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Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as by American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces, he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 " (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).
There are several subgenres of reggae music including various predecessors to the form.
People from the Caribbean have made significant contributions to British Black music for many generations.
Dalton Sinclair Bishop, better known as Jackie Opel, was a Barbadian singer who possessed a rich, powerful voice with a high octave range. He was known as the "Jackie Wilson of Barbadian culture" and was also a gifted dancer. Bishop was born in Bridgetown, Barbados.
Byron Lee and the Dragonaires are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period.
Crop Over is a traditional harvest festival which began in Barbados, having had its early beginnings on the sugar cane plantations during slavery.
Lord Radio & the Bimshire Boys were a Barbadian calypso band who helped to pioneer the Barbadian calypso scene in the 1950s and 60s. The name Bimshire comes from a Bajan dialect term for Barbados.
The Draytons Two were a popular Barbadian spouge band of the 1970s known for their own and unique style of syncretic spouge, the raw spouge. Raw Spouge is also the title of their first studio album published through the Jamaican record label WIRL in 1973.
The culture of Barbados is a blend of West African and British cultures present in Barbados. English is the official language of the nation, reflecting centuries of British influence, but the Bajan dialect in which it is spoken is an iconic part of the Barbadian culture. This dialect is a combination of the languages from the different inhabitants in its history. Barbadian culture is influenced by the Indigenous Caribs, Africans, Europeans and South Asians.
As an overseas department of France, Martinique's culture is French and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
The music of Barbados draws on the island's cultural heritage, and the music history of Barbados reflects the island's diverse cultures.
Kentrick Patrick OD, known professionally as Lord Creator, was a Trinidadian calypso, R&B, ska, and rocksteady musician and singer. Alongside Cuban-born Roland Alphonso, Barbadian Jackie Opel and fellow Trinidadians Lynn Taitt and Lord Brynner, Lord Creator was an important and positive "outside" influence during the early development of the Jamaican music scene.
Ringbang is a Caribbean fusion of music genres propounded by Eddy Grant in 1994.
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- ↑ Millington, pg. 820 Millington lists the American and British influences as including Welsh, Scottish and Irish elements, "transmitted through literature and poetry (Shakespeare and Milton), rhymes, folk songs, sea shanties, classical music, hymns, and other songs of praise (all of which have) been constantly available, providing entertainment, edification and general education to all people of Barbados. North American love songs, parlor songs, African-American spirituals and folk hymns, and hillbilly music have also contributed to a cultural mixture in which the love of a song, the expression through movement, and demand for theater continue to be of paramount importance".