| Kraftwerk 2 | ||||
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| Released | January 1972 | |||
| Recorded | 26 September – 1 October 1971 | |||
| Studio | Star Musik (Hamburg) | |||
| Genre | ||||
| Length | 42:42 | |||
| Label | ||||
| Producer | ||||
| Kraftwerk chronology | ||||
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| Source | Rating |
| AllMusic |   [2] |
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, released in January 1972.
Kraftwerk 2 was entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971, with the sessions produced by the influential Konrad "Conny" Plank. Hütter later said of the album's recording:
Nobody wanted to play with us because we did all kinds of strange things ... feedbacks and overtones and sounds and rhythms. No drummer wanted to work with us because we had these electronic gadgets. [3]
Perhaps the least characteristic album of their output, it features no synthesizers, the instrumentation being largely electric guitar, bass guitar, flute and violin. The electronics on display generally belong to the realm of 1960s tape-based music more usually produced in academia, with heavy use of tape echo (for example the massed looping flute layers of "Strom"), and reverse and altered speed tape effects. Overall, the sound has a rather muted, twilit, dusky feel, similar in feel to "Megaherz" on Kraftwerk's debut album, as Hütter and Schneider explored the possibilities for electronic and auto-mechanical enhancement of their music.[ citation needed ]
The lengthy, almost side-long "Klingklang" which opens the album is notable for its use of a preset organ beatbox to provide the percussion track. It starts with a clangourous Stockhausen-like metallic percussion montage and gives rise to the unmistakable Kraftwerk sound. Later, the song title also became the name of the band's own self-built studio, in Düsseldorf. "Atem" is a recording of breathing, while "Harmonika" features a tape-manipulated mouth organ.
The cover design, credited to Ralf and Florian, further hints at a deliberate association with conceptual art, being a repeat of the first album's pop art design – except this time fluorescent green replaces the red and the number '2' is added.
It was eventually released in the UK, combined with the first Kraftwerk album as a double LP package, by the Vertigo label in March 1973, more than a year after its German release in January 1972.
No material from this album has been performed in the band's live set since the Autobahn tour of 1975, and to date, the album has not been officially reissued. The band is seemingly reluctant to consider the album as a part of its canon; in later interviews, Schneider described the first three Kraftwerk albums as "archaeology". However, unlicensed CDs of the album have been widely available since the mid-1990s on the Germanofon and Crown labels. Kraftwerk has hinted that the album may eventually see a re-mastered CD release after its Der Katalog boxed set. [4]
All tracks are written by Ralf Hütter and Florian Schneider-Esleben
| No. | Title | Length |
|---|---|---|
| 1. | "Klingklang [5] " ("Ding Dong") | 17:36 |
| 2. | "Atem [6] " ("Breath") | 2:57 |
| Chart (1972) | Peak position |
|---|---|
| German Albums (Offizielle Top 100) [12] | 36 |
Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. Since the band's formation, it has seen numerous lineup changes, with Hütter as its only constant member.
Kling Klang is the private music studio of the band Kraftwerk. The name is taken from the first song on the Kraftwerk 2 album. The studio was originally located at Mintropstraße 16 in Düsseldorf, Germany, adjacent to Düsseldorf Hauptbahnhof, but in mid-2009 moved to Meerbusch-Osterath, around 10 kilometers west of Düsseldorf. The band also operate a record label named Kling Klang, which they use to release their music.
Ralf Hütter is a German musician and composer best known as the lead singer and keyboardist of Kraftwerk, which he founded with Florian Schneider in 1969. On 12 May 2021, Kraftwerk was announced as one of the inductees of the Rock and Roll Hall of Fame.
Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
Organisation zur Verwirklichung gemeinsamer Musikkonzepte was an experimental krautrock band, that was the immediate predecessor of the band Kraftwerk. In addition to the founding members of Kraftwerk, Ralf Hütter and Florian Schneider-Esleben, Organisation included Basil Hammoudi, Butch Hauf, and Fred Monicks. The band was assisted by Paul Lorenz, Peter Martini, and Charly Weiss during their career.
Ralf und Florian is the third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips. It saw the group moving toward their signature electronic sound. It reached #160 on the US Top 200 Albums Chart in 1975.
Kraftwerk is the debut studio album by German electronic band Kraftwerk. It was released in Germany in 1970, and produced by Konrad "Conny" Plank.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in October 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
Electric Café is the ninth studio album by German electronic band Kraftwerk, released on 10 November 1986. The initial 1986 release came in versions sung in English and German, as well as a limited Edición Española release, featuring versions of "Techno Pop" and "Sex Object" with only Spanish lyrics. It was the first Kraftwerk LP to be created using predominantly digital musical instruments, although the finished product was still recorded onto analog master tapes.
The Mix is the tenth studio album by the German electronic music band Kraftwerk. It was released on 11 June 1991 by Kling Klang and EMI in Europe and by Elektra Records in North America. It features entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on Kraftwerk's albums Autobahn (1974) through Electric Café (1986). Some of the songs, such as "The Robots" and "Radioactivity", feature new additional melodies and/or lyrics.
Tone Float is the debut and only LP by the German band Organisation zur Verwirklichung gemeinsamer Musikkonzepte (Organisation). Organisation is best remembered for having the two founders of Kraftwerk as members, Ralf Hütter and Florian Schneider-Esleben, which they did after the album's release and band's disbandment.
Florian Schneider-Esleben was a German musician. He is best known as one of the founding members and leaders of the electronic band Kraftwerk, performing his role with the band until his departure in 2008.
The Catalogue is a box set consisting of the eight albums by German electronic music band Kraftwerk that were released from 1974 to 2003. All albums are digitally remastered, with most of the cover art redesigned, including rare photographs in the liner notes that were not part of each album's original release.
Neu! were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—Neu! (1972), Neu! 2 (1973), and Neu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.
Minimum-Maximum is the first official live album release by Kraftwerk, released in June 2005, almost 35 years after the group gave its first live performance. The album features two CDs of tracks recorded on the group's world tour during 2004, including concerts in Warsaw, Ljubljana, Moscow, Berlin, London, Budapest, Tallinn, Riga, Tokyo, and San Francisco.
Karl Bartos is a German musician and composer known for his contributions to the electronic band Kraftwerk.
"Autobahn" is a 1974 song by German electronic band Kraftwerk, being the second and lead single from their studio album of the same name. The song was composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It was co-produced by Conny Plank, and is the band's first track to use sung lyrics. Recorded in 1974, the song is designed to capture the feel of driving on a motorway. "Autobahn" is Kraftwerk's biggest hit in the US, reaching number 25 on the Billboard Hot 100.
Exceller 8 is the title of a 1975 compilation album of music by Kraftwerk. It was released by the Vertigo label in order to capitalize on both the summer chart success of the single "Autobahn" and the imminent release of the next Kraftwerk album Radio-Activity. By this time, Ralf Hütter and Florian Schneider had set up their own record and publishing company, Kling Klang.
Klaus Dinger was a German musician and songwriter most famous for his contributions to the seminal krautrock band Neu!. He was also the guitarist and chief songwriter of new wave group La Düsseldorf and briefly the percussionist of Kraftwerk.
"The Telephone Call" is a song by the German electronic band Kraftwerk. It was released in 1987 as the second and final single from their ninth studio album, Electric Café (1986). The single was their second number-one on the Billboard Hot Dance Club Play and stayed two weeks at the number-one spot. It is the only Kraftwerk song to feature Karl Bartos on vocals. The versions from the single were remixed by François Kevorkian and Ron Saint Germain.
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