"Sailing on the Seven Seas" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Sugar Tax | ||||
B-side | "Burning" | |||
Released | 18 March 1991 | |||
Genre | Synth-pop | |||
Length | 3:45 | |||
Label | Virgin | |||
Songwriter(s) | Andy McCluskey, Stuart Kershaw | |||
Producer(s) | Orchestral Manoeuvres in the Dark | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Music video | ||||
Sailing on the Seven Seas on YouTube |
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
The song pays homage to various rock groups. The Velvet Underground song "Sister Ray" is directly referenced (OMD had previously covered "I'm Waiting for the Man" as a B-side to 1980 single "Messages"), and the line "people try to drag us down" is similar in melody and lyrical content to the opening line of the Who's "My Generation"; [1] singer Andy McCluskey also noted that the track includes "Glitter Band-style" drumming. [2]
Richard Riccio of the St. Petersburg Times described "Sailing on the Seven Seas" as "fabulous... a rollicking foot-stomper in its original version, and a haunting late-night dance track in remixed [B-side] form." [3] MTV Europe ranked it the 21st-greatest song of 1991, [4] while KROQ placed it 54th. [5] In a retrospective review, AllMusic critic Dave Thompson wrote that OMD "sail giddily through the musical past", delivering "a glorious musical mélange, an inspired melding of synth pop soar, 2-Tone yore, and glam rock roar, the anthemic chorus to the fore with a fist-in-the-air punch that shouts out for more". [6] Classic Pop listed "Sailing on the Seven Seas" among the "Top 20 Comeback Singles" in history. [7]
Humphreys described the track as "a great, kind of a weird pop song". [8] Original OMD drummer Malcolm Holmes, who also had no involvement in the song, said, "I loathe the track – I do. But it charted and it did the business." [9] After returning to the band, Holmes commented, "'Sailing on the Seven Seas' is a great thing to play as a drummer. When I started to play it, it became something else to me... so I don't really see the song as how I did in those days. [10]
The song was released as a 7-inch single version and in an extended version for the 12-inch release. The extended version was more oriented to the electronic dance music market in vogue at the time. Another mix entitled "Dancing on the Seven Seas" was also included on a special collector's edition CD single. The regular CD single featured another remix entitled "Floating on the Seven Seas" and the "Larrabee Mix" of "Sailing on the Seven Seas", similar to the original single version but mixed at Larrabee Studios in North Hollywood, California.
Two other new songs were included as B-sides or bonus tracks on the CD single: "Burning" and "Sugar Tax". Despite its title, "Sugar Tax" did not feature on the album of the same name. Both tracks feature on the B-sides compilation album Navigation: The OMD B-Sides (2001). "Sugar Tax" also features as a B-side on the later single release "Then You Turn Away".
A 12-inch promo single released in the US features further remixes, namely "Drowning on the Seven Seas", "Raving on the Seven Seas" and 'Mix 1' and 'Mix 2' of "Dancing on the Seven Seas". Although uncredited, many of the remixes were the work of Phil Coxon. [11]
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 18 March 1991 |
| Virgin | [32] |
Japan | 21 May 1991 | CD | [33] |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.
The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Call My Name" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). Remixed for its single release, it was issued as the fourth and final single from the group's eighth studio album, Sugar Tax (1991), on 18 November 1991. The single peaked at number 50 on the UK Singles Chart The B-side to the 7-inch single, "Walk Tall" is featured as the tenth track on Sugar Tax. An extended remix version was also released on the CD and 12-inch issues, featuring an uncredited female voice speaking over a telephone and the sounds of a rotary telephone dial.
"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Then You Turn Away" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single released from their eighth studio album, Sugar Tax (1991), on 2 September 1991. It peaked at number 50 on the UK Singles Chart the same month and also reached number 56 in Germany.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Stand Above Me" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin Records as the first single from their ninth album, Liberator (1993), and their 26th single overall. It was the last OMD single released on a 12-inch format before the group took a break in 1996. The next 12-inch to be released under the OMD name was "Metroland" in March 2013.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Dream of Me (Based on Love's Theme)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in July 1993 by Virgin Records as the second single from their ninth studio album, Liberator (1993). The song uses a sample from "Love's Theme", a 1973 instrumental piece recorded by Barry White's Love Unlimited Orchestra. It was remixed by Gregg Jackman for release as a single and reached the top 30 in Belgium, the Netherlands, and the United Kingdom.
"Everyday" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1993 as the third and final single from their ninth album, Liberator (1993). Co-founder Paul Humphreys, who had left the group four years prior, is credited as a co-writer. "Everyday" was the only single from Liberator to miss the UK top 25, charting at number 59. The accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
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