History of Modern | ||||
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Studio album by | ||||
Released | 20 September 2010 [1] | |||
Recorded | 2007–2010 | |||
Studio | Motor Museum, Liverpool | |||
Genre | Synth-pop | |||
Length | 58:02 | |||
Label | 100% [1] Bright Antenna | |||
Producer | OMD | |||
Orchestral Manoeuvres in the Dark chronology | ||||
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Singles from History of Modern | ||||
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History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age . It was recorded remotely, with band members compiling the tracks via the Internet.
History of Modern received positive reviews and peaked at number 28 on the UK Albums Chart. It was a hit in Germany, reaching number 5 – the group's highest chart placing for an album in that country. The record was released in the US on Bright Antenna on 28 September 2010.
On 2 March 2011 an EP, History of Modern (Part I) was released containing remixes and B-sides from History of Modern.
OMD reformed in 2006 with its classic line-up of Andy McCluskey, Paul Humphreys, Martin Cooper and Malcolm Holmes [2] (singer McCluskey had used the OMD moniker as a solo project from 1989 to 1996). [3] Following the band's reunion, there was renewed public interest; a planned nine-date tour evolved into 50 shows. The group determined there would be sufficient interest in a new studio album. It was recorded remotely, with tracks compiled via the Internet. [3] [4]
A free download demo track taken from the album, titled "Sister Marie Says", [5] was released on 25 November 2009 and featured backing vocals from British classical crossover soprano Keedie Babb. [6] [7] The song dates to 1981 and was almost included on Universal (1996), but was shelved. The second track to be played from the record was "History of Modern (Part II)"; it was aired on 31 May 2010 on BBC Radio 6 Music. [8] [9]
The artwork for History of Modern was conceived by Peter Saville [10] and designed by Four23. The title was devised by McCluskey after he took his daughter to an art exhibition called "The History of Modernism". [5]
Remixes and B-sides from the History of Modern sessions were included on the EP History of Modern (Part I) (2011). [11]
"If You Want It" was released as the first single on 6 September 2010. It was OMD's first single since 1996's "Universal". In October, "Sister Marie Says" was announced as the album's second single, and was released on 19 November 2010. The third single, "History of Modern (Part I)" was remixed in radio and extended forms, and was released on 28 February 2011.
Review scores | |
---|---|
Source | Rating |
AbsolutePunk | 88% [12] |
The A.V. Club | C+ [13] |
DIY | [14] |
Evening Standard | [15] |
The Independent on Sunday | [16] |
Mojo | [17] |
MusicOMH | [18] |
Q | [19] |
Spin | 7/10 [20] |
Urb | [21] |
History of Modern received positive reviews. [22] [23] The Daily Telegraph critic Neil McCormick described the album as "extraordinarily good, a belting synth-pop classic crammed with catchy tunes and complicated lyrics about matters of life and death, art and philosophy." [24] Q were also complimentary, noting that OMD's "winning way with a rattling pop tune is timeless" and that the record "refines their sound and gives it a modern production tweak". [19] A mildly favourable Roy Wilkinson of Mojo wrote, "As reiterated via his work for Atomic Kitten, singer Andy McCluskey rarely struggles for hooks". [17] Conversely, BBC reviewer John Doran was unimpressed, stating, "A few highs aside, this is a poor return from the 80s hit-makers... it's not too late for OMD to stride all the way back to greatness. But this album isn't even a stumble in the right direction." [25]
Classic Pop ranked History of Modern fifth in their "Top 20 Reunion Albums", noting that it echoes OMD's "golden period" of the early 1980s. [26] In a poll of 3,200 Modern Synthpop readers, it was voted the 12th-best synth-pop album of the 2010s. [27]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "New Babies; New Toys" | McCluskey | 3:52 |
2. | "If You Want It" | McCluskey/Tracey Carmen | 4:45 |
3. | "History of Modern (Part I)" | McCluskey | 4:41 |
4. | "History of Modern (Part II)" | Humphreys/McCluskey | 4:13 |
5. | "Sometimes" | McCluskey | 3:46 |
6. | "RFWK" | McCluskey | 3:46 |
7. | "New Holy Ground" | Humphreys/McCluskey | 3:42 |
8. | "The Future, The Past, and Forever After" | McCluskey | 4:52 |
9. | "Sister Marie Says" | McCluskey | 4:00 |
10. | "Pulse" | McCluskey/Remee/Ali Tennant/Mich Hansen/Joseph Belmaati | 3:42 |
11. | "Green" | Humphreys/McCluskey/Stuart Kershaw | 4:17 |
12. | "Bondage of Fate" | Humphreys/McCluskey/Hannah Peel | 4:06 |
13. | "The Right Side?" | McCluskey/Simon Leonard/David Baker | 8:20 |
No. | Title | Length |
---|---|---|
14. | "Save Me" (Contains vocals by Aretha Franklin from original recording of "Save Me" on Atlantic Records) | 3:08 |
"Alone" – B-side to digital download and CD versions of "If You Want It" single.
"Idea 1" – B-side to limited edition 7" vinyl single of "If You Want It".
"The Grand Deception" – B-side to CD version of "Sister Marie Says".
"History of Modern, Pt. III & IV" – B-side to limited edition 7" vinyl single of "Sister Marie Says".
History of Modern reached No. 5 on the German Albums Chart, OMD's highest ever position there. It also cracked the national albums charts of several countries including reaching No. 97 in the Netherlands, No. 63 in Switzerland, No. 36 in Austria and No. 28 in the United Kingdom where it reached No. 3 on the official independent chart as well, remaining 12 weeks in the top 50. [28]
Chart (2010) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [29] | 36 |
Belgian Albums (Ultratop Wallonia) [30] | 74 |
Dutch Albums (Album Top 100) [31] | 97 |
European Top 100 Albums [32] | 18 |
French Albums (SNEP) [33] | 181 |
German Albums (Offizielle Top 100) [34] | 5 |
Swiss Albums (Schweizer Hitparade) [35] | 63 |
UK Albums (OCC) [36] | 28 |
UK Independent Albums (OCC) [37] | 3 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Paul David Humphreys is an English singer, songwriter and musician. He is best known as the keyboardist and secondary vocalist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside lead singer and bassist Andy McCluskey in 1978. The Quietus remarked, "If, roughly speaking, McCluskey is the intellect and inquisitive nature in the group, then Humphreys is the heart." The pair have been recognised as pioneers of electronic music.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
Universal is the tenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 September 1996 by Virgin Records. Frontman Andy McCluskey opted for a more organic, acoustic sound on the record, which peaked at number 24 on the UK Albums Chart. It was generally well received by music critics, although the British media's overall resistance to OMD – who had been rendered unfashionable by the prevalence of grunge and indie rock – prompted McCluskey to dissolve the group. Universal was their last album until 2010's History of Modern.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"If You Leave" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
Bauhaus Staircase is the fourteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the fourth since their 2006 reformation. Released on 27 October 2023 by White Noise Records, it is their first album in six years since The Punishment of Luxury (2017). The record was largely inspired by world politics during the late 2010s and early 2020s. Its release was preceded by three singles: the title track, "Slow Train", and "Veruschka".
Way better than it has any right to be...
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