A dubplate is an acetate disc usually of 10 inches diameter, traditionally used by studios to test recordings prior to mastering for the subsequent pressing of a vinyl record, but pioneered by reggae sound systems as a way to play exclusive music. They would later become an important facet of the jungle/drum and bass, UK garage, grime and dubstep music scenes.
The first use of dubplates is commonly attributed to sound engineer King Tubby and reggae sound systems such as Lloyd Coxsone and Killamanjaro. [1] Special and one-off versions would be cut to acetate for competing in a sound clash, utilising vocals specially recorded to namecheck the sound system. As such, these would become known as "dubplate specials" often remarking on the prowess of the sound system playing it, in a bid to win the clash.
In the UK, the earliest place to cut reggae dubplates would also be one of the most unlikely. John Hassell and his wife ran a recording studio from their suburban house in Barnes, South West London, but would become key to British sound systems and artists such as Dennis Bovell. [2] Throughout the 1980s and 1990s, Music House in North London and JTS Studio in East London would become the two most prominent "cutting houses". [3] [4]
Whilst acetates have been used in the music industry for many years, especially in dance music, dubplates would become a particularly important part of the jungle/drum and bass scene throughout the 1990s. [5] This would be followed through its descendants UK garage, grime and dubstep, and cutting houses such as Transition. [6] [7] New music would regularly be composed and recorded onto DAT tape in order for it to be cut onto dubplate, often so that it could be played that weekend (or even that night).
Despite the shift to DJing on digital mediums such as CDJs and DJ controllers, dubplates continue to be used for playing exclusive music and have also gained a specialist market in recent years. [8]
According to David Toop, the "dub" in dubplate is an allusion to the dubplate's use in "dubbing" or "doubling" the original version of a track. [9]
Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Black music is a sound created, produced, or inspired by black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music. These genres include spiritual, gospel, rumba, blues, bomba, rock and roll, rock, jazz,Pop, salsa, R&B, samba, calypso, soca, soul, disco, kwaito,funk, ska, reggae, dub reggae, house, Detroit techno, amapiano, hip hop, pop, gqom, afrobeat, bluegrass, and others.
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called ”Windrush” generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.
Errol Francis, better known as DJ Dextrous, is a British DJ, producer and composer.
An acetate disc is a type of phonograph record generally used from the 1930s to the late 1950s for recording and broadcast purposes and sees limited use as of 2009.
Grime is a genre of electronic dance music (EDM) that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life.
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history.
Dennis Bovell is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of a progressive rock group called Stonehenge, who later changed name and became the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard. He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson.
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.
A sound clash is a musical competition where crew members from opposing sound systems pit their skills against each other. Sound clashes take place in a variety of venues, both indoors and outdoors, and primarily feature reggae and dancehall music. The object is to beat or "kill" their competitors.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat.
Oliver Dene Jones, known as Skream, is an English electronic music producer based in Croydon. Skream was an early and influential exponent of the dubstep genre. After producing several singles, he released his first full-length album, Skream!, in 2006.
Bassline is a music genre closely related to UK garage that originated in South Yorkshire and the West Midlands in the early 2000s. Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar to that of its precursor speed garage, with chopped up vocal samples and a pop music aesthetic.
Subatomic Sound System, founded in 1999 by Emch and Noah Shachtman, is an American record label and collective hosting musicians, producers, DJs, and visual artists from a variety of backgrounds and traditions. In late 2008, Subatomic Sound System garnered international attention for a limited edition vinyl 12" featuring their collaboration with Vienna's Dubblestandart and dub inventor Lee "Scratch" Perry, releasing the first songs from Perry in the dubstep genre, one of the first recorded examples of a tangible connection between the popular UK based electronic genre that emerged in the early 2000s and the Jamaican dub from the 1970s where dubstep's origins were rooted and which had been primarily originated by Perry himself. Beginning in 2008, Subatomic Sound System started hosting weekly radio shows on 91.5fm, Radio New York, and webcasts on Brooklyn Radio. In 2011 Subatomic Sound System began performing as Lee "Scratch" Perry's backing band with a hybrid of electronics and live instruments. In 2013 they performed together at Coachella Valley Music and Arts Festival and afterward became Perry's exclusive touring band in North America. In 2017, Subatomic Sound System released their first full-length album with Perry entitled 'Super Ape Returns To Conquer' which debuted No. 5 on the Billboard reggae chart and No. 2 on iTunes US reggae album chart and reached No. 1 on North America World music NACC charts.
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.
Erik Weiss, better known by his stage name Liondub, is an American DJ, producer, and record label owner who specializes in jungle, drum and bass, reggae, dancehall, hip hop and dubstep.
Reggae Owes Me Money is the debut album by British duo The Ragga Twins, produced by hardcore duo Shut Up and Dance and released on the latter's record label of the same name. After establishing themselves as dancehall artists from the Unity soundsystem in the 1980s, the Ragga Twins switched direction in the early 1990s, combining into a duo after signing to Shut Up & Dance's label. The production duo stirred the Ragga Twins' change in direction, fusing their previous reggae and dancehall style into the Shut Up & Dance rave dance style.
Bleep techno is a regional subgenre of techno which developed in the late 1980s in Northern England, specifically Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influence from American techno and house with electro elements and heavy sub-bass inspired by reggae sound system culture. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first uniquely British style of electronic dance music.
