Thompson Twins

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Thompson Twins
Thompson Twins Feb84.JPG
Background information
Origin Sheffield, England
Years active1977–1993
Past members See below

Thompson Twins were a British pop band that formed in April 1977. [3] Initially a new wave group, they switched to a more mainstream pop sound and achieved considerable popularity during the mid-1980s, scoring a string of hits in the United Kingdom, the United States, and around the world. In 1993, they changed their name to Babble, to reflect their change in music from pop to dub-influenced chill-out. They continued as Babble until 1996, at which point the group permanently dissolved.


The band's name was based on the two bumbling detectives Thomson and Thompson (who are not twins) in the English language version of Hergé's comic strip The Adventures of Tintin . [4] At various stages they had up to seven members, but their best-known incarnation was as a trio between 1982 and 1986. The band became a prominent act in the US during the Second British Invasion, and in 1985 performed at Live Aid in Philadelphia, where they were joined onstage by Madonna. [4]


Early days

In 1977, the original Thompson Twins line-up consisted of Tom Bailey (born 18 January 1956, Halifax, Yorkshire) [5] on bass and vocals, Pete Dodd on guitar and vocals, John Roog on guitar, and Jon Podgorski (known as "Pod") on drums. [1] Dodd and Roog first met when they were both 13 years old.

Arriving in London with very little money, they lived as squatters in Lillieshall Road, Clapham. Future Thompson Twins member Alannah Currie (born 20 September 1957, Auckland, New Zealand) lived in another squat in the same street, which is how she met Bailey. In this house they found an illegal way of accessing electricity from the house next door. Bailey described them, laughingly, as having been "spongers" at the time, for they were living on very little money, and scavenging everything they could lay their hands on. He even said that the only instruments they had were bought, or had been stolen or borrowed. Dodd managed to get a council flat not far away. Their roadie at that time was John Hade, who lived in the same house, and who later became their manager.

As Podgorski had decided to stay in the north, the group auditioned for drummers at the Point Studio in Victoria, London. Andrew Edge joined them on drums for 18 months, and went on to join Savage Progress, who later toured with the Thompson Twins as the support act on the band's 1984 UK tour.

In 1980, the band (now consisting of Bailey, Dodd, Roog and drummer Chris Bell, who had replaced Edge the previous year) released their first single, "Squares and Triangles", on their own Dirty Discs label. A follow-up single, "She's In Love With Mystery", was issued later that year.

Line-up changes

In 1981, the line-up became Bailey, Dodd, Roog, Bell and two new members: former band roadie Joe Leeway on congas and percussion, and Jane Shorter on saxophone. This line-up recorded the first Thompson Twins album A Product of ... (Participation) , documented in the film Listen to London (1981). [6] Currie, who had been associated with the band for a few years, played and sang on the first album, but was not yet a full member.

After the first album, the band's line-up shifted yet again. Saxophonist Jane Shorter left and was replaced by Currie (who also played percussion), and bassist Matthew Seligman, a former member of the Soft Boys and the Fallout Club, joined; [1] leaving Bailey to switch to keyboards, with Leeway starting to handle vocals on some tracks.

The band signed to Arista Records and released the album Set . [1] Thomas Dolby played some keyboards on Set and some live gigs, for Bailey at that time had little experience with synthesizers. Set contained the single "In the Name of Love", sung and largely written by Bailey. It became a No. 1 dance club hit in the US, [7] and an album entitled In the Name of Love (consisting mainly of tracks from Set, with two others from A Product Of... (Participation)) was released in the US to capitalize on the song's popularity. It entered the US Billboard 200. [7]


After the success of "In the Name of Love", Bailey, Currie and Leeway, wanting to pursue the single's different sound, toyed with the idea of starting a new band on the side, which they planned to call 'The Bermuda Triangle'. [8] When "In The Name Of Love" (and the parent album Set) failed to make a substantial impact in the UK record charts, this plan was abandoned. However, at the same time, manager Hade convinced Bailey, Leeway and Currie to downsize the Thompson Twins to a core of the three in April 1982. [8] Accordingly, the other four members of the band were notified that the band was breaking up; they were each paid £500 and were allowed to keep their instruments and equipment in exchange for an understanding not to perform together under the name "Thompson Twins".

The remaining Thompson Twins, who had not in fact broken up, decided to go abroad to free themselves of any UK influence, as well as to combine the songwriting for their first album as a trio with a long holiday. They first went to Egypt and then to the Bahamas, where they recorded at Compass Point Studios in Nassau with producer Alex Sadkin.

Bailey commented on the band's reduction to a trio in a 1983 interview: "When we reformed the band, we were making a statement. We weren't going to be a rock 'n' roll band, we weren't going to have a guitar. We were going to move on. You know, Lou Reed said whenever he played live he ended up going back to heroin music. There are old associations, associations we don't want because they don't reflect the way we feel today. ... Right now, technology is what's important, and that's what our music tries to reflect." [9]

International success

Thompson Twins performing in Lakeland, Florida in 1986. Thompson Twins in Lakeland Florida 1986 (4).jpg
Thompson Twins performing in Lakeland, Florida in 1986.

The band broke into the UK Singles Chart and the US Billboard Hot 100 chart at the beginning of 1983 with "Lies" and "Love On Your Side", which became the band's first UK Top 10 single. [4] [7] [10] They then released their third album, Quick Step & Side Kick (called simply Side Kicks in the US), [7] which peaked at number 2 in the UK and was later certified platinum. Further singles followed with "We Are Detective" (another Top 10 UK hit) [11] and "Watching" (UK No. 33). [4] All three band members worked collectively on songwriting with Currie providing lyrics and Bailey melodies. In addition Leeway was responsible for stagecraft, Currie for videos and imagery and Bailey for musicianship and production. [12] During 1983, the band had the opening spot on The Police's concert tour in the US.

Reduced to a trio, a logo representing each member was created by designer Andy Airfix and was voted the 4th best logo out of 13 by Classic Pop Magazine. [13]

"Hold Me Now" was released in late 1983. The song was an international chart success, peaking at No. 4 in their native UK [14] where it became the band's biggest seller earning a gold disc, [15] and reached No. 3 in the US in the spring of 1984 becoming their biggest American hit. [7]

The band's new album, Into the Gap , was released in early 1984 and became one of the year's biggest sellers, selling five million copies worldwide. It topped the UK Albums Chart [4] and was later certified double platinum there. Further hit singles from the album followed with "Doctor! Doctor!" (UK No. 3) [16] and "You Take Me Up" (UK No. 2, their highest UK singles chart placing [4] and which earned a silver disc). [17] Other singles included a new version of the album track "Sister of Mercy" (UK No. 11), and "The Gap" (though this was not released in the UK). The band embarked on a world tour in support of the album, which had also made the US top ten.

A brand new single, "Lay Your Hands on Me", was released in the UK in late 1984 and reached No. 13 in the UK chart. [4] Following this, the band parted company with their producer Alex Sadkin and opted to produce their new album, Here's To Future Days , by themselves in Paris. However, in March 1985, while promoting their new single "Roll Over" and the forthcoming album, Bailey collapsed in his London hotel room from nervous exhaustion. The "Roll Over" single was then cancelled at the last minute and the new album postponed. Though the band had chosen to produce themselves, the postponement caused them to rethink the project and producer Nile Rodgers was subsequently called in to rework the album with them. The album was eventually released in September 1985, reaching the UK Top 5 and US Top 20, [7] though failed to come close to the success of Into The Gap. It was preceded by the single "Don't Mess With Doctor Dream" (UK No. 15) [4] and followed by the single "King For A Day", which peaked at No. 22 in the UK, [4] but reached No. 8 on the US chart. [7] Other singles included a new US version of "Lay Your Hands On Me" (US No. 6), [7] and a cover of the Beatles' 1968 hit "Revolution", which failed to make the UK Top 40.

Prior to the album's release, the Thompson Twins performed on the American leg of Live Aid in July 1985 and were joined onstage by Madonna. [4] The planned summer 1985 tour of the UK (and a headlining appearance at the Glastonbury Festival) had to be cancelled due to Bailey's health problems (fans with tickets received a free live album as compensation), though international dates were rescheduled and the latter half of 1985 saw sell out tours for the band in the US and Japan. [18] A second planned tour of the UK in 1985 was also scrapped due to the promoter declaring bankruptcy.


Leeway left the band in 1986, and the remaining duo of Bailey and Currie carried on making music for another seven years. [1] The act's first release as a duo was the North America-only single "Nothing In Common", issued in July 1986. It peaked at No. 54 in the US, and No. 68 in Canada.

1987 saw the release of Close to the Bone and the single "Get That Love", which climbed to No. 31 in the US [7] but only reached No. 66 in the UK. [19] The album was a commercial flop. It spent only one week on the UK albums chart at No. 90 and yielded no further chart singles. [19]

"In the Name of Love" was given a new lease on life in 1988, after a remix by Shep Pettibone made the Top 50 in the UK. [4] 1989 saw the release of another album, Big Trash , and a new recording contract with Warner Bros. Records. [1] The single "Sugar Daddy" peaked at No. 28 in the US [7] and would be their last brush with mainstream chart success. [1] 1991's Queer would be the band's swansong, and was supported by various techno-inspired singles under the moniker of Feedback Max (in the UK) to disguise the identity of the band to club DJs. The single "Come Inside" reached No. 7 in the US Dance Chart [7] and No. 1 in the UK Dance Chart.

Prior to this, Bailey and Currie (who were now a couple) had their first child together in 1988, [1] and in the following years they spent a lot of time writing material for other artists including the hit single "I Want That Man" for Debbie Harry in 1989. [20] In 1990, Bailey and Currie contributed the song "Who Wants To Be A Millionaire?" to the Cole Porter tribute album Red Hot + Blue produced by the Red Hot Organization. In 1991, Bailey and Currie were married in Las Vegas, US and the following year moved to New Zealand. In 1992, the Thompson Twins contributed the song "Play with Me" to the soundtrack of the Ralph Bakshi film Cool World ; Bailey alone contributed a second track, "Industry and Seduction". The following year, the duo teamed up with engineer Keith Fernley and changed their band name to Babble. They released two albums, in 1993 and 1996. [1]

The Thompson Twins declined to follow the example of many of their contemporaries and reform in order to tie in with a trend of nostalgia for the 1980s, although Bailey, Currie and Leeway appeared together on the UK Channel 4 show Top Ten Electro Bands in 2001. The Thompson Twins were placed ninth.

After the Twins

Babble released two albums, The Stone (1993) [1] and Ether (1996), with songs featured in the films Coneheads and With Honors .

In the mid-1990s, Currie gave up the music business to set up her own glass-casting studio in Auckland and concentrated on raising her two children. In 2001, she founded and ran the anti-GM group called MAdGE (Mothers Against Genetic Engineering in food and the environment), and networked thousands of women across New Zealand in a resistance movement, aimed at keeping the biotech industry from using New Zealand as an experimental playground. [12] Currie described this group as a "rapidly growing network of politically non-aligned women who are actively resisting the use of genetically-engineered material in our food and on our land". During that time she designed a billboard to spark a debate on the ethics of genetically modifying cows with human genes to produce a new milk. [21] The billboard, featuring a young woman with four breasts hooked up to a milking machine, caused huge controversy but won several international art awards. [22] [23] Bailey and Currie divorced in 2003, and both left New Zealand to live separately in the UK. Currie later married Jimmy Cauty (formerly of The KLF) and now lives and works in London. She is a visual artist who works under the pseudonym "Miss Pokeno", [24] as well as the Armchair Destructivists [25] and The Sisters of Perpetual Resistance. [26] As well as several solo shows in London her work has also been exhibited at both the Guildhall Art Gallery and the Geffrye Museum. [27]

In 1999, Bailey produced and played keyboards on the album Mix by the New Zealand band Stellar*, and won the Producer of the Year Award at the 2000 New Zealand Music Awards. [28] He has also arranged soundtracks and has provided instrumental music for several films. He continues to make music under the moniker International Observer and has released the albums Seen (2001), All Played Out (2005), and Felt (2009). [29] He also performs with the Holiwater group from India. [30] He began performing live again as Thompson Twins' Tom Bailey in 2014 and has since toured the UK, North America and Japan. In 2016 he released his debut solo single, 'Come So Far'. In 2018 Bailey released his first solo album entitled Science Fiction. [31]

After leaving the Thompson Twins in 1986, Leeway briefly dabbled in acting and attempted a solo music career, though neither were successful. As of 2006, he resides in Los Angeles, and works in the field of hypnotherapy. He is on the staff at the Hypnosis Motivation Institute (HMI) in the Los Angeles district of Tarzana, and is also a certified trainer in neuro-linguistic programming. [32]

The earlier members went on to do other things:

Tom Bailey solo shows

Bailey performed Thompson Twins songs live for the first time in 27 years on 17 August 2014 at Temple Island Meadows, Henley-On-Thames, Oxfordshire, for the Rewind South Festival. [41]

In 2014, Bailey also took part in the Retro Futura Tour in the US, along with Howard Jones, Midge Ure, China Crisis and Katrina Leskanich (formerly of Katrina and the Waves). [42]

He continues to tour internationally, under the moniker "Thompson Twins' Tom Bailey," performing in the UK and also in North America in 2016. [43]

In 2016, Bailey received the Classic Pop magazine's 'Best Live Show' award. [44]

In 2018, Bailey toured the US with The B-52's and Culture Club, dubbed The Life Tour. [45]

On September 3rd, 2022, Bailey performed the entire “Into the Gap” album for the first time ever (along with his band known as “The Sisters of Mercy”) in Ayelsbury, U.K. (at the Ayelsbury Waterside Theatre) to a sold out audience.

Awards and nominations

Pollstar Concert Industry Awards 1985Thompson TwinsFavorite New Headliner of the YearNominated [46]
1986Most Creative Tour PackageNominated [47]
Most Creative Stage SetNominated




  • Tom Bailey – bass, keyboards, vocals
  • Pete Dodd – guitar, vocals
  • John Podgorski – drums
  • John Roog – guitar
  • Tom Bailey – bass, keyboards, vocals
  • Pete Dodd – guitar, vocals
  • John Roog – guitar
  • Andrew Edge – drums
  • Tom Bailey – bass, keyboards, vocals
  • Pete Dodd – guitar, vocals
  • John Roog – guitar
  • Chris Bell – drums
  • Tom Bailey – bass, keyboards, vocals
  • Pete Dodd – guitar, vocals
  • John Roog – guitar
  • Chris Bell – drums
  • Joe Leeway – congas, percussion
  • Jane Shorter – saxophone
  • Tom Bailey – keyboards, vocals
  • Pete Dodd – guitar, vocals
  • John Roog – guitar
  • Chris Bell – drums
  • Joe Leeway – congas, percussion
  • Alannah Currie – percussion, saxophone
  • Matthew Seligman – bass
  • Tom Bailey – vocals, keyboards, guitar, bass
  • Joe Leeway – congas, percussion, keyboards, vocals
  • Alannah Currie – drums, percussion, vocals
  • Tom Bailey – vocals, keyboards, guitar, bass
  • Alannah Currie – drums, percussion, vocals


Thompson Twins


Studio albums


See also

Related Research Articles

<span class="mw-page-title-main">Tom Bailey (musician)</span> British musician

Thomas Alexander Bailey is an English singer, musician, songwriter, composer and record producer. Bailey came to prominence in the early 1980s as the lead vocalist for the new wave band Thompson Twins, which released five singles that entered the top ten charts in the United Kingdom during the 1980s: "Love On Your Side", "We Are Detective", "Hold Me Now", "Doctor! Doctor!", and "You Take Me Up". He was the only member of the band to have formal musical training. From 1994, Bailey was also a member of its later incarnation, Babble, releasing two commercially unsuccessful studio albums.

<i>A Product Of...</i> (Participation) 1981 studio album by Thompson Twins

A Product of... is the first studio album by the English pop group, the Thompson Twins. It was released in June 1981 on the T Records imprint, a label created by the band and distributed through the Fame/EMI label. At the time of its release, the band were a six-piece group that did not include later member Alannah Currie. In comparison to the glamour of their later years, the group had a somewhat scruffy image during this period, because they were very poor and living in squats in London.

<i>Set</i> (Thompson Twins album) 1982 studio album by Thompson Twins

Set is the second studio album by English pop band Thompson Twins. Released in February 1982, it was the second album they recorded for their own T Records imprint, which was released by Arista Records/Hansa.

<i>Into the Gap</i> 1984 studio album by Thompson Twins

Into the Gap is the fourth studio album by British pop group Thompson Twins, released on 17 February 1984 by Arista Records. The album was recorded during 1983 at Compass Point Studios, in Nassau, Bahamas, and was produced by Alex Sadkin who had produced the band's previous studio album, Quick Step & Side Kick (1983).

<i>Heres to Future Days</i> 1985 studio album by Thompson Twins

Here's to Future Days is the fifth studio album by British pop group Thompson Twins, released on 20 September 1985 by Arista Records. It was the third and final release for the band as a trio, which was their most successful and recognisable line-up. It peaked at No. 5 on the UK Albums Chart and No. 20 on the US Billboard 200.

<i>Close to the Bone</i> (Thompson Twins album) Album by Thompson Twins

Close to the Bone is the sixth studio album by the British pop group Thompson Twins, released by Arista in March 1987. Now only the duo of Tom Bailey and Alannah Currie remaining, this was the first album the group made without Joe Leeway. It was produced by Bailey and Rupert Hine.

<i>Big Trash</i> Album by Thompson Twins

Big Trash is the seventh studio album by the British pop group the Thompson Twins, released in 1989 by Warner Brothers/Red Eye. It was produced by Tom Bailey and Alannah Currie, with two tracks produced by Steve Lillywhite.

<i>Queer</i> (Thompson Twins album) 1991 studio album by Thompson Twins

Queer is the eighth and final studio album by the British pop group Thompson Twins, which was released in 1991 by Warner Bros.

<span class="mw-page-title-main">Hold Me Now (Thompson Twins song)</span> 1983 single by Thompson Twins

"Hold Me Now" is a song by British band the Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and the group's lead vocalist Tom Bailey. The song is a mid-tempo new wave song that uses a varied instrumentation, including keyboards, a xylophone, a piano and Latin percussion. It was released in November 1983 as the first single from their fourth studio album, Into the Gap.

<span class="mw-page-title-main">Doctor! Doctor!</span> 1984 single by Thompson Twins

"Doctor! Doctor!" is a song performed by the British new wave band Thompson Twins. It is the second single from the band's fourth studio album, Into the Gap (1984). It was written by Tom Bailey, Alannah Currie and Joe Leeway, and prominently features a keyboard solo. Following the successful chart performances of the Into the Gap single "Hold Me Now", "Doctor! Doctor!" was released in the UK on 27 January 1984 as the album's second single.

<span class="mw-page-title-main">In the Name of Love (Thompson Twins song)</span> 1982 single by Thompson Twins

"In the Name of Love" is a 1982 single written and performed by The Thompson Twins, at the time a septet. It was the first of twelve entries on the Billboard dance chart for the group.

<span class="mw-page-title-main">Lay Your Hands on Me (Thompson Twins song)</span> 1984 single by Thompson Twins

"Lay Your Hands on Me" is the first single released from the album Here's to Future Days by the British band Thompson Twins. Written by Tom Bailey, Alannah Currie, and Joe Leeway, it was released in the UK almost a year in advance of the album.

<span class="mw-page-title-main">King for a Day (Thompson Twins song)</span> 1985 single by Thompson Twins

"King For A Day" is a 1985 song by the British band the Thompson Twins. It was released as the third single from the band's fifth album Here's To Future Days.

<span class="mw-page-title-main">Don't Mess with Doctor Dream</span> 1985 single by Thompson Twins

"Don't Mess With Doctor Dream" is a 1985 song by the British band Thompson Twins. It was released as a single from their album Here's to Future Days, and peaked at No. 15 in the UK, spending six weeks on the chart. Written by bandmembers Tom Bailey, Alannah Currie and Joe Leeway, it is an anti-drug song warning of the dangers of drug addiction. It was the first Thompson Twins single to be co-produced by Nile Rodgers. A promotional music video was made for the single which was directed by Godley & Creme along with Meiert Avis.

<span class="mw-page-title-main">The Gap (song)</span> 1984 single by Thompson Twins

"The Gap" is a song by the British pop group Thompson Twins. It was the title track from the group's 1984 album Into the Gap, and was also released as a single in certain countries though not in the group's native UK. The single peaked at #69 in the U.S., spending six weeks on the US Billboard 100. It also charted in Germany where it peaked at #62. There was no promotional music video for this single.

<span class="mw-page-title-main">Sister of Mercy (song)</span> 1984 single by Thompson Twins

"Sister Of Mercy" is a song by the British pop group Thompson Twins. It was originally included on the group's 1984 album Into The Gap, though a remixed version was released as the fourth single from the album in the summer of 1984. The single peaked at #11 in the UK, spending ten weeks on the UK singles chart.

<span class="mw-page-title-main">You Take Me Up</span> 1984 single by Thompson Twins

"You Take Me Up" is a song by British pop group Thompson Twins, released as the third single from their fourth studio album, Into the Gap (1984), on 19 March 1984. It was written by Tom Bailey, Alannah Currie and Joe Leeway and prominently features the harmonica and a melodica solo. In addition to the regular 7-inch and multiple 12-inch releases, Arista Records also released four different shaped picture discs for the single, three of which were part of a jigsaw.

<span class="mw-page-title-main">Perfect Game (song)</span> 1981 single by Thompson Twins

"Perfect Game" is the third single released by the Thompson Twins and the first taken from their debut album, A Product Of... (Participation). It was released in January 1981 on the T Records imprint, a label created by the band and distributed through the Fame/EMI label. The B-side to the single is the single mix of "Politics".

<span class="mw-page-title-main">Love On Your Side (song)</span> 1983 single by Thompson Twins

"Love On Your Side" is a 1983 song by the British pop group Thompson Twins. It was released as the second single from the band's third studio album, Quick Step & Side Kick, which was renamed Side Kicks in the U.S. (1983).

<span class="mw-page-title-main">Play with Me (Jane)</span> 1992 single by Thompson Twins

"Play with Me (Jane)" is a song from the British pop duo Thompson Twins, which was released in 1992 as a single from Songs from the Cool World, the soundtrack release for the 1992 film Cool World. The song was written and produced by Alannah Currie and Tom Bailey.


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