"Messages" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Orchestral Manoeuvres in the Dark | ||||
B-side |
| |||
Released | 2 May 1980 | |||
Recorded | Advision, London | |||
Genre | ||||
Length | 3:59 (7" version) 4:06 (album version) 4:41 (10" version) | |||
Label | Dindisc | |||
Songwriter(s) | ||||
Producer(s) | Mike Howlett | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Music video | ||||
"Orchestral Manoeuvres In The Dark - Messages" on YouTube |
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. [1] As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus. [2]
Most copies of the original 10-inch pressing with the album version were scrapped on behalf of the band (because they wanted to rerecord the song), but a handful did escape destruction. Some of these were given away as part of a competition for the OMD fan club in 1980. These pressings can be distinguished only by the shorter track time and different runout information.
The later grey two-tone labels incorrectly state the producer as Chester Valentino. Mike Howlett is the producer, as the track was remixed and times at 4:48 – later editions again feature grey labels correctly attributed to Howlett and were also issued with different coloured record labels including red, green and a pink/white combination. These labels also correctly credit Howlett for the production.
In Smash Hits , Esmé Sprigg wrote that "Messages" displays OMD's "gentle touch and masterly restraint to maximum advantage. Interlocking melodic ideas, plaintive vocal, generally haunting stuff. While all the competition are slapping posterpaint everywhere, [OMD] work with watercolours." Sprigg also had praise for the single's cover artwork. [3] Boston Rock stated, "They think they're so slick, don't they? OMD came up with another winner in 'Messages'. It's snappy, electro-disco beat music with cool vocals." [4]
In 1981, Sunie Fletcher of Record Mirror described the song as a "mini-classic". [5] AllMusic's Ned Raggett later wrote that the track "wears the emotion of its lyrics on its sleeve, with a killer opening line – 'It worries me, this kind of thing, how you hope to live alone and occupy your waking hours' – and a melody both propulsive and fragile". [6] Critic Dave Thompson called the song "haunting" and "sublime", with a "gorgeous melody [that] is swallowed in sorrow". [7]
"Messages" has been named as one of 1980's best singles. [8] [9] Classic Pop placed the song at no. 5 in both the "Top 20 Liverpudlian Singles of the 80s", and OMD's "Top 25 Tracks". [10] [11] In the latter piece, the magazine observed "one hell of a [synthesizer] melody", and lauded the lyric, "memories are uncertain friends". [11] "Messages" was voted by Electronic Sound readers as the 18th-greatest electronic song in history. [12]
Ricky Wilde, brother and collaborator of Kim Wilde, cited the "gorgeous" track – in particular its ostinato synthesizer riff – as a major influence during the composition of Kim's 1981 hit "Kids in America". [13] Scott Simon of Our Daughter's Wedding likened the opening riff of his band's "Lawnchairs" to that of "Messages", calling it "something of an homage". [14] Singer-songwriter Jane Weaver named "Messages" as an "amazing" track that was important to her musical development. [15] Author and former Die Krupps bassist, Rudi Esch, described the song as a "personal favourite", adding that it is "surely the UK's answer to [Kraftwerk's] 'Antenna'." [13]
"Messages" has been covered by artists including White Town [16] and Frost, [17] and was featured in the second series of crime drama Ashes to Ashes (2009). [18]
An early version of "Messages" was recorded on 20 August 1979 and broadcast by John Peel on his Radio 1 programme on 3 September. [19] Although the song structure and lyrics remained the same, the song originally had a slower tempo than either the single or album versions, the latter being the first to be officially released on the band's debut album in February 1980.
The song was re-recorded for the release as a single in May 1980 and this new version differs from the album version. The single was produced by Mike Howlett who would go on to produce the band's highly successful follow up single "Enola Gay" and their second album Organisation later in the year. The 7" version is slightly shorter than the 10" with an earlier fade out. The 10" version is featured on the compilation albums The Best of OMD (1988), The OMD Singles (1998) and Messages: Greatest Hits (2008), which takes its title from this song and also includes the music video. The 10" version was also added as a bonus track on the remastered Orchestral Manoeuvres in the Dark album, released in 2003.
An instrumental dub version of "Messages", titled "Taking Sides Again" is featured as the B-side on both the 7" and 10" singles. On the 10" single, a cover version of The Velvet Underground's song "I'm Waiting for the Man" was included, retitled "Waiting for the Man". Both B-sides can be found as bonus tracks on the remastered Orchestral Manoeuvres in the Dark; only "Waiting for the Man" was included on the Navigation: The OMD B-Sides compilation album, released in 2001.
There are different sleeves for the 7" and 10". Both were designed by Peter Saville and Brett Wickens. The photography was done by Trevor Key and depicts a ballpoint pen by Parafernalia.
The band performed the song live for a showcase appearance on the BBC music programme The Old Grey Whistle Test in May 1980. The performance was later featured in the Synth Britannia at the BBC programme following the Synth Britannia documentary first broadcast in October 2009. The group also made their Top of the Pops debut on 8 May 1980 when the single was at just no. 53 in the UK Singles Chart. Sheffield electronic music band The Human League also made their Top of the Pops debut on the same show. Although "Messages" made slow progress in the charts, the band made a second performance on the programme on 29 May when it was at no. 26 for the second week running. The single eventually made it to no. 13 but was not featured on Top of the Pops again due to the UK Musicians Union strike.
The song has been regularly performed live by the band during concerts since 1979. Official audio releases can be found on Live at Leigh Rock Festival 1979 (released 2006), Access All Areas (1980 performance, CD/DVD released 2015), "Universal" CD single (1993 performance, released 1996), Dazzle Ships at The Museum of Liverpool (2014 performance, CD/DVD released 2015) and Architecture & Morality / Dazzle Ships – Live at the Royal Albert Hall (2016).
Video releases of live performances of "Messages" can be found on the DVDs OMD Live: Architecture & Morality & More (2007) and Electricity: OMD with the Royal Liverpool Philharmonic Orchestra (2009) as well as on the Access All Areas and Dazzle Ships at The Museum of Liverpool DVDs.
The band performed their version of "Waiting For the Man" during live shows in 1979 and 1980, and later performed a radical reworking of the song featuring brass instruments on their Junk Culture tour in 1984. A recording of the latter version at the Hammersmith Odeon in London features on the 12" version of the "Never Turn Away" 12" single release in 1984.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Messages" (7″ version) | 3:59 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Taking Sides Again" |
| 4:19 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Messages" (10″ version) |
| 4:41 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Waiting for the Man" | Lou Reed | 2:54 |
2. | "Taking Sides Again" |
| 4:19 |
Chart (1980) | Peak position |
---|---|
UK Singles (OCC) [1] | 13 |
US Dance Club Songs ( Billboard ) [20] with "Red Frame/White Light" | 67 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Red Frame/White Light" is the second single by English electronic band Orchestral Manoeuvres in the Dark (OMD). The song is about a red telephone box in Meols, on the Wirral peninsula in Merseyside, that was used by the group to make calls to organise their gigs in the late 1970s. The track is composed of two alternating major/minor sections, each built around a synthesizer hook. Lyrical content is minimal, comprising mostly brief, spoken word utterances. It was the band's first single to chart.
"Stand Above Me" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin Records as the first single from their ninth album, Liberator (1993), and their 26th single overall. It was the last OMD single released on a 12-inch format before the group took a break in 1996. The next 12-inch to be released under the OMD name was "Metroland" in March 2013.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"Genetic Engineering" is a 1983 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their fourth studio album Dazzle Ships. The synthesized speech featured on the track is taken from a Speak & Spell, an educational electronic toy developed by Texas Instruments in the 1970s intended to teach children spelling.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
Many of our songs use the synth melody as the chorus. There are verses but generally the melody is the chorus.
'Messages' [came] early in the set. It's just a great single, one of 1980's best.
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