Sarah Neufeld is a Canadian violinist who is known for her work with indie rock band Arcade Fire, with whom she is a former core member and currently a touring member. She has contributed to each of the band's studio albums to date. Neufeld is also a member of the instrumental band Bell Orchestre.
The Juno Award for "Instrumental Album of the Year" has been awarded since 1976, as recognition each year for the best instrumental album in Canada. The award was originally called the "Instrumental Artist of the Year".
Tim Hecker is a Canadian electronic musician, producer, composer, and sound artist. His work, spanning albums such as Harmony in Ultraviolet (2006), Ravedeath, 1972 (2011) and Virgins (2013), has been widely critically acclaimed. He has released eleven albums and a number of EPs in addition to a number of film scores and collaborations with artists such as Arca, Ben Frost, Jóhann Jóhannsson, Daniel Lopatin, and Aidan Baker.
Ben Frost is an Australian-born musician, composer, record producer, sound designer and director based in Reykjavík, Iceland as of 2014.
Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon had originally formed Bon Iver as a solo project, but it eventually became a band consisting of Vernon, Sean Carey, Michael Lewis, Matthew McCaughan, Andrew Fitzpatrick, and Jenn Wasner
Justin DeYarmond Edison Vernon is an American singer, songwriter, producer and multi-instrumentalist. He is best-known as the primary songwriter and frontman of indie folk band Bon Iver. He is also a member of the bands Volcano Choir, Big Red Machine, the Shouting Matches, and Gayngs, and was previously a member of the now-defunct band DeYarmond Edison. Known for his distinct falsetto voice, Vernon has received widespread acclaim for his work, predominantly with Bon Iver.
Creep on Creepin' On is the fourth studio album by Timber Timbre, released on April 5, 2011, on Arts & Crafts. The album was recorded in a variety of locations, including a converted church.
New History Warfare Vol. 2: Judges is an album by musician/multi-reedist Colin Stetson. The album was released by Constellation Records in 2011.
Bon Iver is the second studio album from American indie folk band Bon Iver, released on June 17, 2011. The album is composed of 10 songs and was seen as a new musical direction for the band.
Rebecca Foon is a Canadian cellist, vocalist, and composer from Montreal, Quebec. Foon currently records under her own name, as well as the alias Saltland, and is a member and co-founder of the modern chamber ensemble Esmerine.
The 2011 edition of the Canadian Polaris Music Prize was presented on September 19, 2011 The winner was Arcade Fire, for the album The Suburbs, making it the only album to win a Grammy Award for Album of the Year.
The Staves are an English indie folk duo of sisters Jessica and Camilla Staveley-Taylor from Watford, Hertfordshire, England. Formerly their third sister Emily was also part of the band.
The 2013 edition of the Canadian Polaris Music Prize was presented on September 23, 2013 at The Carlu event theatre in Toronto, Ontario.
New History Warfare Vol. 3: To See More Light is the fourth studio album by Canada-based saxophonist Colin Stetson, released by Constellation Records in 2013. It is the final part of a trilogy of albums that also encompasses New History Warfare Vol. 1 (2007) and New History Warfare Vol. 2: Judges (2011).
Tim Neufeld is a Canadian singer, songwriter and recording artist from Winnipeg, Manitoba and now based in Chilliwack, British Columbia, best known as the co-founder and lead singer of Starfield who are four-time Juno Award nominees, Western Canada Music award recipients, winners of 10 GMA Canada Covenant Awards (CGMA) and two Dove Awards. He is currently lead singer of the country music group Tim and the Glory Boys.
Ghost Train Orchestra is a Brooklyn-based jazz and chamber ensemble led by Boston-based musician Brian Carpenter. The band formed in 2006 when an historic theater in Boston commissioned Carpenter as musical director for its 90th year celebration. For the commission, Carpenter transcribed and arranged a set of overlooked music from late 1920s Chicago and Harlem and formed a side project from his regular band Beat Circus to perform it. The following year the group started performing under the name Ghost Train Orchestra.
Never Were the Way She Was is a collaborative album by Colin Stetson and Sarah Neufeld, released on April 28, 2015 by Constellation Records. It was recorded live in the studio without the use of overdubs or loops at the End of the World studio in Vermont. Neufeld and Stetson had first met in 2006 when Neufeld's Bell Orchestre shared a bill with Antibalas, who Stetson was playing with. The two artists had previously collaborated on the soundtrack to the 2013 film Blue Caprice. The album received favorable reviews and won a Juno Award.
The 2015 edition of the Canadian Polaris Music Prize was presented on September 21, 2015 at The Carlu event theatre in Toronto, Ontario. The event was hosted by children's entertainer Fred Penner.
22, A Million is the third studio album by American indie folk band Bon Iver, released on September 30, 2016. Recorded in lead member Justin Vernon's April Base studio in Eau Claire, Wisconsin, the album marks a major shift in the band's sound and incorporates elements of electronic music and hip hop production influenced by Vernon's prior work with Kanye West. Most of the lyricism concerns Bon Iver's rise in popularity and how Vernon's relationship with the world has changed as a result.
All This I Do for Glory is the fifth solo studio album of American bass saxophonist Colin Stetson, released in April 2017 by the label 52 Hz. It is the first of a two-part album series by Stetson that explores two different arcs of the same character. The LP follows a narrative, a doomed love story set during a time between Never Were the Way She Was (2015) and New History Warfare Vol. 1 (2008). All This I Do For Glory differs from Stetson's previous releases due to its emphasis on his breathing techniques in the sound, it contains elements of 1990s experimental music and IDM, and its increased focus on rhythm that makes it more accessible to most listeners. The LP was critically well-received upon its release for Steston's skill of performing many sounds with one instrument, his recording methods, the pacing of the music, and the increased restraint on his maximalist sound.
