Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. Since the band's formation, it has seen numerous lineup changes, with Hütter as its only constant member.
Ralf Hütter is a German musician and composer best known as the lead singer and keyboardist of Kraftwerk, which he founded with Florian Schneider in 1969. On 12 May 2021, Kraftwerk was announced as one of the inductees of the Rock and Roll Hall of Fame.
Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
Trans-Europe Express is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines and funk. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in October 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
Computer World is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981. It was accompanied by four singles, including a double A-side UK no. 1 featuring "Computer Love."
Electric Café is the ninth studio album by German electronic band Kraftwerk, released on 10 November 1986. The initial 1986 release came in versions sung in English and German, as well as a limited Edición Española release, featuring versions of "Techno Pop" and "Sex Object" with only Spanish lyrics. It was the first Kraftwerk LP to be created using predominantly digital musical instruments, although the finished product was still recorded onto analog master tapes.
The Mix is the tenth studio album by the German electronic music band Kraftwerk. It was released on 11 June 1991 by Kling Klang and EMI in Europe and by Elektra Records in North America. It has entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on Kraftwerk's albums Autobahn (1974) to Electric Café (1986). Some of the songs, such as "The Robots" and "Radioactivity", have new additional melodies and/or lyrics.
Wolfgang Flür is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators.
Minimum-Maximum is the first official live album release by Kraftwerk, released in June 2005, almost 35 years after the group gave its first live performance. The album features two CDs of tracks recorded on the group's world tour during 2004, including concerts in Warsaw, Ljubljana, Moscow, Berlin, London, Budapest, Tallinn, Riga, Tokyo, and San Francisco.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his on-stage frenetic 'trainee teacher' dance.
"Das Model" is a song recorded by the German group Kraftwerk in 1978, written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine.
Esperanto, released in 1993, was the first studio album by Elektric Music, initially a collaboration of Karl Bartos and Lothar Manteuffel, but later only Bartos worked under this name. The project begun after Bartos ended his involvement with Kraftwerk in 1991. The songs "Show Business" and "Kissing the Machine" were co-written with Andy McCluskey of Orchestral Manoeuvres in the Dark, with McCluskey performing vocals on the latter track. "Crosstalk" and "Overdrive" were co-written with Kraftwerk associate Emil Schult, who was also the art director of the cover graphics of the early Elektric Music releases.
Esperanto is an international auxiliary language.
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.
Electric Music was the second album by Karl Bartos' "Elektric Music" project, recorded after his collaboration with UK band Electronic on their 1996 album Raise the Pressure and released in 1998. The entire album was written by Bartos and was, according to his website, an "exploration of the sound of the sixties — guitar pop out of the computer!"
Lance Taylor, also known as Afrika Bambaataa, is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
"The Telephone Call" is a song by the German electronic band Kraftwerk. It was released in 1987 as the second and final single from their ninth studio album, Electric Café (1986). The single was their second number-one on the Billboard Hot Dance Club Play and stayed two weeks at the number-one spot. It is the only Kraftwerk song to feature Karl Bartos on vocals. The versions from the single were remixed by François Kevorkian and Ron Saint Germain.
Bureau B is an independent record label, music publisher and booking agency from Hamburg, Germany, founded in 2005 by Gunther Buskies as a sister label to Tapete Records. The label releases varieties of electronic, free-spirited music, with the spectrum ranging from pop to avant-garde. The label has amassed an extensive catalogue of reissues and new productions, including classics from the genre of electronic music in the 1970s and early 1980s popularly classified as Krautrock, alongside new recordings by such formative artists as Faust, Kreidler, Roedelius, Tietchens, Moebius.
