"Souvenir" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Architecture & Morality | ||||
B-side |
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Released | 21 August 1981 [1] | |||
Recorded | 1981 | |||
Genre | ||||
Length |
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Label | Dindisc | |||
Songwriter(s) | Paul Humphreys, Martin Cooper | |||
Producer(s) | Mike Howlett | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Alternative cover | ||||
Official video | ||||
"Souvenir" on YouTube |
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD),and released as the first single from the group's 1981 album Architecture &Morality . Sung by Humphreys,the track is characterised by its use of slowed-down choral loops,and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"Souvenir" became an international hit for the band. Peaking at number 3 on the UK Singles Chart,it remains the group's highest-charting single in their home country,along with 1991's "Sailing on the Seven Seas". The song also reached the top 10 in several European countries,including topping the charts in Spain and Portugal.
A tape consisting of slowed-down loops of a choir tuning up lent by ex-OMD member Dave Hughes had been the initial inspiration for the song. [2] The composition was difficult,and the group was initially tempted to abandon the track. It was originally titled "The Choir Song" and the working title remained up until the final week for Peter Saville's artwork delivery. [3]
Keyboard player Paul Humphreys provided lead vocals and had co-written the song with Martin Cooper who had played live with OMD and was becoming part of the group. A synthesizer hook substitutes for a vocal chorus,as with other OMD compositions. [4] Frontman and co-founder Andy McCluskey was not a fan of the track. He said in 1987,"I think you can always make a better case for a song you've written on your own... But everyone seems to think I hated 'Souvenir' just because it was Paul's song –not so. I genuinely thought it was a bit soppy,and since I hadn't written it,I found it hard to relate to." [5]
An extended version of Souvenir (with an additional verse) was released as a 10" single [6] and was later included as a bonus on the digitally remastered copies of Architecture &Morality. It was the second time the group had used this unusual release format,the first being the 10" single for "Messages" in May 1980.
Unlike successive hit singles "Joan of Arc" and "Maid of Orleans" from the Architecture &Morality album,"Souvenir" has never been reissued as a standalone CD single release.
The title of the track was used for a documentary DVD about the reformed OMD,released in 2007 by Aspect Television. [7]
Cashbox named "Souvenir",and "Did It in a Minute" by Hall &Oates,as their top "singles picks" for the week of 20 March 1982. The magazine called "Souvenir" an "insidiously catchy and melodic synthesizer glissando",and OMD's "strongest U.S. bid yet". [8] Sunie Fletcher of Record Mirror described the track as a "pleasant slowie" that is "very reminiscent of French movie music", [9] while the Vancouver Sun 's Neal Hall said it "underscores the band's talent at writing subtle,intelligent pop songs". [10] Pete Silverton of Smash Hits was less enthused,portraying the track as "ethereal but rather hollow". [11] The magazine later expressed an alternate view,observing a "strong" single that features 1981's "intro of the year". [12]
"Souvenir" entered the UK Singles Chart on 29 August 1981 at no. 41,reaching no. 23 the following week. It was featured for the first time on Top of the Pops that week,helping the single to enter the Top 10 the next week,and then reach its peak of no. 3 on 15 September. [13] "Souvenir" was the 28th best-selling single in the UK in 1981. [14]
Retrospectively,Ned Raggett of AllMusic praised Humphreys' "warm and beautiful lead role" and described the mid-song instrumental break as "especially inspired". [15] Classic Pop 's Mark Lindores called it a "shimmering synth-pop masterpiece", [16] while Trouser Press hailed the track as "magnificent" and "one of the most majestic singles of the post-punk era". [17] Paste identified "Souvenir" as "one of the best synth-pop songs ever written". [18]
In Record Mirror ,critics Alf Martin and Daniela Soave each listed "Souvenir" as one of the 10 best singles of 1981; [19] Smash Hits readers placed it fourth. [12] Classic Pop later ranked the single as the 34th-greatest of the 1980s. [20] Having gained limited mainstream airplay since its initial chart success,"Souvenir" was mentioned in the IPC Media special 501 Lost Songs as a "classic piece of early '80s melancholy". [3] It has nevertheless been featured on numerous 1980s compilation albums,as well as in the BBC drama Ashes to Ashes . [21]
Multiple artists have endorsed the song. In a 1981 interview with BBC Radio 1,Godley &Creme named OMD's "Souvenir" and "Enola Gay" as two of their favourite singles of recent memory. [22] Also that year,Pet Shop Boys founders Neil Tennant and Chris Lowe established a common ground in their love of the track. Tennant wrote in 2018,"'Souvenir' is such a beautiful and wistful song with that sparse early Eighties electronic sound. I still play it." [23] Thompson Twins frontman Tom Bailey named the track as one of his favourites from the 1980s,and declared,"What a melody. It's a fantastic piece of work." [24] [25] Neil Hannon of The Divine Comedy professed to "absolutely adore" the song,having purchased the "Souvenir" single as a child. He added,"[It's] probably the single record that I have played most in my life. I just kept it on repeat." [26] The Charlatans frontman Tim Burgess,who also bought the single,described it as "so atmospheric" and an "absolute classic". [27]
In 2011,Princess Chelsea named "Souvenir" her favourite song. [28] Jonn Penney of Ned's Atomic Dustbin selected it as the one track he would like to be played at his funeral,adding,"I'd want people to have that euphoric feeling that you sometimes get,when you remember something special that happened to you. This song somehow captures that for me." [29] Erasure vocalist Andy Bell said that he is always moved to tears upon hearing the track, [30] while Arcade Fire orchestrator Owen Pallett,who has arranged string versions of OMD songs,said,"I was working so hard to make the strings sound like a four-pole filter sweep,which is what is the intro of 'Souvenir' is made from. That inspired me to... apply it to my own songs." [31]
There are two songs on the B-sides of the 7" and the 10" singles,"Motion &Heart" (Amazon Version) and "Sacred Heart". The original version of "Motion &Heart" can be found on the Organisation album. The Amazon Version was recorded at Amazon Studios in Kirkby as a possible single after "Enola Gay",but that plan was dropped. [2] Both songs are produced by OMD and can be found on the remastered re-issues of Architecture &Morality. "Sacred Heart" is also included on Navigation:The OMD B-Sides .
"Sacred Heart" was sampled by German musician Console for his instrumental piece "Crabcraft",which appeared on the album Rocket in the Pocket (1998). [32] Icelandic singer Björk later added a vocal to the track,retitling it "Heirloom",and including it on the album Vespertine (2001). [33]
This article needs additional citations for verification .(January 2021) |
The song's promo video was filmed by Peter Saville in the grounds of Stowe House (the home of Stowe School, in Buckinghamshire, England) and Blenheim Palace Park, in Oxfordshire. It was an early MTV favourite and is among OMD's more well-known videos. [34]
Andy McCluskey is seen driving around in a classic red, convertible Volkswagen Karmann Ghia [35] (property of Peter Saville), while Paul Humphreys stands on, and leans against the pillars of, the Palladian Bridge while singing. The promo video is included on the video version of The Best of OMD , the bonus DVD of the 2007 reissue of Architecture & Morality and the DVD included in the 2008 Compilation album Messages: Greatest Hits . [36]
The song was performed at live shows on a regular basis following the Architecture & Morality tour in 1981, except for when Paul Humphreys was no longer with the band during the 1990s. [37] A live performance from 1981 was filmed for the Live at The Theatre Royal, Drury Lane concert in December 1981, initially released on VHS (1982) and laserdisc (1984) and later on DVD.
The song was also performed with The Royal Liverpool Philharmonic Orchestra in June 2009 as documented by the Electricity DVD release. [38]
On 26 July 2015 Paul Humphreys was unable to perform at the 80s Rewind Festival in Scotland and so the vocal was sung for the first time by Andy McCluskey. On seeing a clip of the performance from his hospital bed Humphreys said he felt he had "entered some kind of alternative universe". [39]
The sleeve was designed by Peter Saville and Brett Wickens. The 7" sleeve has a die-cut hole in the middle, revealing the label. On the label is a picture of a Düsseldorf street scene. For the 10" this picture is printed on the sleeve. It was the first single released with OMD as the band name. The European releases have different artwork, some almost identical to the UK releases. A Canadian release of the 10" has green transparent vinyl.
In May 1991 DMC released a 12" vinyl single with the "Postcards from the Edge Mix" by Brothers in Rhythm.
In 1998 four remixes of the song were made by Moby for the intended second disc of The OMD Singles . The second disc was dropped, but the remixes appeared on various The OMD Remixes EPs. In 2003 the double disc version was released in France only, which included all four remixes.
Joyce Manor, [40] Mike "μ-Ziq" Paradinas, [41] Moth Wranglers, [42] and Mark Morriss of the Bluetones, [43] are among those to have covered the song.
Sceneside A:
Typeside B:
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A-side :
B-side :
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Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [55] | Silver | 250,000^ |
^ Shipments figures based on certification alone. |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison, although Humphreys is positioned higher in the mix. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"Joan of Arc" is a 1981 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their third studio album Architecture & Morality. It was well-received by critics and became a hit in the British Isles, reaching number 5 in the UK and number 13 in Ireland.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Red Frame/White Light" is the second single by English electronic band Orchestral Manoeuvres in the Dark (OMD). The song is about a red telephone box in Meols, on the Wirral peninsula in Merseyside, that was used by the group to make calls to organise their gigs in the late 1970s. The track is composed of two alternating major/minor sections, each built around a synthesizer hook. Lyrical content is minimal, comprising mostly brief, spoken word utterances. It was the band's first single to chart.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the second single from their studio album Dazzle Ships (1983). "Telegraph" was originally slated to be the first single released, but being unhappy with the mix and with pressure from Virgin, the group instead opted for "Genetic Engineering".
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age. It was recorded remotely, with band members compiling the tracks via the Internet.
[T]his was originally known as 'The Choir Song', as the intro consisted of slowed-down loops of a choir tuning up. This classic piece of early '80s melancholy got its eventual title as Peter Saville was about to deliver the artwork for what would become the band's massive-selling Architecture & Morality album.
Many of our songs use the synth melody as the chorus. There are verses but generally the melody is the chorus.
No. 2 (Soave), No. 10 (Martin).
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: CS1 maint: unfit URL (link)Iconic 80s artists pick their favourite 80s classics...
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: CS1 maint: unfit URL (link)Absolute classic. Gorgeous. I had it on a 7" (as well as the 'other' massive song from this record). So atmospheric.