The Polaris Music Prize is an annual music award given to the best full-length Canadian album based on artistic merit, regardless of genre, sales, or record label.[1] The award was established in 2006 with a $20,000 cash prize,[2] which was increased to $30,000 in 2011.[3] The prize was increased to $50,000 in May 2015 by Slaight Music. Second-place prizes for the nine other acts on the shortlist also increased from $2,000 to $3,000. Polaris officials announced the Slaight Family Polaris Heritage Prize, an award that "will annually honour five albums from the five decades before Polaris launched in 2006."[4]
The Polaris committee and SOCAN announced the creation of the SOCAN Polaris Song Prize, honouring individual songs in addition to the albums award, in 2025. It replaced the SOCAN Songwriting Prize.[7]
Jury and selection
There is no submission process or entry fee for the prize,[1] and jurors select what they consider the five best Canadian albums released in the previous year. Ballots are tabulated with each number-one pick awarded five points and a number-two pick awarded four points. A list of 40 titles is released in mid-June and sent back to the jury, which re-submits five top picks.[1]
Ballots are re-tabulated and the top ten titles are the Polaris short list, which is released in early July.[1] A group of 11 jurors (the "Grand Jury") meets in Toronto in late September to choose the winner. The nominated artists (or bands) perform, and the winner is announced by the previous year's winner.[2] Each shortlisted album has one grand juror to advocate for it; ten jurors are selected for naming a shortlisted album as their top pick in the balloting, and the remaining juror did not vote for any shortlisted albums.[8]
The Polaris Music Prize board of directors selects the jurors[1] from a list of over 200 Canadian music journalists, bloggers, and broadcasters. No one with a direct financial relationship with an artist can be a jury member.[1] Enlisting music journalists, broadcasters and bloggers as judges attracts attention to good music in a cluttered commercial landscape and a fractured music scene.[9][10] Former CBC Q host and first Polaris Gala host Jian Ghomeshi was quietly removed from the juror pool on November 3, 2014.[11]
The Polaris jury introduced the Polaris Heritage Prize (later known as the Slaight Family Polaris Heritage Prize),[35] an annual award program to honour classic Canadian albums released before the creation of the Polaris Prize, in 2015.[36]
Heritage Prizes, selected by public vote from a shortlist of five nominees by a Heritage Prize jury, were awarded in their first year in the 1960s–1970s, 1980s, 1990s and 2000–2005 categories. In the second year, the shortlists were increased to 10, the categories shifted to 1960–75, 1976–85, 1986–1995 and 1996–2005, and a second prize was awarded by a jury with the winner of the public vote.[37] The jury award ensures that albums which were artistically important but not necessarily commercially popular have a fair chance of winning; the jury does not meet to make its choice until after the popular-vote winner has been determined.[37]
The prize has been considered too "indie" or too "mainstream".[43] Polaris Salons, with jurors as panellists, are held in a number of cities before the ceremonies.[44]
PWhen Fucked Up won in 2009, mainstream media outlets were uncertain about how they would present the band's name. The Canoe.ca news service used the headline "F***** Up (language alert , language alert below) wins the 2009 Polaris Music Prize on Monday night";[45]The Globe and Mail headline was "Toronto hardcore band wins Polaris Music Prize,"[46] and The New Yorker's was "The Prize That Dare Not Speak Its Name".[47][48]
Godspeed You! Black Emperor refused to attend the 2013 Polaris ceremonies. When the band won for their album, Allelujah! Don't Bend! Ascend!, representatives of their label (Constellation Records) accepted the prize on their behalf. Constellation's Don Wilkie said, "Godspeed will use the prize money to purchase musical instruments for, and support organizations providing music lessons to, people incarcerated within the Quebec prison system."[49] The next day, the band said that "holding a gala during a time of austerity and normalized decline is a weird thing to do" and "maybe the next celebration should happen in a cruddier hall, without the corporate banners and culture overlords."[50]
Tanya Tagaq said "Fuck PETA" in her 2014 victory speech,[51] using her performance and subsequent interviews as a platform to draw attention to missing and murdered Aboriginal women across Canada.[52] Lido Pimienta's 2017 acceptance speech ended with an obscenity-spiked outburst. "All of my fucking monitors were off," Pimienta shouted into the microphone at the end of the show, which was webcast by the CBC. She had performed two songs live: "I could not hear myself when I was up here. I'm fucking pissed off. Thank you though, motherfucker."[53]
After the 2023 revelation of questions about the Indigenous Canadian status of singer-songwriter Buffy Sainte-Marie, calls were made to revoke her main- and heritage-prize awards.[54] The committee rescinded the awards in 2025 after the revocation of her membership in the Order of Canada because she could no longer provide satisfactory proof of Canadian citizenship.[55]
Polaris Prize music releases
In 2006, compilation CD/souvenir program guides featuring one song each from every shortlisted artist were given out at the Polaris Gala. The same was done in 2007 with all shortlisted artists contributing to the compilation CD except Arcade Fire. Between 2008 and 2011, the souvenir program guides instead included download cards for recipients to obtain one song from each of the shortlisted artists.
Polaris began releasing promotional split seven-inch singles beginning in 2012 which were separate from the souvenir program guides. These singles were often given away through campaigns with independent record stores, via contests, at Polaris Salons, or at Polaris Galas.
In recent years, the Polaris Prize has also sponsored a series of promotional singles involving nominated or winning musicians. The "Polaris Cover Sessions"[56] series features past nominees recording a cover of a song by another nominee or Heritage Prize winner, while the "Polaris Collaboration Sessions" series features two past nominees collaborating on new original songs.
2012
Grimes "Genesis" + Handsome Furs "Serve The People" on grey vinyl
Kathleen Edwards "Going to Hell" + Cold Specks "Blank Maps" on white vinyl
Japandroids "The House That Heaven Built" + Cadence Weapon "Conditioning" on yellow vinyl
Fucked Up "What Would You Do (For Veronica)?" + YAMANTAKA // SONIC TITAN "Queens" on orange-red vinyl
Feist and Drake did not participate.
2013
Tegan And Sara "I Was A Fool" + A Tribe Called Red "The Road ft. Black Bear" on orange vinyl
Zaki Ibrahim "Draw The Line" + Whitehorse "Achilles' Desire" on white vinyl
Purity Ring "Fineshrine" + Colin Stetson "High Above A Grey Green Sea" on purple vinyl
Metric "Dreams So Real" + Young Galaxy "Pretty Boy" on blue vinyl
METZ "Get Off" on yellow vinyl
Godspeed You! Black Emperor did not participate.
2014
YAMANTAKA // SONIC TITAN "Windflower" + Tanya Tagaq "Umingmak" on white vinyl
Shad "Progress (Part 1: American Pie)" + Mac DeMarco "Brother" on red/orange vinyl
Owen Pallett "The Riverbed" + Arcade Fire "Normal Person" on blue vinyl
Basia Bulat "Never Let Me Go" + Timber Timbre "Grand Canyon" on yellow vinyl
Polaris, the Banff Centre and Scion Sessions teamed up for a collaborative residency project featuring past shortlisted artists Shad and Holy Fuck. The result was the Scion Sessions-sponsored Holy Shad "Legend of Cy Borg Parts I and II" seven-inch single as well as a documentary video produced by AUX TV.[72]
In 2017, Buffy Sainte-Marie and Tanya Tagaq collaborated on the single "You Got to Run (Spirit of the Wind)".[73] A remix of the song by A Tribe Called Red was commissioned for the seven-inch release. The song was subsequently included on Sainte-Marie's album Medicine Songs.
In 2019, The Weather Station and Jennifer Castle came together to record a two-song split-single. The Weather Station's song was "I Tried To Wear The World (featuring Jennifer Castle)" and Castle's was "Midas Touch (featuring The Weather Station)."[74]
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