List of British Invasion artists

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The following is a list of bands and artists that were involved with the British Invasion music phenomenon that occurred between 1964 and 1971 in the United States. (Artists shown in boldface are Rock and Roll Hall of Fame inductees.)

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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.

<span class="mw-page-title-main">Soul music</span> Genre of music

Soul music is a popular music genre that originated in the African-American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.

<span class="mw-page-title-main">British Invasion</span> Cultural phenomenon of the mid-1960s

The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States with significant influence on the rising "counterculture" on both sides of the Atlantic Ocean. UK pop and rock groups such as the Beatles, the Rolling Stones, the Bee Gees, the Who, the Kinks, the Zombies, Small Faces, the Dave Clark Five, The Spencer Davis Group, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, Them, and Manfred Mann, as well as solo singers such as Dusty Springfield, Cilla Black, Petula Clark, Tom Jones, and Donovan were at the forefront of the "invasion."

<span class="mw-page-title-main">The Crickets</span> American rock and roll band

The Crickets were an American rock and roll band from Lubbock, Texas, formed by singer-songwriter Buddy Holly in January 1957. Their first hit record, "That'll Be the Day", released in May 1957, peaked at number three on the Billboard Top 100 chart on September 16, 1957. The sleeve of their first album, The "Chirping" Crickets, shows the band line-up at the time: Holly on lead vocals and lead guitar, Niki Sullivan on rhythm guitar, Jerry Allison on drums, and Joe B. Mauldin on bass. The Crickets helped set the template for subsequent rock bands, such as the Beatles, with their guitar-bass-drums line-up, performing their own material. After Holly's death in 1959, the band continued to tour and record into the 1960s and beyond with other band members through to the 21st century.

<span class="mw-page-title-main">The Dave Clark Five</span> English rock band

The Dave Clark Five, also known as the DC5, were an English rock and roll band formed in 1958 in Tottenham, London. Drummer Dave Clark served as the group's leader, producer and co-songwriter. In January 1964, they had their first UK top-ten single, "Glad All Over", which knocked the Beatles' "I Want to Hold Your Hand" off the top of the UK Singles Chart. It peaked at No. 6 in the United States in April 1964. Although this was their only UK No. 1, they topped the US chart in December 1965, with their cover of Bobby Day's "Over and Over". Their other UK top-ten hits include "Bits and Pieces", "Can't You See That She's Mine", "Catch Us If You Can", "Everybody Knows", "The Red Balloon", "Good Old Rock 'n' Roll", and a version of Chet Powers' "Get Together".

British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, Eric Clapton, Fleetwood Mac and Led Zeppelin.

Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music.

Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.

<span class="mw-page-title-main">American rock</span> Overview of rock music in the United States

American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.

<span class="mw-page-title-main">Dave Clark (musician)</span> English musician

David Clark is an English musician, songwriter, record producer and entrepreneur. Clark was the leader, drummer and manager of the 1960s beat group the Dave Clark Five, the first British Invasion band to follow the Beatles to the United States in 1964. In 2008, Clark and his band were inducted into the Rock and Roll Hall of Fame.

<span class="mw-page-title-main">Freddie and the Dreamers</span> English beat band

Freddie and the Dreamers were an English beat band that had a number of hit records between 1962 and 1965. The band's stage act was enlivened by the comic antics of Freddie Garrity, who would bounce around the stage with arms and legs flying.

<span class="mw-page-title-main">Freddie King</span> American blues guitarist and singer (1934–1976)

Freddie King was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar". Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists.

<span class="mw-page-title-main">Mellow Yellow</span> 1966 single by Donovan

"Mellow Yellow" is a song written and recorded by Scottish singer-songwriter Donovan. Released in the US in 1966, it reached No. 2 on the Billboard Hot 100. Outside the US, "Mellow Yellow" peaked at No. 8 in the UK in early 1967.

<i>Ready Steady Go!</i> British television music series (1963–1966)

Ready Steady Go! was a British rock/pop music television programme broadcast every Friday evening from 9 August 1963 until 23 December 1966. It was conceived by Elkan Allan, head of Rediffusion TV. Allan wanted a light entertainment programme different from the low-brow style of light entertainment transmitted by ATV. The programme was produced without scenery or costumes and with a minimum of choreography and make-up. Allan recruited a fellow journalist, Francis Hitching, as producer. Hitching became a major figure in light entertainment in the 1960s. Robert Fleming was the first director, followed by the documentary director Rollo Gamble, then Michael Lindsay-Hogg, Daphne Shadwell and Peter Croft.

<span class="mw-page-title-main">Dave Marsh</span> American music critic

Dave Marsh is an American music critic and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday, The Village Voice, and Rolling Stone, and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.

<span class="mw-page-title-main">Bo Diddley (Bo Diddley song)</span> 1955 song by Bo Diddley

"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that became his highest-charting single in the UK.

<span class="mw-page-title-main">1960s in music</span> Music-related events during the 1960s

This article includes an overview of the events and trends in popular music in the 1960s.

Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.

References

  1. Gilliland 1969, show 29, track 4; show 49, track 1.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Album Guide . Farmington Hills, MI: Visible Ink Press. pp.  1432–33. ISBN   1-57859-061-2.
  3. Gilliland 1969, shows 27-28.
  4. 1 2 3 4 5 6 7 8 9 Romanowski, Patricia; George-Warren, Holly (eds) (1995). The New Rolling Stone Encyclopedia of Rock & Roll . New York, NY: Fireside/Rolling Stone Press. p.  117. ISBN   0-684-81044-1.{{cite book}}: |first2= has generic name (help)
  5. 1 2 3 Gilliland 1969, show 29, track 2.
  6. Gilliland 1969, show 48.
  7. Geogie Fame Allmusic bio
  8. "The Fourmost". Discogs.
  9. Freddie and The Dreamers Allmusic bio
  10. Jonathan King Allmusic bio "With a "Ferry Cross the Mersey" type beat and string section"
  11. Gilliland 1969, show 29, track 5, show 38, track 1.
  12. Gilliland 1969, show 49, track 5.
  13. Gilliland 1969, show 30.
  14. Them Allmusic bio
  15. Gilliland 1969, show 49, track 2.
  16. Gilliland 1969, show 29, track 5; show 38, track 2.

Sources