Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. The record's musical style has been characterised as "Talking Heads-meets-Kraftwerk".
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Call My Name" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). Remixed for its single release, it was issued as the fourth and final single from the group's eighth studio album, Sugar Tax (1991), on 18 November 1991. The single peaked at number 50 on the UK Singles Chart The B-side to the 7-inch single, "Walk Tall" is featured as the tenth track on Sugar Tax. An extended remix version was also released on the CD and 12-inch issues, featuring an uncredited female voice speaking over a telephone and the sounds of a rotary telephone dial.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their eighth studio album, Sugar Tax, on 18 March 1991. Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Then You Turn Away" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single released from their eighth studio album, Sugar Tax (1991), on 2 September 1991. It peaked at number 50 on the UK Singles Chart the same month and also reached number 56 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"La Femme Accident" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third and final single from their sixth studio album Crush (1985). Like two of their previous singles, it references Joan of Arc. Unlike those two singles, it was not a substantial hit, peaking at No. 42 in the UK.
"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the second single from their studio album Dazzle Ships (1983). "Telegraph" was originally slated to be the first single released, but being unhappy with the mix and with pressure from Virgin, the group instead opted for "Genetic Engineering".
"Dream of Me (Based on Love's Theme)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their ninth studio album, Liberator (1993). The song uses a sample from "Love's Theme", a 1973 instrumental piece recorded by Barry White's Love Unlimited Orchestra. It was remixed by Gregg Jackman for release as a single and reached the top 30 in Belgium, the Netherlands, and the United Kingdom.
"Talking Loud and Clear" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 June 1984 as the second single from their fifth studio album Junk Culture (1984). The single was a European hit, reaching the Top 10 in Ireland, Belgium and the Netherlands, and No. 11 in the UK. It also charted at No. 18 in Germany. The song was edited for its 7" single release.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
David Alan Hughes is an English Musician, Soundtrack Composer and Film Producer.
History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age. It was recorded remotely, with band members compiling the tracks via the Internet.
"Sister Marie Says" is the 32nd UK single from English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 15 November 2010. Remixes by Monarchy, Stopmakingme, Kinky Roland and Mirrors have been commissioned.
John Foxx and the Maths is a musical project featuring electronic music pioneer John Foxx, Benge and more recently Hannah Peel. The group specialises in the use of analogue synthesizers and drum machines. It was initially a studio based project working from Benge's studio in Shoreditch, London but has also engaged in live work.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
