ships 3:43
8."Tesla Girls"Humphreys, McCluskeyJunk Culture3:33
9."Locomotion"Humphreys, McCluskey, TroellerJunk Culture3:53
10."Talking Loud and Clear"Humphreys, McCluskey, CooperJunk Culture3:53
11."So in Love"Humphreys, McCluskey, HagueCrush3:28
12."Secret"Humphreys, McCluskeyCrush3:56
13."If You Leave"Humphreys, McCluskey, CooperPretty in Pink4:28
14."(Forever) Live and Die"Humphreys, Weir, WeirThe Pacific Age3:34
15."Dreaming"Humphreys, McCluskeyPreviously unreleased3:54
16."Genetic Engineering"Humphreys, McCluskeyDazzle Ships3:35
17."We Love You" (12" Version)Humphreys, McCluskey, HagueThe Pacific Age6:14
18."La Femme Accident" (12" Version)Humphreys, McCluskeyCrush6:16
Total length:73:41

VHS Video

No.TitleLength
1."Electricity" 
2."Messages" 
3."Enola Gay" 
4."Souvenir" 
5."Maid of Orleans" 
6."Talking Loud and Clear" 
7."Tesla Girls" 
8."Locomotion" 
9."So in Love" 
10."Secret" 
11."If You Leave" 
12."(Forever) Live and Die" 
13."Dreaming" 
14."Telegraph" 
15."We Love You" 
16."La Femme Accident" 

Charts

Certifications

Certifications for The Best of OMD
RegionCertification Certified units/sales
Canada (Music Canada) [34] Gold50,000^
Germany (BVMI) [35] Gold250,000^
Netherlands (NVPI) [36] Gold50,000^
New Zealand (RMNZ) [37] Platinum15,000^
United Kingdom (BPI) [38] 3× Platinum900,000^
United States (RIAA) [39] Gold500,000^

^ Shipments figures based on certification alone.

Release history

CountryDateFormatLabelCat.no.
UK1988LP Virgin OMD1
MusicassetteTCOMD1
Compact DiscCD OMD
VHSVVD247
1992DCC458604
1998MiniDiscMD OMD1

Credits

Related Research Articles

<span class="mw-page-title-main">Orchestral Manoeuvres in the Dark</span> English band

Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US.

<i>Dazzle Ships</i> (album) 1983 studio album by Orchestral Manoeuvres in the Dark

Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.

<i>Junk Culture</i> 1984 studio album by Orchestral Manoeuvres in the Dark

Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental 1983 album Dazzle Ships, OMD and Virgin intended for the group to shift toward a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. The record's musical style has been characterised as "Talking Heads-meets-Kraftwerk".

<i>Architecture & Morality</i> 1981 studio album by Orchestral Manoeuvres in the Dark

Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.

<i>Organisation</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.

<i>Orchestral Manoeuvres in the Dark</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.

<i>Crush</i> (Orchestral Manoeuvres in the Dark album) 1985 studio album by Orchestral Manoeuvres in the Dark

Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group toward a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.

<i>The Pacific Age</i> 1986 studio album by Orchestral Manoeuvres in the Dark

The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD albums produced by Stephen Hague, after Crush (1985). The record further explores the pop stylings embraced by its predecessor, exhibiting little of the experimental spirit of the group's earlier material.

<i>Sugar Tax</i> (album) 1991 studio album by Orchestral Manoeuvres in the Dark

Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey with a new backing band, it leans towards the dance-pop style that was becoming increasingly popular within mainstream music at the time.

<span class="mw-page-title-main">Maid of Orleans (The Waltz Joan of Arc)</span> 1982 single by Orchestral Manoeuvres in the Dark

"Joan of Arc " is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans " for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. The single was the last release on the Dindisc label.

<span class="mw-page-title-main">Red Frame/White Light</span> 1980 single by Orchestral Manoeuvres in the Dark

"Red Frame/White Light" is the second single by English electronic band Orchestral Manoeuvres in the Dark (OMD). The song is about a red telephone box in Meols, on the Wirral peninsula in Cheshire, that was used by the group to make calls to organise their gigs in the late 1970s. The track is composed of two alternating major/minor sections, each built around a synthesizer hook. Lyrical content is minimal, comprising mostly brief, spoken word utterances. It was the band's first single to chart.

<span class="mw-page-title-main">Messages (Orchestral Manoeuvres in the Dark song)</span> 1980 single by Orchestral Manoeuvres in the Dark

"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.

<span class="mw-page-title-main">Souvenir (song)</span> 1981 single by Orchestral Manoeuvres in the Dark

"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.

<span class="mw-page-title-main">Orchestral Manoeuvres in the Dark discography</span>

The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 13 studio albums and 40 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's most influential works.

<span class="mw-page-title-main">Telegraph (song)</span> 1983 single by Orchestral Manoeuvres in the Dark

"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and is the second single from their studio album Dazzle Ships. "Telegraph" was originally slated to be the first single release, but being unhappy with the mix and with pressure from Virgin, the group instead opted to release "Genetic Engineering".

<span class="mw-page-title-main">Tesla Girls</span> 1984 single by Orchestral Manoeuvres in the Dark

"Tesla Girls" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.

<span class="mw-page-title-main">Dreaming (Orchestral Manoeuvres in the Dark song)</span> 1988 single by Orchestral Manoeuvres in the Dark

"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album, The Best of OMD.

<i>Messages: Greatest Hits</i> 2008 compilation album by Orchestral Manoeuvres in the Dark

Messages: Greatest Hits is a compilation release by Orchestral Manoeuvres in the Dark (OMD), issued in 2008. At the time it was the most comprehensive of the band's retrospective packages, featuring a CD of 20 charting singles and a DVD of all the band's music videos. Material was drawn from the group's recording career from 1979 to their first disbandment in 1996.

<i>English Electric</i> (album) 2013 studio album by Orchestral Manoeuvres in the Dark

English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.

<i>The Punishment of Luxury</i> (album) 2017 studio album by Orchestral Manoeuvres in the Dark

The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.

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