"Dreaming" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album The Best of OMD | ||||
B-side |
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Released | 25 January 1988 | |||
Recorded | 1988 | |||
Genre | ||||
Length | 3:54 6:26 (Extended version) | |||
Label | Virgin | |||
Songwriter(s) | Humphreys, McCluskey | |||
Producer(s) | OMD | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Music video | ||||
"Orchestral Manoeuvres In The Dark - Dreaming" on YouTube |
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD .
It was a hit in the United States, reaching number 16 on the Billboard Hot 100, number 17 on the Cash Box Top 100 and number six on the Dance chart. The track had limited success in the band's home country where it peaked at number 50 on the UK Singles Chart, while it entered the Top 40 in several other countries including Australia, New Zealand and West Germany. The single was re-released in the UK in June 1988 in new 7" gatefold and CD single as well as 12" formats, reaching this time number 60 on the national chart. [1]
The cover art was designed by Stylorouge, [2] with photography by Andrew Catlin. [3]
Until OMD's reformation in 2010, "Dreaming" was the last single to feature the group's original line-up; lead singer Andy McCluskey was the only core member to appear on their 1991–1996 output. McCluskey performed the song live during the 1990s when Humphreys was no longer in the group.[ citation needed ]
Stewart Mason, in a retrospective review for AllMusic, described the song as "dynamite", and wrote: "['Dreaming'] is easily the group's best single since 1983's 'Telegraph'... It's a near-perfect pop song, perhaps the last great single by an '80s synth-pop band." [4] Classic Pop 's Mark Lindores called it a "massively underrated OMD anthem". [5]
Conversely, McCluskey named "Dreaming" as a track he wishes OMD had never released, while criticising its lyrical content. [6] KROQ ranked the song the 43rd-greatest of 1988; [7] in a Slicing Up Eyeballs reader poll, it was voted the 62nd-best of the year. [8]
All the single versions include "Satellite" as a B-side. The other B-side, "Gravity Never Failed", was a bonus track on the 12" and CD single. This song was originally titled "Georgia" and dates back to the 1981 Architecture & Morality sessions. However, the band lost their favour with the song at the time and it was thus shelved, and the title "Georgia" was given to a new song featured on the album. "Gravity Never Failed" has subsequently been included on CD re-issues of the Architecture & Morality album (2003 & 2007), as well as on the Navigation: The OMD B-Sides compilation album, unlike "Satellite", which remains unique to this release.[ citation needed ]
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Version | Length | Remixed by | Comment |
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Radio Edit/7" Version | 4:00 | Tom Lord-Alge | Same as Album version |
Extended Mix | 6:19 | Tom Lord-Alge | |
The William Orbit Remix | 7:15 | William Orbit | Special Limited Edition 10" (UK) |
Extended 12" Club Mix | 8:22 | Bruce Forest and Frank Heller | US 12" Promo |
Club Mix Edit | 4:58 | Bruce Forest and Frank Heller | US 12" Promo |
Club Mix | 7:13 | Bruce Forest and Frank Heller | also known as 12" USA Club Mix |
Dub Mix | 4:29 | Bruce Forest and Frank Heller | |
Radio USA Mix | 3:50 | Bruce Forest and Frank Heller | |
Chart (1988) | Peak position |
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Australia (Kent Music Report) [9] | 33 |
Belgium (Ultratop 50 Flanders) [10] | 26 |
New Zealand (Recorded Music NZ) [11] | 37 |
UK Singles (OCC) [12] | 50 |
US Billboard Hot 100 [13] | 16 |
US Dance Club Songs ( Billboard ) [14] | 6 |
US Dance Singles Sales ( Billboard ) [15] | 17 |
US Cash Box Top 100 [16] | 17 |
West Germany (Official German Charts) [17] | 26 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album we've ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"If You Leave" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"So in Love" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their album Crush. It reached the top 30 of both the UK Singles Chart and the US Billboard Hot 100, becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland.
"Joan of Arc" is a 1981 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their third studio album Architecture & Morality. It was well-received by critics and became an international hit, reaching the Top 5 in the UK and Canada and number 13 in Ireland.
"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"(Forever) Live and Die" is a 1986 song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their seventh studio album The Pacific Age. Paul Humphreys sings lead vocals on the track. The single peaked at No. 11 on the UK Singles Chart. It was a top 10 hit in Canada and several European territories, and a top 20 hit in the United States, Australia, New Zealand, and Ireland.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.