The Trinity Session | ||||
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Studio album by | ||||
Released | November 15, 1988 | |||
Recorded | November 27, 1987 | |||
Studio | Church of the Holy Trinity (Toronto) | |||
Genre | ||||
Length | 52:36 | |||
Label | ||||
Producer | Peter Moore | |||
Cowboy Junkies chronology | ||||
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Singles from The Trinity Session | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Chicago Sun-Times | [2] |
NME | 8/10 [3] |
Orlando Sentinel | [4] |
The Philadelphia Inquirer | [5] |
Record Mirror | 4/5 [6] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [8] |
Spin Alternative Record Guide | 8/10 [9] |
The Village Voice | C+ [10] |
The Trinity Session is the second studio album by Canadian alternative country band Cowboy Junkies, released in early 1988 by Latent Recordings in Canada, [11] and re-released worldwide later in the year on RCA Records. "Working on a Building" and "Blue Moon Revisited (Song for Elvis)" did not appear on the Latent Records release. "Blue Moon Revisited" was originally released on It Came from Canada, Vol. 4 (1988), a compilation of Canadian independent bands.
The music was recorded inside Toronto's Church of the Holy Trinity on November 27, 1987 , with the band circled around a single microphone. The album includes a mixture of original material by the band and covers of classic folk, rock and country songs. Notable among the songs is the band's most famous single, a cover of the Velvet Underground's "Sweet Jane", based on the version found on 1969: The Velvet Underground Live (1974) rather than the later studio version from Loaded (1970). [12] Also included is "Blue Moon Revisited (Song for Elvis)", which is both a cover and an original, combining a new song by the band with the pop standard "Blue Moon".
In 2007, the album was performed live in its entirety as part of the All Tomorrow's Parties' Don't Look Back series. Also that year, the band returned to the Church of the Holy Trinity to record a new version of the Trinity Session with guest musicians Natalie Merchant, Vic Chesnutt and Ryan Adams. This new set of recordings was released as Trinity Revisited to commemorate the 20th anniversary of The Trinity Session.
According to the band's website, [13] the direction of The Trinity Session was influenced by music they had heard while touring the southern United States in support of their debut studio album Whites Off Earth Now!! (1986). The album's lyrics and instrumentation were lifted from the classic country groups to which the band was exposed, and the song "200 More Miles" was written in reference to the band's life on the road.
As they had done on Whites, Cowboy Junkies wanted to record live with one stereo microphone direct to tape. Although it is stated on the album cover that the recording was made on two-track R-DAT, according to recording engineer Peter J. Moore, it was actually recorded on a Sony Betamax SL-2000 video cassette deck connected to a Sony PCM-F1 analog/digital converter, using one single Calrec ambisonic microphone. [14]
Moore suggested the Church of the Holy Trinity in Toronto for its natural reverb. To better persuade the officials of the historic church, the band claimed to be the Timmins Family Singers and said they were recording a Christmas special for radio. The session began on the morning of November 27, 1987. The group first recorded the songs with the fewest instruments and then the songs with gradually more complex arrangements. In this way, Moore and the band were able to solve acoustic problems one by one. To better balance Margo Timmins' vocals against the electric guitars and drums, she was recorded through a PA system that had been left behind by a previous group. By making subtle changes in volume and placement relative to the microphone over six hours, Moore and the band had finally reached the distinctive sound of the album by the time the last of the guest musicians arrived at the church. [14] [15]
The band was unable to rehearse with most of the guest musicians before the day of the session. Considering the method of recording and time constraints, this could have been disastrous for the songs that required seven or more musicians, but after paying a security guard $25 for an extra two hours of recording time, [14] the band was able to finish, recording the final song of the session, "Misguided Angel", in a single take. [16]
Contrary to popular myth, the album was not entirely recorded in one day. In the hustle of the first recording session, the band did not have time to record Margo Timmins' a cappella chanting on "Mining for Gold". She and Moore recorded the song a few days later during the Toronto Symphony Orchestra's lunch break. [14]
Sleeve notes state that the recording was not mixed, overdubbed or edited in any way.
The band followed this recording with a three-day session in April 1989 at a Quaker meeting house, but decided against releasing those songs until 2022, when they put out Sharon – The Lost Album. [17]
In 2000, it was ranked number 999 in the third edition of the book All Time Top 1000 Albums . [18] It was listed as the 42nd best album of the 1980s by Pitchfork in 2002. [19] In Bob Mersereau's 2007 book The Top 100 Canadian Albums , The Trinity Session was included at number 62. [20] In 2015, the album was named the winner in the 1980s category of the inaugural Slaight Family Polaris Heritage Prize, an annual Canadian music award for classic albums released prior to the creation of the Polaris Music Prize. [21] It was also included in the book 1001 Albums You Must Hear Before You Die (2005). [22]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Mining for Gold" | Traditional, arranged by James Gordon | 1:34 |
2. | "Misguided Angel" |
| 4:58 |
3. | "Blue Moon Revisited (Song for Elvis)" (Not included on the original vinyl release) |
| 4:31 |
4. | "I Don't Get It" |
| 4:34 |
5. | "I'm So Lonesome I Could Cry" | Hank Williams | 5:24 |
6. | "To Love Is to Bury" |
| 4:47 |
7. | "200 More Miles" | Michael Timmins | 5:29 |
8. | "Dreaming My Dreams with You" | Allen Reynolds | 4:28 |
9. | "Working on a Building" (Not included on the original vinyl release) | Traditional | 3:48 |
10. | "Sweet Jane" | Lou Reed | 3:41 |
11. | "Postcard Blues" | Michael Timmins | 3:28 |
12. | "Walkin' After Midnight" |
| 5:54 |
Total length: | 52:36 |
Cowboy Junkies
Additional musicians
Technical personnel
Chart (1988) | Peak position |
---|---|
Canadian RPM Top Albums | 28 |
Canadian RPM Country Albums | 30 |
U.S. Billboard 200 [23] | 26 |
Organization | Level | Date |
---|---|---|
CRIA – Canada | Gold | March 31, 1989 [24] |
RIAA – U.S. | Gold | July 19, 1989 [25] |
CRIA – Canada | Platinum | September 27, 1989 [24] |
RIAA – U.S. | Platinum | March 15, 1996 [25] |
CRIA – Canada | 2× Platinum | March 13, 1996 [24] |
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins, Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first.
The Caution Horses is the third studio album by the Canadian alt-country band Cowboy Junkies, released in 1990.
Black Eyed Man is the fourth studio album by Cowboy Junkies, released in 1992. The album continues the band's evolution from a spare country blues style to a more mainstream country rock style.
Pale Sun, Crescent Moon is the fifth studio album by Canadian country rock band Cowboy Junkies, released in 1993. It was the band's last album of new material for RCA Records, although a live album and a greatest hits compilation were subsequently released on the label. Canadian guitarist Ken Myhr appears on every track on this album.
Whites Off Earth Now!! is a 1986 studio album by Cowboy Junkies. It was the band's debut album, and is composed almost entirely of rock and blues covers. Only one song, "Take Me", is an original song by the band.
Lay It Down is the sixth studio album by the Canadian alt-country band Cowboy Junkies. Released on February 27, 1996, it was the group's first album for Geffen Records after the end of their contract with RCA Records. It was the band's first album that could be described as straight-ahead rock, rather than country rock, country or blues. It was also their first album consisting entirely of original material, with no covers. "A Common Disaster" and "Speaking Confidentially" were notable hits for the band on Canadian radio.
Miles from Our Home is the seventh studio album by Canadian alt-country band Cowboy Junkies, which was released in 1998. It was their second and final album for Geffen Records. The title track was a significant hit in their native Canada. Following this album, the Junkies were dropped from the Geffen record label. The Junkies moved to an independent label, Latent Recordings, for their subsequent albums.
Rarities, B-Sides and Slow, Sad Waltzes is an album by the Canadian alt-country band Cowboy Junkies, released in 1999. It was the band's first independent release after the end of their contract with Geffen Records. The album is a compendium of tracks that the band had recorded but not previously released on an album. Two tracks have been released earlier as B-sides on Cowboy Junkies' singles, "If You Gotta Go, Go Now" on "Southern Rain" and "Leaving Normal" on "Anniversary Song". It was released on both True North Records and Latent Recordings in Canada, and on Valley Records in the United States.
Open is an album by the Canadian band Cowboy Junkies, released in 2001. It was the band's third independent release after the end of their contract with Geffen Records, and the first of those to feature new material. The album was released on Latent Recordings in Canada, and on Zoë Records internationally.
The Radio One Sessions is a 2002 album by the Canadian alt-country band Cowboy Junkies. The compilation album was released only in Canada and the United Kingdom, and compiles tracks that the band recorded for BBC Radio One in the UK. The Radio One Sessions was released on Strange Fruit Records in the UK, and Latent Recordings in Canada.
One Soul Now is a 2004 album by the Canadian alt-country band Cowboy Junkies. It is their first album of new material since Open in 2001. It was released on Latent Recordings in Canada, and Zoë Records internationally.
Latent Recordings is a Canadian independent record label founded in 1981. It was dormant in the 1990s while the Cowboy Junkies were signed to American labels, but began to release independently produced albums in the 2000s. By the late 2000s, it sold downloads and CDs online.
Margo Timmins is the lead vocalist of Canadian alternative country and folk rock band Cowboy Junkies. Her brothers Michael Timmins and Peter Timmins are (respectively) the band's lead guitarist and drummer.
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Miss America is the debut album by Canadian singer-songwriter Mary Margaret O'Hara, released in 1988 by Virgin Records.
Trinity Revisited is an album and a film by the Cowboy Junkies, released on October 8, 2007. It is a remake of the Junkies' most famous album, The Trinity Session. The new album was recorded in the fall of 2006 at Toronto's Church of the Holy Trinity, the same venue where the original album was recorded.
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Demons is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It contains eleven Vic Chesnutt covers. It is Volume Two of the Nomad Series.
Sing in My Meadow is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It is Volume Three of the Nomad Series. The album was recorded at The Clubhouse in Toronto, Ontario. This volume of the Nomad Series brings the band's live shows into the studio, employing their touring musicians as the only recording musicians for the sessions.
The proof of that is in the grooves of The Trinity Session, which is the reason for the Toronto group's record party tomorrow night at the Rivoli