Two-tone (music genre)

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Two-tone or 2 tone, also known as ska-rock[ citation needed ] and ska revival, [1] is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. [1] Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of the Specials, [3] and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as the Specials, the Selecter and the Beat, featured a mix of black, white, and multiracial people.

Contents

Originating in Coventry in the West Midlands of England in the late 1970s, it was part of the second wave of ska music. It followed on from the first ska music that developed in Jamaica in the 1950s and 1960s, infused with punk and new wave textures.

Although two-tone's mainstream commercial appeal was largely limited to the UK, it influenced the ska punk movement that developed in the US in the late 1980s and 1990s. [4] [5]

History

The two-tone sound originated among young musicians in Coventry in the West Midlands of England, who grew up listening to 1960s Jamaican music. [6] They combined influences from ska, reggae and rocksteady with elements of punk rock and new wave. Bands considered part of the genre include the Specials, the Selecter, Madness, the Beat, Bad Manners, the Bodysnatchers and Akrylykz.

The Specials' keyboard player Jerry Dammers coined the term "two-tone". Dammers, with the assistance of Horace Panter and graphic designer John "Teflon" Sims, developed the iconic Walt Jabsco logo (a man in a black suit, white shirt, black tie, pork pie hat, white socks and black loafers) to represent the two-tone genre. The logo, based on an early album-cover photo of Peter Tosh, included an added black-and-white check pattern. [7] [8] [9]

Most of the bands considered to be part of the two-tone genre were signed to 2 Tone Records (operative 1979–1985) at some point. Other record labels associated with the two-tone sound were Stiff Records and Go Feet Records. The music was especially popular among skinheads, rudies and mod revivalists.[ citation needed ]

Museum

On 1 October 2010, the 2-Tone Central museum, cafe and venue opened in the Coventry University Students' Union building, and by August 2011 it had moved to the 2-Tone Village in Stoke, Coventry. [10] It includes exhibition space and the Coventry Music Wall of Fame. [11] [12] [13] [14]

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<span class="mw-page-title-main">Ska</span> Music genre

Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.

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<span class="mw-page-title-main">The Specials</span> British ska band from Coventry

The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.

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More Specials is the second album by English ska band the Specials, released by 2 Tone Records in September 1980. After the success of the band's debut album, band member Jerry Dammers assumed the role as the band's leader and stirred them into expanding their 2 Tone sound into other genres of music, most prominently a lounge music and easy listening style inspired by Muzak. Several band members disagreed with Dammers' vision and brought their own influences to the album, including from northern soul and rockabilly, contributing to an eclectic sound palette. The relations between band members continued to sour into the album's accompanying tour and most of the band departed in 1981.

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<span class="mw-page-title-main">Jerry Dammers</span> Musical artist

Jeremy David Hounsell Dammers GCOT is a British musician who was a founder, keyboard player and primary songwriter of the Coventry-based ska band the Specials and later the Spatial AKA Orchestra. Through his foundation of the record label Two Tone, his work blending political lyrics and punk with Jamaican music, and his incorporation of 1960s retro clothing, Dammers is a pivotal figure of the ska revival. He has also been acknowledged in his work for racial unity.

<span class="mw-page-title-main">Neville Staple</span> Musical artist

Neville Eugenton Staple, sometimes credited as Neville Staples, is a Jamaican-born English singer, known for his work with the 2 Tone ska band the Specials, the pop group Fun Boy Three, as well as with his own group, the Neville Staple Band. He also performed with Ranking Roger in the supergroup Special Beat.

<span class="mw-page-title-main">The Selecter</span> British two-tone ska band

The Selecter is an English 2 tone ska revival band, formed in Coventry, England, in 1979.

<span class="mw-page-title-main">Prince Buster</span> Jamaican musician (1938–2016)

Cecil Bustamente Campbell, known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.

<span class="mw-page-title-main">Rude boy</span> Jamaican street subculture since 1960s

Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called ”Windrush” generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.

<i>The Specials</i> (album) 1979 studio album by The Specials

The Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.

<span class="mw-page-title-main">Horace Panter</span> Musical artist

Horace Panter also known as Sir Horace Gentleman, is the bassist for the British 2 Tone ska band The Specials.

<span class="mw-page-title-main">Rico Rodriguez (musician)</span> Musical artist

Emmanuel "Rico" Rodriguez, also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with The Members, The Specials, Jools Holland, and Paul Young.

<span class="mw-page-title-main">2 Tone Records</span> English independent record label

2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.

<span class="mw-page-title-main">John Bradbury (drummer)</span> Musical artist

John "Brad" Bradbury was an English drummer and record producer. He is best known for having been the drummer in the English ska group the Specials.

<i>Original Rude Boy</i>

Original Rude Boy (2009) is the autobiography of Neville Staple, vocalist in ska band The Specials. The book was launched in May, 2009 to coincide with the reunion tour of The Specials. It sets out to chart the black British influence on the second wave of ska which originated in Coventry in the late 1970s — in particular, Staple's involvement in the rude boy scene.

Reggae punk is a genre of music originating in England in the late-1970s. It is characterized by a fusion of reggae music with punk rock. The genre originated amongst punk rock artists who mixed in reggae elements into their punk rock sound. The most notable band to do this was the Clash, having done so on many records. They even covered reggae songs such as Toots and the Maytals' "Pressure Drop", released as the B-side to "English Civil War", both from 1978's Give 'Em Enough Rope. Bob Marley also gave a nod to this genre by writing and recording "Punky Reggae Party" in 1977.

References

  1. 1 2 3 "Ska Revival". AllMusic.
  2. "Mighty Mighty Bosstones' Joe Gittleman thrives on new LP with ska newcomers". GoldmineMag.com. 26 May 2023. Retrieved 20 June 2023.
  3. Woodstra, Chris. "The Specials". AllMusic.
  4. Selvin, Joel (23 March 2008). "A brief history of ska". San Francisco Chronicle .
  5. "Third Wave Ska Revival". AllMusic.
  6. "Jerry Dammers interview by Alexis Petrides", Mojo , Jan 2002. Accessed on 2-tone.info 18 October 2007
  7. Panter, Horace (2007). Ska'd for Life. Sidgwick & Jackson.
  8. Staple, Neville (2009). Original Rude Boy . Aurum Press. ISBN   9781845134808.
  9. "British ska legends The Specials". TheSpecials2.com. Archived from the original on 22 March 2019. Retrieved 28 June 2014.
  10. "[Homepage]". 2ToneCentral.co.uk. Coventry: 2-Tone Central: The 2-Tone Museum, Cafe and Venue. Archived from the original on 30 June 2014. Retrieved 28 June 2014.
  11. Chambers, Pete (20 October 2011). "Music Legends Honoured on Coventry's Wall of Fame". Coventry Evening Telegraph . Archived from the original on 4 August 2013. Retrieved 23 December 2011.
  12. Carpenter, Steve (22 November 2011). "Three more names on Coventry Music Wall of Fame". Coventry Observer. Archived from the original on 27 September 2013. Retrieved 24 November 2011.
  13. Manger, Warren (6 December 2011). "Wall of Fame honours more stars who put Coventry on the music map". Coventry Evening Telegraph . Retrieved 8 December 2011.
  14. Bagot, Martin (6 December 2011). "Coventry music heroes honoured in Wall of Fame". Coventry Evening Telegraph . Retrieved 8 December 2011.

Further reading