Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in November 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on 28 April 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
Computer World is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981. It was accompanied by four singles, including a double A-side UK no. 1 featuring "Computer Love".
The Mix is the tenth studio album by the German electronic music band Kraftwerk. It was released on 10 June 1991 by Kling Klang and EMI in Europe and by Elektra Records in North America. It features entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on Kraftwerk's albums Autobahn (1974) through Electric Café (1986). Some of the songs, such as "The Robots" and "Radioactivity", feature new additional melodies and/or lyrics.
"Obviously" is a song by English pop rock band McFly. It was released as the second single from their debut studio album, Room on the 3rd Floor. The single itself features a cover version of Beatles single, "Help!", as well as the band's first recorded interview—part one of which can be found on CD2, with part two appearing on a limited edition 7-inch picture disc. The single was the band's second number-one single on the UK Singles Chart, where it stayed for one week. It also reached number 14 in Ireland.
"Talk" is a song by the British rock band Coldplay. Built around a motif from Kraftwerk's 1981 song "Computer Love", it was written by all members of the band and appeared on their third album, X&Y. In the United States, the song entered at number 86 on the Billboard Hot 100 and elsewhere in the world its success varied. It peaked at number one in the Netherlands on both the Dutch Top 40 and Single Top 100 charts, becoming the band's first number-one single there.
"Tour de France" is a song by German electronic band Kraftwerk. It was first issued in July 1983, peaking at number 22 in the United Kingdom singles chart on 21 August.
"Das Model" is a song recorded by the German group Kraftwerk in 1978, written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Blue Savannah" is a song by English synth-pop duo Erasure from their fourth studio album, Wild! (1989). Written by members Vince Clarke and Andy Bell, the song was released as a single in Japan on 25 January 1990 and was issued in the United Kingdom the following month. Alfa Records released it in Japan as the album's lead single, Mute Records released it in Europe as the album's third single, and Sire Records released it in the United States as the album's second single. Considered one of the band's signature songs, the duo still perform it regularly in concerts. It has been described as an uplifting love song; the instrumentation is crisp and heavily synthesized, accented with sweeping, programmed piano.
"Am I Right?" is a song by English synth-pop duo Erasure, released in November 1991 in Europe and Canada as the third single from their fifth studio album, Chorus (1991). Written by Erasure members Vince Clarke and Andy Bell, the ballad peaked at number 15 on the UK Singles Chart.
"Success" is a dance-pop song performed by Australian singer Dannii Minogue. The song was written by Minogue and Alvin Moody, and produced by Moody and Vincent Bell for Minogue's debut album, Love and Kisses (1991). It was released as Minogue's second single in September 1990 in Australia. It was remixed and released in May 1991 in the United Kingdom. The song's lyrics discuss the highs and lows of being a celebrity. It entered the top 40 in Australia, Ireland, and the UK. Minogue performed this song when she was invited to perform on The Royal Variety Show in front of Elizabeth II.
"Sit Down" is a song by English band James, originally released in June 1989 by Rough Trade Records. In its eight-and-a-half-minute original form, the song reached number 77 on the UK Singles Chart and was ranked number eight in John Peel's Festive Fifty of that year.
"Radioactivity" is a song by the German electronic music band Kraftwerk. It was released in February 1976 as the only single from their fifth studio album, Radio-Activity (1975).
"Autobahn" is a 1974 song by German electronic band Kraftwerk, released as the lead single from their studio album of the same name. The song was composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It was co-produced by Conny Plank, and is the band's first track to use sung lyrics. Recorded in 1974, the song is designed to capture the feel of driving on a motorway. "Autobahn" is Kraftwerk's biggest hit in the US, reaching number 25 on the Billboard Hot 100.
"We Hate It When Our Friends Become Successful" is a song by English singer-songwriter Morrissey from his third studio album, Your Arsenal (1992). It was released as the lead single from the album on 27 April 1992 by His Master's Voice (HMV). It was the first Morrissey single to be co-written with guitarist Alain Whyte and produced by glam rock guitarist Mick Ronson, known for his work with David Bowie as one of the Spiders from Mars. The song peaked at No. 17 on the UK Singles Chart and No. 9 in Ireland.
"Kingston Town" is a 1970 song by Lord Creator about Kingston, Jamaica, released as a single on producer Clancy Eccles' Clandisc label. It was also recorded in 1989 by reggae group UB40 and was released as the second single from their album Labour of Love II, reaching number four on the UK Singles Chart and number one in France and the Netherlands.
"I'll Be Your Baby Tonight" is a 1967 song by Bob Dylan first released on John Wesley Harding. It features Pete Drake on pedal steel guitar, and two other Nashville musicians, Charlie McCoy on bass guitar and Kenneth Buttrey on drums, both of whom had appeared on Dylan's previous album, Blonde on Blonde.
"Das Boot" is the title theme to the film and TV series Das Boot, composed and produced by Klaus Doldinger, and released as a single in 1981. In 1991, the song was covered by German DJ and producer Alex Christensen and his dance music project U96. This techno version was U96's debut single, released by Polydor from the album of the same name (1992).
