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Emil Schult | |
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| Born | 10 October 1946 Dessau, Germany |
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| Instrument(s) | Computer, Voice |
Emil Schult (born 10 October 1946) is a German painter, poet and audio-visual artist.
After studying Sinology in Münster, Schult joined the Academy of Art in Düsseldorf in 1969 to study Fine Arts in the printmaking class of Dieter Roth, and later in the painting classes of Joseph Beuys and Gerhard Richter. In 1973, he finished his studies with the title of 'Meisterschüler' of Gerhard Richter. Both Joseph Beuys and Dieter Roth, as well as Roth's partner Dorothy Iannone, remained important for Schult's artistic development. In 1969, Schult lived in Reykjavik at Roth's studio-home.
Schult has developed a vast body of work beginning with prints, drawings and artist's books that encompass philosophical writings, poems, comics, collages and drawings. Early on he included film in his repertoire as well as painting – later on he only worked with reverse glass painting.
From 1970 to 1974, Schult collaborated with the Free International University, founded by Joseph Beuys. From 1973 to 1975 he also worked as an art teacher at a grammar school in Düsseldorf, then as a lecturer at the former college of education in Münster. Schult published books on art didactics.
In 1972, Schult started an artistic collaboration with Kraftwerk founders Ralf Hütter and Florian Schneider. As artist friends they created the "musicomix" poster for the album Ralf and Florian , further artwork for Autobahn and Radioactivity , and additional graphics. During the subsequent years of their collaboration, they also wrote lyrics and sound poetry for the albums Autobahn and Radioactivity, as well as the single "The Model", which was a number 1 hit in the UK, coupled with "Computer Love", which Schult also co-wrote. In addition, he collaborated with the band on the writing of their 1981 singles "Pocket Calculator" and "Computer World".
In 1979, he deepened his studies of Computer Music at the Stanford Artificial Intelligence Laboratory, Stanford University, CA, USA. Since the mid-1980s, Schult has also worked with video and computer-animated images.
In the late 1980s, he moved to the Bahamas, where he developed his distinctive style of reverse glass painting, which has informed his future work. This ancient Chinese technique opened to Schult a contemporary view on painting, as today the world is mostly perceived through glass – the window glass, the glass of the tablet, TV etc.[ citation needed ]
Since the early 1990s, he has lived in Düsseldorf, where he was commissioned to create a crypt for the Robert-Schumann Music Academy. The crypt is a complex artistic room intended to create an opportunity for student meditation. After submitting 50 photos of the crypt to Karlheinz Stockhausen, he composed a piece called "50 Klangbilder" for it. It was published in the form of a DVD in the publication Symbolik einer Krypta (Droste Verlag, 2012).
In Schult's artistic work, topics such as the evolution of the electronic chip play a central role, as well as a series of homages to the pioneers of electronic developments. His focus lies on the visionary potential of art and his recent paintings reflect on the connection between humans, the electronic microcosmos and the vastness of space.
Schult has recently held solo exhibitions at Osthaus Museum Hagen, DE, Burchfield Penney Art Center, Buffalo, NY, USA, [1] Rauschenberg Gallery at Florida South Western State College, Fort Myers, FL, USA, Heinz Nixdorf MuseumsForum, Paderborn, DE, [2] Institute for Electronic Arts at Alfred University, NY, USA, University of Illinois, Urbana-Champaign, IL, USA.
He served as a guest professor at the Institute for Electronic Arts, Alfred University, New York, USA.
His recent participations in group exhibitions include Deichtorhallen Hamburg, DE, [3] Haus der Kulturen der Welt Berlin, DE, [4] Galerie Buchholz New York, USA, [5] AC Gallery Beijing, CHN, [6] Zhang Zhou International Contemporary Art Exhibition, CHN, Kunsthalle Düsseldorf, DE, [7] Raketenstation Hombroich, Neuss, DE, [8] Tampa Museum of Art, FL, USA, Julia Stoschek Foundation, Düsseldorf, DE, et al.
Since 2017, Schult has collaborated with Emma Nilsson as TRANSHUMAN ART CRITICS. In 2019, Lothar Manteuffel and Max Dax joined the group. TRANSHUMAN ART CRITICS view the evolution of electronic music and art from the perception of enhanced humans. The observations are presented as audio-visual pieces in which the archeological findings merge with the cognition of future.
Kraftwerk is a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet.
Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance into serial composition, and for musical spatialization.
Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
Trans-Europe Express is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.
Ralf und Florian is the third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips. It saw the group moving toward their signature electronic sound. It was 160# on the US Top 200 Albums Chart in 1975.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in October 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
Computer World is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981.
Wolfgang Flür is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators.
Minimum-Maximum is the first official live album release by Kraftwerk, released in June 2005, almost 35 years after the group gave its first live performance. The album features two CDs of tracks recorded on the group's world tour during 2004, including concerts in Warsaw, Ljubljana, Moscow, Berlin, London, Budapest, Tallinn, Riga, Tokyo, and San Francisco.
Karl Bartos is a German musician and composer known for his contributions to the electronic band Kraftwerk.
"Das Model" is a song recorded by the German group Kraftwerk in 1978, written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine.
"Radioactivity" is a song by the German electronic music band Kraftwerk. It was released in May 1976 as the only single from their fifth studio album, Radio-Activity (1975). It sold 500,000 units in France.
"Autobahn" is a 1974 song by German electronic band Kraftwerk, being the second and lead single from their studio album of the same name. The song was composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It is co-produced by Conny Plank, and was the band's first track to use sung lyrics. Recorded in 1974, the song is designed to capture the feel of driving on a motorway. "Autobahn" is Kraftwerk's biggest hit in the US, reaching number 25 on the Billboard Hot 100.
Esperanto, released in 1993, was the first studio album by Elektric Music, initially a collaboration of Karl Bartos and Lothar Manteuffel, but later only Bartos worked under this name. The project begun after Bartos ended his involvement with Kraftwerk in 1991. The songs "Show Business" and "Kissing the Machine" were co-written with Andy McCluskey of Orchestral Manoeuvres in the Dark, with McCluskey performing vocals on the latter track. "Crosstalk" and "Overdrive" were co-written with Kraftwerk associate Emil Schult, who was also the art director of the cover graphics of the early Elektric Music releases.
German electronic music is a broad musical genre encompassing specific styles such as Electroclash, trance, krautrock and schranz. It is widely considered to have emerged in the late 1960s and early 1970s, becoming increasingly popular in subsequent decades. Originally minimalistic style of electronic music developed into psychedelic and prog rock aspects, techno and electronic dance music. Notable artists include Kraftwerk, Can, Tangerine Dream and Deutsch Amerikanische Freundschaft. German electronic music contributed to a global transition of electronic music from underground art to an international phenomenon, with festivals such as Love Parade, Winterworld and MayDay gaining prominence alongside raves and clubs.
Mary Hildegard Ruth Bauermeister was a German artist who worked in sculpture, drawing, installation, performance, and music. Influenced by Fluxus artists and Nouveau Réalisme, her work addresses esoteric issues of how information is transferable through society. "I only followed an inner drive to express what was not yet there, in reality or thought", she said of her practice. "To make art was more a finding, searching process than a knowing." Beginning in the 1970s, her work concentrated on the themes surrounding New Age spirituality, specifically geomancy, the divine interpretation of lines on the ground.
Gotthard Graubner was a German painter, born in Erlbach, in Saxony, Germany.
Hans-Jürgen Schult, known professionally as HA Schult, is a German installation, happening and conceptual artist known primarily for his object and performance art and more specifically his work with garbage. He is one of the first artists to deal with the world's ecological imbalance in his work and has therefore been called an "eco-art pioneer". His best known works include the touring work, Trash People, which exhibited on all continents, and the Save The Beach hotel, a building made of garbage.
Helmut Franz Maria Kirchmeyer is a German musicologist, philologist and historian.
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