List of Second British Invasion artists

Last updated

The following is a list of groups and artists associated with the Second British Invasion music phenomenon, that occurred during the early and mid-1980s and was associated with MTV, including new wave music.

Contents

Contents
Top A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

S

T

U

V

W

Y

See also

Related Research Articles

New wave is a music genre that encompasses pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s.

Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.

<span class="mw-page-title-main">Duran Duran</span> English pop rock band

Duran Duran are an English pop rock band formed in Birmingham in 1978 by singer Stephen Duffy, keyboardist Nick Rhodes and guitarist/bassist John Taylor. After several early changes, the band's line-up settled in May 1980 as Rhodes, Taylor, singer Simon Le Bon, guitarist Andy Taylor and drummer Roger Taylor.

<span class="mw-page-title-main">Joe Jackson (musician)</span> English musician

David Ian "Joe" Jackson is an English musician, singer and songwriter. Having spent years studying music and playing clubs, he scored a hit with his first release, "Is She Really Going Out with Him?", in 1979. It was followed by a number of new wave singles, before he moved to more jazz-inflected pop music and had a Top-10 hit in 1982 with "Steppin' Out". Jackson is associated with the 1980s Second British Invasion of the US. He has also composed classical music. He has recorded 21 studio albums and has received five Grammy Award nominations.

<span class="mw-page-title-main">Culture Club</span> English pop band

Culture Club are an English new wave band formed in London in 1981. The band comprises Boy George, Roy Hay, and Mikey Craig, and formerly included Jon Moss. Emerging in the New Romantic scene, they are considered one of the most representative and influential groups of the 1980s.

<span class="mw-page-title-main">Spandau Ballet</span> English new wave band

Spandau Ballet were an English new wave band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.

<span class="mw-page-title-main">New Romantic</span> 1970s popular culture movement originating in the UK

New Romantic was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels.

<span class="mw-page-title-main">ABC (band)</span> English pop band

ABC are an English pop band that originated in Sheffield in 1980, evolving from the earlier ensemble Vice Versa. The band's classic formation featured Martin Fry as the lead vocalist, Mark White on guitar and keyboards, Stephen Singleton playing the saxophone, and David Palmer behind the drums.

<span class="mw-page-title-main">Music of the United Kingdom</span>

Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, and industrial music.

Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.

<span class="mw-page-title-main">Tainted Love</span> 1964 song by Ed Cobb

"Tainted Love" is a song composed by Ed Cobb, formerly of American group the Four Preps, which was originally recorded by Gloria Jones in 1964. In 1981, the song attained worldwide fame after being covered and reworked by British synth-pop duo Soft Cell. The song has since been covered by numerous groups and artists.

<span class="mw-page-title-main">British rock music</span> Rock music from the United Kingdom

British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.

<span class="mw-page-title-main">Jon Savage</span> English music journalist

Jon Savage is an English writer, broadcaster and music journalist, best known for his definitive history of the Sex Pistols and punk music, England's Dreaming (1991).

Timothy Michael Pope is a film director most known for his music videos, for having directed feature films, and for a brief pop career.

<span class="mw-page-title-main">Adam and the Ants</span> English rock band

Adam and the Ants were an English pop band that formed in London in 1977. The band existed in two versions, both fronted by Adam Ant, between 1977 and 1982. The first phase began when the band were founded in May 1977 and were called the Ants until November of that year. They later changed their style from punk rock to post-punk and new wave and released one album. The final line-up of this version consisted of Dave Barbarossa, Matthew Ashman, and Leigh Gorman—all of whom left the band in January 1980 at the suggestion of manager Malcolm McLaren to form Bow Wow Wow.

British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to American rock 'n' roll. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion in the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general

New pop is a loosely defined British-centric pop music movement consisting of ambitious, DIY-minded artists who achieved commercial success in the early 1980s through sources such as MTV. Rooted in the post-punk movement of the late 1970s, the movement spanned a wide variety of styles and artists, including acts such as Orange Juice, the Human League, and ABC. The term "rockist", a pejorative against people who shunned this type of music, coincided with and was associated with new pop.

Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.

<span class="mw-page-title-main">Second British Invasion</span> 1980s cultural movement

The Second British Invasion was a sharp increase in the popularity of British synth-pop and New Pop artists in the United States. It began in the summer of 1982, peaked in 1983, and continued throughout much of the 1980s. MTV began in 1981. Its popularity was the main catalyst for the second British Invasion. According to Rolling Stone, British acts brought a "revolution in sound and style" to the US.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Reynolds, Simon (2005). Rip It Up and Start Again: Postpunk 1978–1984 . Faber and Faber. pp. 340, 342–3. ISBN   0-571-21570-X.
  2. 1 2 3 4 5 Fletcher, Tony (2013). Perfect Circle: The Story of REM. Omnibus Press. ISBN   978-0-8571-2853-9. By the time Murmur was released, the American chart was aflow with the likes of Soft Cell, Duran Duran, Culture Club, Haircut 100 and ABC: the fabled Second British Invasion.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 Graff, Gary (28 August 1986). "The Second British Invasion: New wave now an old ripple". Spokane Chronicle . Retrieved 25 August 2014.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 Puterbaugh, Parke (10 November 1983). "Anglomania: The Second British Invasion". Rolling Stone . Retrieved 8 February 2017.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 Kaye, Roger (31 October 1984). "Culture Club, Duran Duran, Police lead second invasion". Pittsburgh Press . Retrieved 25 August 2014.
  6. "Morales Takes Charge; Vicious Rolls With Loleatta". Billboard . Vol. 106, no. 31. 30 July 1994. p. 27. ISSN   0006-2510.
  7. 1 2 3 4 5 6 7 8 9 Booth, Cathy (8 June 1984). "The second British invasion: How It Really Happened". The Prescott Courier . United Press International . Retrieved 25 August 2014.
  8. 1 2 3 4 5 6 7 8 Chiu, David (4 July 2013). "A look back at 1983: The year of the second British Invasion". CBS News . Retrieved 8 February 2017.
  9. 1 2 3 4 5 6 Frith, Simon; Goodwin, Andrew; Grossberg, Lawrence (1993). Sound and Vision: The Music Video Reader. London: Routledge. p. 41. ISBN   0-415-09431-3.
  10. 1 2 3 4 5 Sujansky, Joanne; Ferri-Reed, Jan (2009). Keeping The Millennials: Why Companies Are Losing Billions in Turnover to This Generation- and What to Do About It . John Wiley & Sons. p.  66. ISBN   978-0-4704-3851-0.
  11. "'The Cure wasn't a band...it was a family,' Cure co-founder on the perils of stardom".
  12. Chiu, David (10 July 2015). "Goodbye Is Forever: Duran Duran, Live Aid & the End of the Second British Invasion". Medium . Retrieved 15 January 2017.
  13. Dougherty, Steve (26 August 2011). "The Rocker Who Aged Gracefully". The Wall Street Journal . Retrieved 25 August 2014.
  14. Riccio, Richard (23 August 1991). "Sugar Is Sprinkled with Gems". St. Petersburg Times . p. 94 (Audio Files, p. 21). Retrieved 15 July 2022.
  15. Charry, Eric (2020). A New and Concise History of Rock and R&B through the Early 1990s. Wesleyan University Press. pp. 159–160. ISBN   978-0819578952.

Further reading