Caribbean music in Canada has existed since the early 1920s, [1] becoming increasingly prominent after the 1960s as Caribbean immigration to Canada increased. [1] Anglo-Caribbean genres such as reggae, soca and calypso are especially prominent in English Canada, while French Caribbean genres such as cadence-lypso, zouk and konpa are more prominent in Quebec. [1]
Caribbean music has also been incorporated as an influence by numerous Canadian pop, rock and hip hop artists.
Recent changes in Canada's immigration laws have seen several prominent musicians from the Commonwealth Caribbean, like David Rudder and Anslem Douglas, resettle in Canada and help to develop the Caribbean music industry based there. [2]
The role of music in the Caribbean Canadian community is reinforced by cultural festivals such as Toronto's Caribana. [1]
Beginning in the mid-1960s, a wave of Caribbean musicians, especially but not exclusively from Jamaica, began to move to Toronto. Some of these, such as Jay Douglas, Jo Jo Bennett and Jackie Mittoo, pioneered the development of a reggae scene in the city, while others, such as Wayne McGhie, performed rhythm and blues, soul and funk in accordance with the dominant Toronto sound of the era. [3]
Caribbean music began to actively break through into the Canadian cultural mainstream in the 1980s when Parachute Club, a band who incorporated reggae and soca rhythms into a mainstream new wave dance-pop style, broke through to mass popularity with their 1983 hit single "Rise Up".
Their success in turn paved the way for reggae and dub poetry artists such as Leroy Sibbles, Lillian Allen, Messenjah, Clifton Joseph and Sattalites to break through to larger audiences; the Juno Awards, Canada's primary music award, introduced an award for Reggae Recording of the Year in 1985.
Parachute Club percussionist Billy Bryans, whose interest in Caribbean music had been influential in the introduction of reggae and soca elements into the band's sound, also went on to become Canada's first prominent and influential promoter and producer of homegrown Caribbean and Latin American music, producing albums for and managing numerous artists and acting, according to Brazilian Canadian singer-songwriter Aline Morales, as "a bridge between world music and the Canadian music scene". [4]
Noted developments in Caribbean music in the 1990s included Jane Bunnett's early explorations of Afro-Cuban jazz, Snow's worldwide 1993 hit single "Informer", the incorporation of reggae and dub influences by blues-rock band Big Sugar, the reggae rock band Raggadeath, and the 1998 hit single "Who Let the Dogs Out?", written by Trinidadian-Canadian musician Anslem Douglas. [2]
With the Black Canadian community dominated by people of Caribbean heritage, Caribbean music also emerged as a major influence on the development of Canadian hip hop in this era — most notably on influential albums such as Dream Warriors' And Now the Legacy Begins and Michie Mee's Jamaican Funk—Canadian Style , which extensively incorporated reggae and other Caribbean styles.
Ron Nelson has played an important role in promoting reggae in Canada through his ReggaeMania radio show, which ran on CKLN-FM from 1993 to 2011, an early and important platform for promoting Reggae music in the Toronto area for almost two decades and continues as ReggaeMania.com, an online radio station and hub, as well as his work as a music promoter and concert organizer in Toronto. [5]
Stations like Flow FM, CHIN-FM, G98.7 and, until 2011, CKLN-FM, located in Toronto, Ontario have served to bind the Caribbean music industry with their regularly rotated scheduling for soca and calypso music.
The Canadian Urban Music Awards have also begun to award various award titles in the soca and reggae genres.
In 2007, Anslem Douglas who originally wrote the song "Who Let the Dogs Out?", re-entered the Caribbean music scene after a four-year hiatus. Douglas recorded several of his 2007 Carnival songs from Canada. [2]
Noted artists in the genre to emerge in this era included South Rakkas Crew and Kobo Town, both of whom have had albums nominated for the Polaris Music Prize, and Alex Cuba, a Cuban-born guitarist who has had success both as a solo artist and as a collaborator with pop singer Nelly Furtado. Singer-songwriter Danny Michel also received critical and commercial acclaim for his 2012 album Black Birds Are Dancing Over Me, recorded in Belize with a group of musicians credited as the Garifuna Collective.
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
The music of Anguilla is part of the Lesser Antillean music area. The earliest people on the island were the Caribs and Arawaks, who arrived from South America. English settlers from St Kitts and Irish people colonized the island later. Unlike regional neighbors, however, the plantation system of agriculture which relied on chattel slavery never took root in Anguilla, causing a distinctly independent cultural makeup. The most recent influences on Anguilla's musical life come from elsewhere in the Caribbean, especially the music of Trinidad and Tobago and Jamaica, as well as abroad, especially the music of the United States and the United Kingdom. Anguilla's Rastafarian heritage has played a role in the island's music and culture and produced influential figures like activist Ijahnya Christian and Robert Athlyi Rogers, the author of The Holy Piby.
The Toronto Caribbean Carnival, formerly and affectionately known as Caribana, is a festival of Caribbean culture and traditions held each summer in the city of Toronto, Ontario, Canada. It is a pan-Caribbean Carnival event and has been billed as North America's largest Festival, frequented by over 1.3 million tourists each year for the festival's Grand Parade and an overall attendance of 2.3 million.
The music of the Virgin Islands reflects long-standing West Indian cultural ties to the island nations to the south, the islands' African heritage and European colonial history, as well as recent North American influences. Though the United States Virgin Islands and British Virgin Islands are politically separate, they maintain close cultural ties. From its neighbors, the Virgin Islands has imported various pan-Caribbean genres of music, including calypso music and soca music from Trinidad and reggae from Jamaica.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
Anslem Douglas is a Trinidadian musician and composer. He is best known for the hit single "Doggie", which was later covered by the Bahamian junkanoo band Baha Men as "Who Let the Dogs Out".
Byron Lee and the Dragonaires are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period.
Citizens or residents of the United Kingdom whose origins lie in Guyana are a part of the country's British Caribbean community. Guyana was a former British colony, British Guiana, responsible for moving large numbers of Africans and Indians for labour in the sugar industry. British Guyanese are notable for their contributions to literature and music.
William Taylor Bryans was a Canadian percussionist, songwriter, music producer and DJ, known as one of the founders of The Parachute Club, among other accomplishments in music. As a producer, he worked on projects for artists as diverse as Dutch Mason, Raffi, Lillian Allen and the Downchild Blues Band. He was born in Montreal, but spent most of his adult life in Toronto, and was particularly supportive of world music as both a promoter and publicist, focusing on bringing Caribbean, Cuban and Latin American music to a wider audience.
Music of Canadian Cultures is a wide and diverse accumulation of music from many different individual communities all across Canada. With Canada being vast in size, the country throughout its history has had regional music scenes. The music of Canada has reflected the multi-cultural influences that have shaped the country. First Nations people, the French, the British, the United States and many others nationalities have all made unique contributions to the musical heritage of Canada
The Supertones Band is a West Indian band specializing in Chutney music, which is a very popular Caribbean music style with Indian influences.
Wayne McGhie and the Sounds of Joy was a Canadian funk band from Toronto, Ontario, in the 1970s. Although they released only one self-titled album in 1970, and had no significant commercial success at the time, renewed interest in their music was sparked in the 2000s when the album was reissued on Light in the Attic Records.