"Electricity" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Orchestral Manoeuvres in the Dark | ||||
B-side | "Almost" | |||
Released | 21 May 1979 | |||
Recorded |
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Genre | ||||
Length | 3:32 | |||
Label |
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Songwriter(s) | ||||
Producer(s) |
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Orchestral Manoeuvres in the Dark singles chronology | ||||
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Alternative cover | ||||
Music video | ||||
"Orchestral Manoeuvres In The Dark - Electricity" on YouTube |
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD),featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison,although Humphreys is positioned higher in the mix. Recognised as one of the most influential singles of its era,"Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
The track is a holdover from defunct Wirral group the Id (who were led by McCluskey and Humphreys),and features a melodic synthesizer break as opposed to a sung chorus. Following OMD's release of "Electricity" on Factory Records,the band were offered a recording contract with Dindisc,who twice re-issued the single. It achieved limited success on the UK Singles Chart,peaking at no. 99 in early 1980,but found popularity in nightclubs. A 2019 re-release,through Virgin EMI,topped the UK Vinyl Singles Chart.
"Electricity" was the first song that Andy McCluskey and Paul Humphreys wrote together at the age of 16. [4] It addresses society's wasteful usage of energy resources. [5] Inspired by Kraftwerk's "Radioactivity",the track was described by McCluskey as "a faster,punkier version of 'Radioactivity' with a chorus". [6] As with single "Messages" from the same album,a sung chorus is substituted for a melodic synthesizer break. [7]
McCluskey and Humphreys originally recorded "Electricity" as members of OMD precursor group the Id,in early 1978. [8] After OMD's first concert,opening for Joy Division in a 1978 appearance at Eric's Club in Liverpool,McCluskey was inspired to send a demo of the song to Factory Records founder Tony Wilson. They later heard that while he was not impressed with it,his wife was,so he bought it from them and released it as a single. Its ensuing success led to them receiving a seven-album record deal with Dindisc,worth over £250,000. [9] [10]
Humphreys and McCluskey sing the lead vocals on the track together in unison,although Humphreys is positioned higher in the mix. [11]
"Electricity" was a hit with veteran DJ John Peel,who gave the song regular play on his late-night radio show; [12] [13] as a result,the British music press quickly picked up on the song. [13] Adrian Thrills of NME cited it as "the best example of Factory Records to date – excellent,melodic,synthesiser pop". He also lauded B-side "Almost",calling it "a doleful,heartsick slab of electronic angst". [13] In a review of 1980 single "Enola Gay",Jonathan Green of The Canberra Times described both it and "Electricity" as a "super pop song". [14]
Conversely,Garry Bushell gave a negative review in Sounds ,in which he remarked:"If Mike Oldfield was ten years younger and a Tubeway Army fan,this is what he'd sound like... who wants to listen to a bunch of Scousers whining about electricity anyway?" [13] (Bushell later called his "less than generous" appraisal a "mistake". [15] ) David Hepworth,who re-assessed the track in the same publication,wrote that OMD's sound "commands your attention" and lauded the single for being "packaged with as much taste as it's played". [13] "Electricity" reached no. 2 on the Sounds Alternative Chart in the summer of 1979 [16] and became popular in nightclubs. [17] [18]
In a retrospective article,Ned Raggett of AllMusic described the song as "pure zeitgeist,a celebration of synth pop's incipient reign". [1] Critic Dave Thompson called it a "perfect electro-pop number". [5]
Andrew Trendell of NME recognised "Electricity" as a "classic" and "one of the most influential singles of the post-punk era". [19] The Guardian 's Mary Harron wrote that the song "pioneered a new electronic pop", [20] while Mike Mettler of Digital Trends said it "is generally acknowledged as being the pioneering inspirational synth-pop track for many early electronic artists". [21] Author and musician Rudi Esch described "Electricity" as "a song that started a new movement";Esch borrowed its title for his book,Electri_City:The Düsseldorf School of Electronic Music (2016). [22] John Earls of Classic Pop called the track "groundbreaking", [23] as did AFI and Blaqk Audio frontman,Davey Havok. [24]
Erasure bandleader Vince Clarke (formerly chief songwriter of Depeche Mode and Yazoo) told the BBC,"When I was 18 or 19 I heard a single called 'Electricity' by Orchestral Manoeuvres in the Dark. It sounded so different from anything I'd heard;that really made me want to make electronic music,'cause it was so unique." [25] The song was a fixture in the DJ sets of Duran Duran's Nick Rhodes;bandmate John Taylor cited it as an early influence on the group. [26] The track has also impacted artists such as Alphaville, [27] No Doubt, [28] Ministry's Al Jourgensen, [29] Take That's Gary Barlow, [21] and Nation of Language,whose formation it directly inspired. [30] "Electricity" and its cover art were highly influential on the parallel music and graphic design careers of Brett Wickens (co-founder of the groups Spoons and Ceramic Hello). [31] BBC Radio's Steve Lamacq has named the "wonderful" song as his inspiration to become a radio DJ,noting that he wanted to afford air time to similar,"curious" music. [12] [32]
"Electricity" has been praised by other musicians. Ted Ottaviano of Book of Love,a band heavily influenced by OMD,said,"I've never heard anything so simple and sophisticated all at the same time... [It's] one of my all-time faves." [33] Mute Records founder Daniel Miller wrote,"I remember thinking,'My God,that's an amazing pop song'." [34] Philip Oakey of the Human League called it a "brilliant single", [35] while Simple Minds frontman Jim Kerr commented,"I bought it and played it nonstop... I was downright jealous to be honest." [36] David Balfe of The Teardrop Explodes described "Electricity" as an "electronica classic" that is "known and loved by us all". [37]
The track has been covered by artists including NOFX, [38] Apoptygma Berzerk [39] and MGMT. [40] Q argued that "The Kids Aren't Alright",by punk rock band the Offspring,"borrows heavily" from the song;the magazine pointed to NOFX's punk cover of "Electricity" as evidence. [41] In its various releases,the track has been ranked among the best of 1979,1980 and 1981. [42] [43] [44] In May 1980, ZigZag readers voted it one of the top 20 singles of the past year. [45] It has since appeared in lists such as Electronic Sound's "100 Greatest Electronic Tracks of All Time", [46] Classic Pop's "Top 40 New Romantic Songs", [47] and Radio X's "20 Best Singles Released on Factory Records". [48]
There are many different versions of the two songs that were present on OMD's debut single. After the band left Factory Records,DinDisc attempted twice to score a hit with "Electricity". Consequently,four versions of "Electricity" and three of "Almost" exist.
The following singles have been released:
Date | Catalogue | "Electricity" | "Almost" | Sleeve | Notes |
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21 May 1979 | Factory FAC6 | Version II | Version I | Special 'black on black' sleeve,limited to 5000 copies. | OMD's first single. [49] |
28 September 1979 | DinDisc DIN2 | Version I | Version I | Standard white on black printing,with studio details on back of sleeve. | The single is re-released to coincide with the band signing to DinDisc. [51] |
31 March 1980 | DinDisc DIN2 | Version III | Version III | Standard white on black printing,without studio details on back of sleeve. | Third attempt at achieving a hit. Peaked at no. 99 on the UK Singles Chart. [52] |
27 September 2019 | 7748190 | Version I | Vince Clarke remix | Red on white adaptation of the original Peter Saville design. | 40th anniversary 7" clear vinyl re-issue. Debuted at no. 1 on the UK Vinyl Singles Chart. [53] [54] |
"Electricity" and "Almost" have been released on the following OMD albums:
Date | Album | Song | Version | Notes |
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22 February 1980 | Orchestral Manoeuvres in the Dark | "Electricity" | Version III | |
"Almost" | Version III | |||
12 March 1988 | The Best of OMD | "Electricity" | Version III | |
"Electricity" | music video | on the VHS version of the album | ||
28 September 1998 | The OMD Singles | "Electricity" | Version III | |
24 April 2000 | Peel Sessions 1979–1983 | "Electricity" | Version II | Bonus track,subtitled "Factory Version 1979" |
14 May 2001 | Navigation:The OMD B-Sides | "Almost" | Version II | Subtitled "Alternate Version" |
December 2002 | The Id | "Electricity" | A 1978 recording by The Id,the pre-OMD band. | |
10 March 2003 | Orchestral Manoeuvres in the Dark reissue | "Electricity" | Version III | |
"Almost" | Version III | |||
"Electricity" | Version I | Bonus track,subtitled "Hannett/Cargo Studios Version" | ||
"Almost" | Version I | Bonus track,subtitled "Hannett/Cargo Studios Version" | ||
10 March 2003 | Organisation reissue | "Electricity" | Version IV | Bonus track,subtitled "Dindisc 1980 Version" |
10 March 2003 | Messages:Greatest Hits | "Electricity" | Version III | |
"Electricity" | music video |
The sleeve was designed by Factory's designer Peter Saville. The band and Saville met in a Rochdale pub and exchanged ideas. Saville told them about a book of avant-garde musical scores which he'd come across. Andy McCluskey said that he sometimes wrote down the tunes he composed in a similar shorthand. This led to the unusual graphics that feature on the sleeve. Saville suggested to use shiny black ink on black paper. Neither OMD nor Tony Wilson believed it could be done,but Saville persuaded a printer to do the job. The thermographic printing was a success,but the place set on fire three times,so eventually only 5,000 sleeves were printed. [55] The reissue sleeves were standard white on black printed sleeves.
A special edition of the single was released on 27 September 2019 by Virgin EMI,as part of the group's 40th anniversary celebrations. The A-side features the Hannett/Cargo Studios version of "Electricity",incorrectly listed as the Factory Records version,while the B-side has a new remix of "Almost" by Vince Clarke. The limited edition release is pressed on clear vinyl and the sleeve is an adaptation of the original Peter Saville design. [53] This version debuted on the UK Vinyl Singles Chart at no. 1. [54]
No. | Title | Length |
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1. | "Electricity" | 3:32 |
No. | Title | Length |
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1. | "Almost" | 3:40 |
No. | Title | Length |
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1. | "Electricity (Hannett/Cargo Studios Version) [n 1] " | 3:34 |
No. | Title | Length |
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1. | "Almost (Vince Clarke remix)" | 4.46 |
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
Universal is the tenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 September 1996 by Virgin Records. Frontman Andy McCluskey opted for a more organic, acoustic sound on the record, which peaked at number 24 on the UK Albums Chart. It was generally well received by music critics, although the British media's overall resistance to OMD – who had been rendered unfashionable by the prevalence of grunge and indie rock – prompted McCluskey to dissolve the group. Universal was their last album until 2010's History of Modern.
Navigation: The OMD B-Sides is the fourth compilation album by English electronic band Orchestral Manoeuvres in the Dark. It was released in 2001 by Virgin Records and contains a variety of B-sides from their Dindisc and Virgin output.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
Peel Sessions 1979–1983 is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 2000. The songs were recorded between 1979 and 1983 for the BBC Radio 1 show presented by John Peel. "Electricity" is added as a bonus track and is the original version that was featured on their debut single on Factory Records (FAC6). "Bunker Soldiers" was recorded for the first and fourth sessions; the version from the fourth session was not released on this album.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Red Frame/White Light" is the second single by English electronic band Orchestral Manoeuvres in the Dark (OMD). The song is about a red telephone box in Meols, on the Wirral peninsula in Merseyside, that was used by the group to make calls to organise their gigs in the late 1970s. The track is composed of two alternating major/minor sections, each built around a synthesizer hook. Lyrical content is minimal, comprising mostly brief, spoken word utterances. It was the band's first single to chart.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"Everyday" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third and final single from their ninth album, Liberator (1993). The track dates to 1987, with OMD co-founder Paul Humphreys – who left the group two years later – receiving a co-writing credit. "Everyday" was the only single from Liberator to miss the UK top 25, charting at number 59. The accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
this is the first album by Orchestral Manoeuvres in the Dark, first released on Virgin in 1980. 10 tracks, including the new wave hits 'Messages' and 'Electricity'.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Many of our songs use the synth melody as the chorus. There are verses but generally the melody is the chorus.
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: CS1 maint: unfit URL (link)15. 'Electricity' - Orchestral Manoeuvres.
Bibliography