"The Robots" | ||||
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Single by Kraftwerk | ||||
from the album The Man-Machine | ||||
A-side | "Die Roboter" (German title) | |||
B-side | "Spacelab" | |||
Released | 12 May 1978 [1] | |||
Genre | Synth-pop | |||
Length |
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Kraftwerk singles chronology | ||||
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"The Robots" (German : "Die Roboter") is a single by German electronic group Kraftwerk, which was released in 1978. The single and its B-side, "Spacelab", both appeared on the band's seventh album, The Man-Machine (1978). However, the songs as they appear on the single were edited into shorter versions. It charted at number 25 in West Germany, number 39 on the US Billboard Dance Club Songs chart, and number 23 in Austria.
Lyrically, the song discusses the role of robots as subservient workers to humans. The Russian lines "Я твой слуга / Я твой работник" (Ya tvoy sluga / Ya tvoy rabotnik, "I am your servant / I am your worker") (also on the rear sleeve of the album) during the intro and again during its repetition at the bridge are spoken in a pitched down voice, the main lyrics ("We're charging our batteries and now we're full of energy...") are "sung" through a vocoder; the line references the Slavic origins of the word 'robot'.
The song's refrain became a major identifying symbol for the band, and has been frequently referenced: Wolfgang Flür, a member of Kraftwerk at the time of the single's release, later wrote the book "Kraftwerk: ich war ein Roboter" (Kraftwerk: I Was a Robot in English). [2] The lyrics were also referenced in the title of a BBC Radio 4 documentary Kraftwerk: We Are the Robots, broadcast for the first time on Thursday, 22 November 2007. [3]
The band's performance of the song has varied significantly over time: For example, one report of a performance in 1997 describes "four legless robot bodies [being] lowered from a lighting rig and programmed to make mechanical movements to the music", [4] another from the following year describes the spectacle as "robot torsos and heads [being] suspended in the air, slowly twisting and waving as the music plays on", [5] and yet another describes witnessing on-screen "plastic-head representations of the band, stuck on dull gray torsos with mechanical arms and metal-rod legs". The lyrics "We are the robots" flash up on this screen, followed by the line "We are programmed / just to do / anything you want us to." The screen then lifts to reveal the band following their transformation into robots. But they are said not to move "in the popping spurts that robots are famous for; they swiveled and moved their arms slowly, thoughtfully, humanly, as if practicing t'ai chi". [6] It has also been said that these "robots" give a far more lifelike performance than the band themselves. [7] There was, however, "an air of farce" at one show in Ireland in 2008 when a curtain refused to close, disrupting the transformation of the band into robots. Stagehands had to intervene and close the curtain themselves, after which the sequence could continue. [8]
"The Robots" is widely regarded as one of Kraftwerk's best songs. In 2020, Billboard and The Guardian ranked the song number two and number six, respectively, on their lists of the greatest Kraftwerk songs. [9] [10] The song was being widely used as a curtain raiser song in many movie theaters across South India. [11]
No. | Title | Length |
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1. | "Die Roboter" | 4:20 |
No. | Title | Length |
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2. | "Spacelab" | 3:34 |
"The Robots" | ||||
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Single by Kraftwerk | ||||
from the album The Mix | ||||
A-side | "Die Roboter" (German title) | |||
B-side | "Robotnik/Robotronik" | |||
Released | 20 May 1991 [12] | |||
Genre | Electronic | |||
Length |
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Label |
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Kraftwerk singles chronology | ||||
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In 1991, a re-recorded and re-arranged version of "The Robots" was issued as a single from the band's tenth album, The Mix (1991). It charted in several European countries, reaching number 52 on the Eurochart Hot 100. A new music video was also produced to promote the single.
David Stubbs from Melody Maker named "The Robots" Single of the Week, stating that the remix "is still outstanding — unspoilt by a slight House adaption, it's a perfect example of Kraftwerk's exact science and deadpan wit. The first, and still the best." [13] Pan-European magazine Music & Media wrote, "The pioneers of synthesizer pop live up to their reputation. Hi-tech for EHR." [14] Sherman from NME said, "Whilst "The Robots" takes on a much richer feel than before, the Vocoder fed line of We are the robots [is] gouging deeper than ever into the memory". [15]
No. | Title | Length |
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1. | "The Robots" (single edit) | 3:43 |
No. | Title | Length |
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2. | "Robotronik" (single version) | 3:46 |
No. | Title | Length |
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1. | "Robotnik" (Kling Klang Mix) | 7:41 |
No. | Title | Length |
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2. | "Die Roboter" (single edit) | 3:43 |
3. | "Robotronik" (Kling Klang Mix) | 4:51 |
No. | Title | Length |
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1. | "Die Roboter" (single edit) | 3:43 |
2. | "Robotnik" (Kling Klang Mix) | 7:41 |
3. | "Robotronik" (Kling Klang Mix) | 4:51 |
No. | Title | Length |
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1. | "The Robots" (single edit) | |
2. | "Robotronik" (single version) |
Chart (1991) | Peak position |
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Australia (ARIA) [16] | 161 |
Europe (Eurochart Hot 100) [17] | 52 |
Germany (GfK) [18] | 18 |
Ireland (IRMA) [19] | 26 |
UK Singles (OCC) [20] | 20 |
UK Dance ( Music Week ) [21] | 32 |
US Hot Dance Club Play ( Billboard )[ citation needed ] | 42 |
US Hot Dance Singles Sales ( Billboard )[ citation needed ] | 42 |
Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in November 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on 28 April 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
The Mix is the tenth studio album by the German electronic music band Kraftwerk. It was released on 10 June 1991 by Kling Klang and EMI in Europe and by Elektra Records in North America. It features entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on Kraftwerk's albums Autobahn (1974) through Electric Café (1986). Some of the songs, such as "The Robots" and "Radioactivity", feature new additional melodies and/or lyrics.
"Vienna" is a song by British new wave band Ultravox, released on 9 January 1981 by Chrysalis Records as the third single and the title track from their fourth studio album of the same name. The new wave ballad, which features Midge Ure on lead vocals, is regarded as a staple of the synth-pop genre that was popularised in the early 1980s, and remains both the band's signature song and their most commercially successful release.
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"Radioactivity" is a song by the German electronic music band Kraftwerk. It was released in February 1976 as the only single from their fifth studio album, Radio-Activity (1975).
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