All That Reckoning | ||||
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Studio album by | ||||
Released | July 13, 2018 [1] | |||
Studio | The Hangar, Toronto | |||
Genre | Alternative country, [2] rock, [3] | |||
Length | 46:20 [4] | |||
Label | Latent, [1] Proper [5] | |||
Producer | Michael Timmins, Alan Anton [6] | |||
Cowboy Junkies chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.3/10 [7] |
Metacritic | 83/100 [8] |
Review scores | |
Source | Rating |
AllMusic | [4] |
American Songwriter | [9] |
Exclaim! | 7/10 [10] |
Flood | 7/10 [11] |
The Guardian | [12] |
Financial Times | [13] |
Metro | 7/10 [14] |
Paste Magazine | 6.6/10 [15] |
The Times | [16] |
Uncut | 8/10 [17] |
All That Reckoning is an album by the Canadian alt-country band Cowboy Junkies, released in 2018. The album features eleven new songs to focus on "empty hearts, empty nests, lost paths, lost lives, and all the reckoning that brings about the end of things, and the beginnings of something else. [The] songs are about reckoning on a personal level and reckoning on a social level," as stated by Michael Timmins. [1]
The Junkies last recorded an album together in 2012, the final album of their Nomad series. Since then they worked on different projects, such as The Kennedy Suite, and other things, and just remained busy. According to Michael Timmins, they had released plenty of albums, and in the current business climate, the reasoning for releasing more music became more for the art than other factors. One "can get that part of one's personality massaged by doing live shows and small projects. A whole album is a lot of work. You sort of begin to think, 'Does anybody care anymore?' But it's hard for us to think about singles or whatever format people are purporting to be the new way of putting out music. So if we're going to record, for us, it's going to be an album." [18]
Timmins accumulated songs that reached into the personal and political sides, songs that try to figure out where people are headed in the world, where society is heading, what the end results may look like. According to Michael Timmns, "There's a lot of pressures and a lot of crumbling of institutions, very little foundation to put one's feet on again, especially at an older age. You sort of expect things to be there and realize, 'My God, what I thought was a standard, whether it be an institution or a way of dealing with people in our society, is disappearing.'". [18] After accumulating the songs, it was time to shape them artistically, and the Junkies went to their home studio to hammer All That Reckoning into shape. [18] The poetry of William Blake provided inspiration for some of the songs, specifically, "The Angel" inspired "Mountain Stream", and "The Tyger" inspired "Missing Children". [6] The music that Michael Timmins produces has a lot of input from the band these days. The songwriting part is Michael, a guitar, and solitude. After creating the lyrics, Michael mixes in the other band members voices and instruments to create the Junkie sound. Anton would display some elaborate bass lines, which Michael would write songs around, and then Margo and Peter would add her voice and his drums and fill out the songs. Then the songs would be played live before recording them, to clean up and round off the songs. [19]
Michael Timmins goal when writing the album was to not just write about the current politics of the day, because that risks becoming irrelevant a few years later. The album has an internal dialogue, showing a reflection of the exterior world on the interior world and vice versa. In addition, the Junkies aimed to avoid a hard viewpoint, to not push a view, so as to include a large spectrum of viewpoints as held by their audience. One example of the album's internal and external voice is the two versions of the album's title track "All That Reckoning Part 1" and "All That Reckoning Part 2", with the first part displaying an unspoken dread of a relationship in crisis, and the second part a jagged psychedelic song full of anger. According to Michael Timmins, "[The songs] kind of fed into the title — the way we relate to each other, and the personal and the social — so it made sense in a high-concept way. But in a very basic way, we just liked the way both of them put the song across." [20]
All tracks are written by Michael Timmins except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "All That Reckoning (Part 1)" | Michael Timmins, Alan Anton | 3:52 |
2. | "When We Arrive" | Michael Timmins, Anton | 4:31 |
3. | "The Things We Do to Each Other" | Michael Timmins, Anton | 3:56 |
4. | "Wooden Stairs" | 4:22 | |
5. | "Sing Me a Song" | Michael Timmins, Anton | 4:20 |
6. | "Mountain Stream" | 4:51 | |
7. | "Missing Children" | 3:40 | |
8. | "Shining Teeth" | 4:41 | |
9. | "Nose Before Ear" | 4:15 | |
10. | "All That Reckoning (Part 2)" | Michael Timmins, Anton | 4:29 |
11. | "The Possessed" | 3:23 | |
Total length: | 46:20 |
Cowboy Junkies [6]
Additional musicians [6]
Production [6]
Chart | Peak position |
---|---|
US Folk Albums (Billboard) [21] | 24 |
Belgian Albums (Ultratop Flanders) [22] | 79 |
German Albums (Offizielle Top 100) [23] | 87 |
Dutch Albums (Album Top 100) [24] | 143 |
Belgian Albums (Ultratop Wallonia) [25] | 124 |
UK Albums (OCC) [26] | 78 |
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins, Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first.
The Trinity Session is the second album by alternative rock band Cowboy Junkies, released in 1988.
The Caution Horses is the third studio album by the Canadian alt-country band Cowboy Junkies, released in 1990.
Black Eyed Man is the fourth studio album by Cowboy Junkies, released in 1992. The album continues the band's evolution from a spare country blues style to a more mainstream country rock style.
Pale Sun, Crescent Moon is the fifth studio album by Canadian country rock band Cowboy Junkies, released in 1993. It was the band's last album of new material for RCA Records, although a live album and a greatest hits compilation were subsequently released on the label. Canadian guitarist Ken Myhr appears on every track on this album.
Whites Off Earth Now!! is a 1986 studio album by Cowboy Junkies. It was the band's debut album, and is composed almost entirely of rock and blues covers. Only one song, "Take Me", is an original song by the band.
Lay It Down is the sixth studio album by the Canadian alt-country band Cowboy Junkies. Released on February 27, 1996, it was the group's first album for Geffen Records after the end of their contract with RCA Records. It was the band's first album that could be described as straight-ahead rock, rather than country rock, country or blues. It was also their first album consisting entirely of original material, with no covers. "A Common Disaster" and "Speaking Confidentially" were notable hits for the band on Canadian radio.
Miles from Our Home is the seventh studio album by Canadian alt-country band Cowboy Junkies, which was released in 1998. It was their second and final album for Geffen Records. The title track was a significant hit in their native Canada. Following this album, the Junkies were dropped from the Geffen record label. The Junkies moved to an independent label, Latent Recordings, for their subsequent albums.
Rarities, B-Sides and Slow, Sad Waltzes is an album by the Canadian alt-country band Cowboy Junkies, released in 1999. It was the band's first independent release after the end of their contract with Geffen Records. The album is a compendium of tracks that the band had recorded but not previously released on an album. Two tracks have been released earlier as B-sides on Cowboy Junkies' singles, "If You Gotta Go, Go Now" on "Southern Rain" and "Leaving Normal" on "Anniversary Song". It was released on both True North Records and Latent Recordings in Canada, and on Valley Records in the United States.
Waltz Across America is a 2000 album by the Canadian alt-country band Cowboy Junkies.
Open is an album by the Canadian band Cowboy Junkies, released in 2001. It was the band's third independent release after the end of their contract with Geffen Records, and the first of those to feature new material. The album was released on Latent Recordings in Canada, and on Zoë Records internationally.
The Radio One Sessions is a 2002 album by the Canadian alt-country band Cowboy Junkies. The compilation album was released only in Canada and the United Kingdom, and compiles tracks that the band recorded for BBC Radio One in the UK. The Radio One Sessions was released on Strange Fruit Records in the UK, and Latent Recordings in Canada.
One Soul Now is a 2004 album by the Canadian alt-country band Cowboy Junkies. It is their first album of new material since Open in 2001. It was released on Latent Recordings in Canada, and Zoë Records internationally.
Early 21st Century Blues is an album by the Canadian alt-country band Cowboy Junkies, released in 2005. The album features two original songs and covers of material by Bruce Springsteen, Bob Dylan, John Lennon, George Harrison and Richie Havens. The record has a very strong anti-war message, while also protesting public apathy towards the political process.
At the End of Paths Taken is the tenth studio album by the Canadian alt-country band Cowboy Junkies, released in 2007.
Renmin Park is an album by the Canadian alt-country band Cowboy Junkies, released in 2010. It is Volume One of the Nomad Series. The album's name translates in Chinese as "People's Park".
Demons is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It contains eleven Vic Chesnutt covers. It is Volume Two of the Nomad Series.
Sing in My Meadow is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It is Volume Three of the Nomad Series. The album was recorded at The Clubhouse in Toronto, Ontario. This volume of the Nomad Series brings the band's live shows into the studio, employing their touring musicians as the only recording musicians for the sessions.
The Wilderness is an album by the Canadian alt-country band Cowboy Junkies, released in 2012. It is Volume Four of the Nomad Series. This volume is the introspection of winter after Sing in My Meadow's joyful visitation of spring.
Ghosts is an album by the Canadian alt-country band Cowboy Junkies, released digitally on March 30, 2020. The album features eight songs that process the loss of the Timmins siblings' mother who died in 2018. The album was also released on vinyl as a limited edition combined package with All That Reckoning on March 10, 2021.
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