The OMD Singles | ||||
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Compilation album by | ||||
Released | 28 September 1998 | |||
Genre | Synth-pop | |||
Length | 70:37 | |||
Label | Virgin – V 2859 | |||
Producer | Various | |||
Orchestral Manoeuvres in the Dark chronology | ||||
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Alternative cover | ||||
The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides .
Review scores | |
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Source | Rating |
AllMusic | [1] |
Press & Sun-Bulletin | A− [2] |
The Rolling Stone Album Guide | [3] |
Spin | 9/10 [4] |
Tom Schulte of AllMusic wrote, "Originating in post-punk synth experimentation and closing in dated, but still strong, pop productions, The OMD Singles is an excellent time line of the band whose sound covered in a single career that same territory explored by the Human League, Erasure, [Yazoo], New Order, and beyond." [1] In the Press & Sun-Bulletin , Andy Stevens said, "What is most stunning about this compilation is that is displays the incredible emotional, rhythmic and stylistic range that Orchestral Manoeuvres in the Dark drew out of electronics... this collection is near brilliant." [2] Paul Evans of Rolling Stone referred to the album as "radio music made in heaven". [3]
Another version of 18 songs has 'Call My Name' (track 16) omitted and 'Enola Gay - OMD vs Sash!' included (track 18)
The OMD Remixes | ||||
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EP by Orchestral Manoeuvres in the Dark | ||||
Released | 14 September 1998 | |||
Genre | Dance | |||
Label | Virgin | |||
Producer | Various | |||
Orchestral Manoeuvres in the Dark chronology | ||||
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The OMD Remixes were released two weeks before The OMD Singles compilation album. The highest UK singles chart position was number 35.
Review scores | |
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Source | Rating |
AllMusic | [5] |
David Jeffries of AllMusic wrote, "Sash! turns 'Enola Gay' into a pumping trance anthem, but the inserted news broadcasts are misguided, and hardly what you'd call respectful. Moby lightly updates 'Souvenir', but the Micronauts end up the winner doing a fine job of turning 'Electricity' into a noisy stomper." [5]
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Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"Call My Name" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). Remixed for its single release, it was issued as the fourth and final single from the group's eighth studio album, Sugar Tax (1991), on 18 November 1991. The single peaked at number 50 on the UK Singles Chart The B-side to the 7-inch single, "Walk Tall" is featured as the tenth track on Sugar Tax. An extended remix version was also released on the CD and 12-inch issues, featuring an uncredited female voice speaking over a telephone and the sounds of a rotary telephone dial.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Then You Turn Away" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single released from their eighth studio album, Sugar Tax (1991), on 2 September 1991. It peaked at number 50 on the UK Singles Chart the same month and also reached number 56 in Germany.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Locomotion" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
OMD Live: Architecture & Morality & More is a live album and DVD by Orchestral Manoeuvres in the Dark, based on the group's 1981 album, Architecture & Morality. It was recorded at the Hammersmith Apollo, London on Saturday 19 May 2007.
Dindisc was a UK record label, an imprint of Virgin Records but operating semi-independently, which issued new releases from mid-1979 through early 1982. It is no longer active, but CD reissues on Virgin still mention the label and have Dindisc catalogue numbers.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"La Femme Accident" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third and final single from their sixth studio album Crush (1985). Like two of their previous singles, it references Joan of Arc. Unlike those two singles, it was not a substantial hit, peaking at No. 42 in the UK.
"Dream of Me (Based on Love's Theme)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their ninth studio album, Liberator (1993). The song uses a sample from "Love's Theme", a 1973 instrumental piece recorded by Barry White's Love Unlimited Orchestra. It was remixed by Gregg Jackman for release as a single and reached the top 30 in Belgium, the Netherlands, and the United Kingdom.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"We Love You" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their seventh studio album The Pacific Age. It was originally written for the film Playing for Keeps (1986).
"Shame" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single taken from their 1986 album, The Pacific Age, although it is a re-recording made after the album's release, presumably in early 1987, and was produced by Rhett Davies.
Messages: Greatest Hits is a compilation release by Orchestral Manoeuvres in the Dark (OMD), issued in 2008. At the time it was the most comprehensive of the band's retrospective packages, featuring a CD of 20 charting singles and a DVD of all the band's music videos. Material was drawn from the group's recording career from 1979 to their first disbandment in 1996.