English Electric | ||||
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Studio album by | ||||
Released | 5 April 2013 | |||
Recorded | Motor Museum (Liverpool), Bleepworks (London) | |||
Genre | Synth-pop | |||
Length | 43:05 | |||
Label | BMG, 100% | |||
Producer | OMD | |||
Orchestral Manoeuvres in the Dark chronology | ||||
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Singles from English Electric | ||||
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English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
English Electric met with positive reviews, and attracted favourable comparisons to the band's early-to-mid 1980s work—in particular the experimental Dazzle Ships (1983). It peaked at #12 on the UK Albums Chart and topped the UK Independent Albums Chart. As with History of Modern, the record was a Top 10 hit in Germany, reaching #10. It also made #8 on the Dance/Electronic Albums Billboard chart in the United States.
Whereas predecessor History of Modern (2010) had been compiled remotely via the Internet, McCluskey and Humphreys wrote and recorded in person for English Electric, in the hope of rekindling the chemistry of days gone by. Humphreys stated, "We sat down and wrote the whole album in Andy's house in one go. We had a focus: to go back to our early sound, make a very electronic record, get rid of all the organic stuff, experiment and be free. We both felt like kids again, experimenting with our machines." McCluskey said of the album's songwriting content, "My wife and I separated, then ultimately divorced, and my two youngest children went to live in America with her, so I was left at home for English Electric with nothing else to do but write about the pain." [1]
The record was named after defunct British industrial manufacturer English Electric. [2] [3] On 14 January 2013, the band announced details of the album release date, track listing, and a teaser video featuring the short Dazzle Ships -esque track "Decimal". [4] [5] The video for "Atomic Ranch" premiered on Pitchfork on 4 February. [6] The animated videos for "Decimal", "Atomic Ranch" and "Please Remain Seated" were created by Henning M. Lederer, and were included on the bonus DVD of English Electric. [7] [8]
Lead single "Metroland" premiered on the BBC Radio 6 Music radio show Radcliffe & Maconie on 11 February. [9] "Dresden" was released as the second single from the album on 17 May; the promotional video had premiered on The New York Times website a week earlier. [10] The single bundle features a remix by John Foxx and the Maths, who supported OMD on the UK part of their English Electric Tour. [11] For Record Store Day 2013, a 500-copy limited edition 10-inch picture disc EP of "The Future Will Be Silent" was made available, which includes an exclusive non-album track titled "Time Burns". [12] [13]
The track "Kissing the Machine" originally featured on the 1993 album Esperanto by Elektric Music, a project by Karl Bartos after he left Kraftwerk. The track, co-written by McCluskey, was completely reworked by Humphreys for English Electric, and features Claudia Brücken of Propaganda (Humphreys' then-partner) as the voice of the machine. [14] "Helen of Troy" is a songwriting collaboration with Greek production outfit Fotonovela. [15] The track "Stay with Me" features Humphreys on vocals for the first time since the release of 1988 "Dreaming" B-side "Gravity Never Failed".
English Electric was released on CD, deluxe CD+DVD, heavyweight vinyl LP, a collector's tin boxset, and digitally. [4] Its cover art was designed by longtime OMD collaborator Peter Saville. [16]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 76/100 [17] |
Review scores | |
Source | Rating |
AllMusic | [18] |
The Arts Desk | [19] |
Classic Pop | [20] |
Consequence of Sound | [3] |
The Irish Times | [21] |
Magnet | [22] |
Mojo | [23] |
MusicOMH | [24] |
PopMatters | [25] |
Today | [26] |
English Electric met with positive reviews, [27] [28] and attracted favourable comparisons to OMD's early-to-mid 1980s work—in particular the experimental Dazzle Ships (1983). [18] [22] [25] At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 15 reviews. [17]
In comparing English Electric to its predecessor, Thomas H. Green of The Arts Desk wrote, "... History of Modern , tipped its hat to all OMD's musical incarnations and was a mixed bag, if occasionally pleasing. Their new one, however, returns to their pristine synth-pop roots and is a corker." [19] PopMatters critic John Bergstrom called it "the best OMD album in at least 29 years", observing "a consistent theme and feel, though the individual songs take on a variety of moods and approaches." [25] Alan Ranta of Exclaim! noted, "English Electric brings to mind the effort Orbital put forth in 2012 ( Wonky ), which recalled that UK group's glory days while looking to the future... this album shows a band at the top of their game." [29] Irish Times journalist Tony Clayton-Lea felt the record borrows from Kraftwerk, but said, "What drags it out of the homage/pastiche area is the song craft, which is so ridiculously accomplished that you have no option but to whistle from start to finish." [21]
American indie rock musician Telekinesis wrote, "OMD... have reached back to their milestone that was Dazzle Ships, and made an absolutely gorgeous record that picks up where that one left off. And my goodness, have they aged gracefully." [30] English Electric went on to appear in critics' lists of the best albums of 2013; [31] in a poll of 3,200 Modern Synthpop readers, it was voted the 15th-best synth-pop album of the 2010s. [32] Mark Lindores of Classic Pop later said, "English Electric emerges as a collection that immediately ranks in the upper echelons of OMD's discography... the crisp synths, driving bass and eclectic electronics all accentuate their superb songwriting." [27]
No. | Title | Writer(s) | Length |
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1. | "Please Remain Seated" | Andy McCluskey | 0:44 |
2. | "Metroland" | McCluskey, Paul Humphreys | 7:33 |
3. | "Night Café" | McCluskey, Humphreys | 3:46 |
4. | "The Future Will Be Silent" | McCluskey, Humphreys | 2:41 |
5. | "Helen of Troy" | McCluskey, Nikos Bitzenis, George Geranios | 4:13 |
6. | "Our System" | McCluskey, Humphreys | 4:33 |
7. | "Kissing the Machine" | McCluskey, Karl Bartos | 5:06 |
8. | "Decimal" | McCluskey | 1:16 |
9. | "Stay with Me" | McCluskey, Humphreys, James Watson | 4:27 |
10. | "Dresden" | McCluskey | 3:37 |
11. | "Atomic Ranch" | McCluskey | 1:44 |
12. | "Final Song" | McCluskey, Kurt Weill, Langston Hughes | 3:25 |
Credits for English Electric adapted from the liner notes. [34]
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Chart (2013) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [35] | 68 |
Belgian Albums (Ultratop Flanders) [36] | 91 |
Belgian Albums (Ultratop Wallonia) [37] | 49 |
German Albums (Offizielle Top 100) [38] | 10 |
Greek Albums (IFPI) [39] | 14 |
Irish Albums (IRMA) [40] | 52 |
Scottish Albums (OCC) [41] | 18 |
Spanish Albums (PROMUSICAE) [42] | 60 |
Swiss Albums (Schweizer Hitparade) [43] | 46 |
UK Albums (OCC) [44] | 12 |
UK Independent Albums (OCC) [45] | 1 |
US Top Dance/Electronic Albums ( Billboard ) [46] | 8 |
Region | Date | Label |
---|---|---|
Germany [47] | 5 April 2013 | BMG Rights Management |
France [48] | ||
United Kingdom [49] | BMG Rights Management (UK) Limited, 100% Records | |
Italy [50] | 9 April 2013 | BMG Rights Management |
United States [51] | ||
Japan [52] | 24 April 2013 | Sony Music Entertainment Japan |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Genetic Engineering" is a 1983 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their fourth studio album Dazzle Ships. The synthesized speech featured on the track is taken from a Speak & Spell, an educational electronic toy developed by Texas Instruments in the 1970s intended to teach children spelling.
"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the second single from their studio album Dazzle Ships (1983). "Telegraph" was originally slated to be the first single released, but being unhappy with the mix and with pressure from Virgin, the group instead opted for "Genetic Engineering".
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age. It was recorded remotely, with band members compiling the tracks via the Internet.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
Bauhaus Staircase is the fourteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the fourth since their 2006 reformation. Released on 27 October 2023 by White Noise Records, it is their first album in six years since The Punishment of Luxury (2017). The record was largely inspired by world politics during the late 2010s and early 2020s. Its release was preceded by three singles: the title track, "Slow Train", and "Veruschka".
{{cite web}}
: CS1 maint: unfit URL (link)English Electric is a tremendously satisfying listen for fans who've worn out their copy of Dazzle Ships.
'Night Cafe', 'The Future Will Be Silent' and the earworm that is 'Dresden' might just be some of their best ever pieces.
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: CS1 maint: unfit URL (link)4 stars.
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