Andy McCluskey

Last updated

Andy McCluskey
20180728 Koln Amphi Festival OMD 0119.jpg
McCluskey performing with OMD in 2018
Background information
Birth nameGeorge Andrew McCluskey
Born (1959-06-24) 24 June 1959 (age 64)
Heswall, Wirral, England
Origin Meols, Wirral, England
Genres
Occupation(s)
  • Musician
  • singer-songwriter
  • record producer
Instrument(s)
  • Vocals
  • bass
  • guitar
  • keyboards
Years active1976–present
Website omd.uk.com

George Andrew McCluskey (born 24 June 1959) is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his on-stage frenetic 'trainee teacher' dance.

Contents

McCluskey also founded pop girl group Atomic Kitten, for whom he served as a principal songwriter and producer, and has collaborated with various acts. His work has received nominations at the Ivor Novello, Grammy and Brit Awards, and has topped charts in the UK and internationally.

Early life and career

McCluskey was born on 24 June 1959 in Heswall, Wirral, [1] [2] and grew up in a working class home in Meols, on the northern coast of the Wirral. McCluskey's father, James, was born in Glasgow and was a railway worker. [3] [4] [5] [6] [7] He met Paul Humphreys at Great Meols Primary School, [8] in Elwyn Road, and played with him in several bands, including Hitlerz Underpantz, VCL XI and the Id. McCluskey then attended Calday Grange Grammar School in West Kirby. He briefly joined Dalek I Love You as their lead singer, but left because he wanted to sing his own songs. McCluskey teamed up with Humphreys again to form OMD in 1978, achieving global success. Humphreys and the rest of the band split with McCluskey in 1989, with McCluskey retaining the OMD name: [9] he disbanded the group in 1996. McCluskey has sold over 40 million records with OMD, [10] [11] [12] and is regarded as a pioneer of electronic music in the UK. [13]

McCluskey single-handedly wrote the OMD hits "Enola Gay", [8] which became an international no. 1 hit; [14] "Joan of Arc"; and "Maid of Orleans", which was Germany's biggest-selling single of 1982. [15] He also co-wrote the successful singles "Locomotion", "Talking Loud and Clear", "If You Leave", [16] and "Sailing on the Seven Seas". Music Week asserted that McCluskey has an "immense talent for writing perfect pop songs", [17] while Q 's Debbi Voller dubbed him a "master of melody". [18] Broadcaster Pete Price wrote, "His music has touched my life, like it has for so many... he's a fabulous singer-songwriter." [19] In 1993, Smash Hits critic Mark Frith described McCluskey as "something of a living legend". [20]

McCluskey has also been praised by fellow musicians. Former Kraftwerk member Karl Bartos hailed McCluskey as "such an excellent songwriter"; [21] The Time Frequency's Jon Campbell called him "an incredible writer of pop songs". [22] The Teardrop Explodes's David Balfe felt McCluskey's work exhibited "more talent than most", [23] while Joy Division and New Order co-founder Peter Hook viewed him as "really underrated... for what he did with Orchestral Manoeuvres but also those pop songs he wrote for Atomic Kitten." [24] The Human League and Heaven 17 co-founder, Martyn Ware, referred to "the great Andy McCluskey", labelling him a "true pioneer of electronic pop music". [25]

OMD reformation

McCluskey and Humphreys reunited for a performance on German TV in June 2005, officially reforming OMD in 2006. [26] [27] 2007 saw the first tour of the reformed band, including Martin Cooper and Malcolm Holmes, commemorating the twenty-sixth anniversary of the release of their seminal album Architecture & Morality . [28]

The group released a CD and DVD of their Hammersmith Apollo (London) live gig from the 2007 reunion tour in the spring of 2008, [29] before undertaking a short tour to celebrate thirty years as a band in the autumn of 2008. [30] A compilation of their singles and videos, Messages: Greatest Hits , was released that year. [31] On 20 September 2010 OMD released their 11th studio album History of Modern , their first in 14 years. [32] The group's Souvenir box set, a career retrospective covering their entire oeuvre, was nominated for "Best Historical Album" at the 2021 Grammy Awards. [33]

Live performance

McCluskey noted how, in the early days of OMD, the band's work was perceived as "robotic intellectual music that you couldn't dance to". In response, [34] he developed an onstage dancing style that has been described as "manic" and "jerky". [35] [36] While some journalists – and McCluskey himself – have been critical of his dancing ability, [37] [38] the routine found popularity with OMD fans as well as with teaching students, thus earning the name, the "Trainee Teacher Dance" (coined by broadcaster Stuart Maconie). [37] [39] [40] The Scotsman hailed McCluskey's dancing as "legendary", [34] while The Times said that he "deserves credit for making it an integral part of the OMD brand... You can fault his skill, but not his tireless enthusiasm." [41]

Rock group ZZ Top were noted admirers of McCluskey's dancing, incorporating elements of the routine into their own live show. [40] [42] Electronic musician Martyn Ware remarked that "his stage performances are exceptional". [25] No Doubt bassist and OMD fan, Tony Kanal, said in 2012, "McCluskey is the singer and he also plays bass, which is [an] incredibly difficult way to multi-task. I finally saw them live last year and his playing and singing are so incredible." [43]

In live performances, McCluskey often plays bass guitar and occasionally, keyboard instruments and guitar. He is right-handed, but originally learned to play bass guitar on a left-handed model. As a result, he plays with the strings "upside down" (i.e., with the lowest-pitched string on the bottom and the highest-pitched one on top), counter to normal practice. [44]

Atomic Kitten and the Genie Queen

In 1998, McCluskey founded the UK pop group Atomic Kitten, serving as songwriter and producer. [45] Their song "Whole Again", co-written by McCluskey, was his first no. 1 song on the UK Singles Chart, [46] and he and his fellow songwriters were nominated for the Ivor Novello Award for "International hit of the year". [47] The song also received a Brit Award nomination for "Best British Single". [48] McCluskey was also a writer of the Atomic Kitten hits "Right Now", "See Ya", "I Want Your Love" and "Cradle". He parted ways with the group during the recording of their second album, Feels So Good (2002). [49]

McCluskey subsequently formed the White Noise records and publishing label where he worked with Liverpool girl group, the Genie Queen. [50]

Other work

McCluskey has written with, and provided session musicianship for, various artists. Some of his collaborators include: Gary Barlow, with whom McCluskey wrote the song "Thrill Me" for the soundtrack of the film Eddie the Eagle (2016); [51] The Lightning Seeds, for whom he played keyboards on their debut album Cloudcuckooland (1990); [52] and Karl Bartos, whose record Esperanto (1993) – released under the Elektric Music moniker – features McCluskey as co-writer on "Show Business" and "Kissing the Machine" (and as lead vocalist on the latter track). [53] Bartos also co-wrote the song "The Moon & the Sun", which featured on OMD's Universal (1996). "Kissing the Machine" would later appear in a reworked form on the OMD album English Electric (2013). [54] McCluskey recorded the song "A Million Stars" with members of Fun, for the soundtrack of 2015 film The D Train . [55]

McCluskey owns the Motor Museum, a recording studio in Liverpool. [56]

Personal life

McCluskey's girlfriend in the late 1970s was the Id bandmate Julia Kneale. [57] She wrote the lyrics to "Julia's Song", [58] which appeared on OMD's eponymous debut album (1980).

McCluskey later married Toni, [59] with whom he had two children. [60] [61] A prominent reason for OMD's reformation was that his children had never seen him on stage; in 2007 he said: "I was happy to stop working to be with the kids, but strangely enough they have been the most vocal in encouraging me back." [60] The couple divorced in 2011 and Toni returned to her native San Diego, California, with the children. [61] Their son, James McCluskey, is a founding member, bass player and backing vocalist of the group MiG 15, named after the fighter jet of the same name. [62]

He lived in Dublin in the 1990s. [63] [64]

McCluskey is a supporter of Liverpool F.C. [65] He also acquired a fandom of Celtic F.C. through his Glaswegian father. [3]

McCluskey is a longtime atheist. [66]

Related Research Articles

<span class="mw-page-title-main">Orchestral Manoeuvres in the Dark</span> English band

Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.

<span class="mw-page-title-main">Paul Humphreys</span> English singer, songwriter and musician

Paul David Humphreys is an English singer, songwriter and musician who is best known for his contributions to Orchestral Manoeuvres in the Dark (OMD), an electronic band which he founded alongside Andy McCluskey in 1978. John Doran in The Quietus remarked: "If, roughly speaking, McCluskey is the intellect and inquisitive nature in the group, then Humphreys is the heart."

<i>Dazzle Ships</i> (album) 1983 studio album by Orchestral Manoeuvres in the Dark

Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.

<i>Junk Culture</i> 1984 studio album by Orchestral Manoeuvres in the Dark

Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album we've ever made".

<i>Organisation</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.

<i>Orchestral Manoeuvres in the Dark</i> (album) 1980 studio album by Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.

<i>Crush</i> (Orchestral Manoeuvres in the Dark album) 1985 studio album by Orchestral Manoeuvres in the Dark

Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.

<i>Universal</i> (Orchestral Manoeuvres in the Dark album) 1996 studio album by Orchestral Manoeuvres in the Dark

Universal is the tenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 September 1996 by Virgin Records. Frontman Andy McCluskey opted for a more organic, acoustic sound on the record, which peaked at number 24 on the UK Albums Chart. It was generally well received by music critics, although the British media's overall resistance to OMD – who had been rendered unfashionable by the prevalence of grunge and indie rock – prompted McCluskey to dissolve the group. Universal was their last album until 2010's History of Modern.

<i>Sugar Tax</i> (album) 1991 studio album by Orchestral Manoeuvres in the Dark

Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.

<i>Liberator</i> (album) 1993 studio album by Orchestral Manoeuvres in the Dark

Liberator is the ninth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 14 June 1993 by Virgin. Recorded by OMD frontman Andy McCluskey along with musicians enlisted for the multi-million selling Sugar Tax (1991), the album ventures further into the dance-pop style explored by its predecessor.

<span class="mw-page-title-main">Electricity (Orchestral Manoeuvres in the Dark song)</span> 1979 single by Orchestral Manoeuvres in the Dark

"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.

<span class="mw-page-title-main">Enola Gay (song)</span> 1980 single by Orchestral Manoeuvres in the Dark

"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.

<span class="mw-page-title-main">Walking on the Milky Way (song)</span> 1996 single by Orchestral Manoeuvres in the Dark

"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.

<span class="mw-page-title-main">Maid of Orleans (The Waltz Joan of Arc)</span> 1982 single by Orchestral Manoeuvres in the Dark

"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.

<span class="mw-page-title-main">Souvenir (song)</span> 1981 single by Orchestral Manoeuvres in the Dark

"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.

<span class="mw-page-title-main">Dreaming (Orchestral Manoeuvres in the Dark song)</span> 1988 single by Orchestral Manoeuvres in the Dark

"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.

<i>History of Modern</i> 2010 studio album by Orchestral Manoeuvres in the Dark

History of Modern is the eleventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 20 September 2010 by 100% Records. It is their first album since 1996, and the first to feature the classic four-piece OMD line-up since 1986's The Pacific Age. It was recorded remotely, with band members compiling the tracks via the Internet.

<i>English Electric</i> (album) 2013 studio album by Orchestral Manoeuvres in the Dark

English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.

<span class="mw-page-title-main">Stuart Kershaw</span> English songwriter and musician

Stuart Kershaw is an English songwriter and musician who performs as drummer of English electronic group Orchestral Manoeuvres in the Dark (OMD). Kershaw has worked with the band in various capacities since 1991, and in 2015, became the full-time replacement for original drummer Malcolm Holmes. He is credited as a co-writer on multiple OMD releases, including the 1991 UK No. 3 hit, "Sailing on the Seven Seas".

<i>The Punishment of Luxury</i> (album) 2017 studio album by Orchestral Manoeuvres in the Dark

The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.

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