"(Forever) Live and Die" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album The Pacific Age | ||||
B-side | "This Town" | |||
Released | 26 August 1986 [1] | |||
Studio | Studio De La Grande Armée (Paris) | |||
Length | 3:38 | |||
Label | Virgin | |||
Songwriter(s) |
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Producer(s) | Stephen Hague | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Music video | ||||
"(Forever) Live and Die" on YouTube |
"(Forever) Live and Die" is a 1986 song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their seventh studio album, The Pacific Age . Paul Humphreys sings lead vocals on the track. The single peaked at No. 11 on the UK Singles Chart. It was a top 10 hit in Canada and several European territories, and a top 20 hit in the United States, Australia, New Zealand, and Ireland.
Lynden Barber of The Sydney Morning Herald wrote that "(Forever) Live and Die" is "almost worthy of prime period ABBA, its ethereal Euro synthetics melting around a chorus that ascends towards heaven." [2] Billboard selected the single as one of their "pop picks" for the week of 20 September, adding that it "achieves [the Beatles'] Magical Mystery Tour spirit with '80s tech". [3] Record Mirror 's Andy Strickland referred to "an infectious little beast" with "some nice brass touches". [4] Conversely, Simon Mills of Smash Hits portrayed the song as "limp, languid, wimpy and totally inoffensive". [5]
In April 1987, English disc jockey (DJ) Gary Crowley identified "(Forever) Live and Die" as a "great single" and "one of [his] favourite records of the last twelve months". [6] In a later article, Spin 's James Hunter observed "the kind of emotionally transcendent dancepop [Pet Shop Boys'] Neil Tennant always strove for, an unqualified masterpiece of tears and aural compression, carnivalesque synth figures and Wednesday afternoon blues." [7] Stewart Mason of AllMusic wrote that it "sounds oddly unfinished, albeit pleasant enough". [8] Barenaked Ladies drummer Tyler Stewart named the track as his favourite of OMD's, saying, "I really love '(Forever) Live and Die'. That's a great song." [9]
KROQ ranked the track as the 44th-greatest of 1986; [10] in a poll of 6,528 Slicing Up Eyeballs readers, it was voted the 68th-best of the year. [11] The Pueblo Chieftain 's Jon Pompia named the "wonderful" song as one of the 10 greatest of the 1980s. [12]
7" and 7" picture disc
First 12"
Second 12"
Weekly charts
| Year-end charts
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Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"If You Leave" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
"So in Love" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their album Crush. It reached the top 30 of both the UK Singles Chart and the US Billboard Hot 100, becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland.
"Joan of Arc" is a 1981 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their third studio album Architecture & Morality. It was well-received by critics and became an international hit, reaching the Top 5 in the UK and Canada and number 13 in Ireland.
"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Stand Above Me" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin Records as the first single from their ninth album, Liberator (1993), and their 26th single overall. It was the last OMD single released on a 12-inch format before the group took a break in 1996. The next 12-inch to be released under the OMD name was "Metroland" in March 2013.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Talking Loud and Clear" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 June 1984 as the second single from their fifth studio album Junk Culture (1984). The single was a European hit, reaching the Top 10 in Ireland, Belgium and the Netherlands, and No. 11 in the UK. It also charted at No. 18 in Germany. The song was edited for its 7" single release.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.