Painting With

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The album's color palette is dominated by modular synthesizers and an array of percussion instruments borrowed from the collection of studio drummer Emil Richards. [4] In contrast to their previous work, Animal Collective decided to eliminate the reverb effects and drawn-out musical passages. Portner commented: "Everything seems drenched in reverb these days, and is so distant. In a way, it was a reaction to that." [4] Weitz added: "We talked about no ambient [passages]. Even [2009's] Merriweather Post Pavilion, people were saying was our poppiest record up to that point, but there still were like long, drawn-out passages of drone. With this one we were just like in and out. No long buildups to get to it, no long outros. We talked about, like, our Ramones record." [4] Lennox elaborated with a comparison to the first Ramones album:

There was this idea of wanting to do something with short songs, with a homogenous energy to the record. ... not that we expected the music to sound like that, but we wanted to do something where the first song revs up the engine, and it kind of just cruises after that. We didn’t want to throw in some ethereal moment. We wanted to do something that blasted away the whole time. [13]

The group drew on ideas of the prehistoric, such as cave paintings and dinosaurs, which were used to influence the songwriting process and the recording sessions themselves, "[aiming to eschew] slow jams for a set of songs inspired by more elemental pleasures ... [and] artists who could make a lot happen in a short amount of time," writes Jeremy Gordon. [12]

Promotion and release

Baltimore-Washington International Airport, where Painting With was premiered BWI airport terminal.jpg
Baltimore-Washington International Airport, where Painting With was premiered

On July 15, 2015, EastWest announced that the band had finished recording their new album, the follow-up to Centipede Hz. [14] On November 25, the album premiered over the speakers of Baltimore-Washington International Airport, and played on loop until the evening. Using Sony's Music Track ID system, it was discovered that the airport recordings belonged to an unreleased 12-track Animal Collective album entitled Painting With. A representative of the band responded with "no comment today", [15] while Portner confirmed that "FloriDada", the impending single from the album, would be released on November 30. [15] [16] On November 30, "FloriDada" was released and the album and track listing were officially revealed. [3] The same day, both the LP and CD versions of the album were made available for pre-order. Upon pre-ordering the vinyl, users received an immediate download of "FloriDada" as well as an eventual 7" containing two new tracks "Gnip Gnop" and "Hounds of Bairro". [17] On January 28, 2016, a promotional video was released to youtube revealing a new "Painting With" app for iOS. This app allowed early access to the song "Lying in the Grass" for the first time. [18]

The album has three distinct covers painted by Brian DeGraw which individually depict Portner, Lennox, and Weitz. [3]

Critical reception

Painting With
Animal Collective - Painting With.jpg
Portrait of Avey Tare, one of three variations of the album's front cover.
Studio album by
ReleasedFebruary 19, 2016
Recorded2015 (2015)
Studio EastWest Studios, Hollywood
Genre
Length41:02
Label Domino
Animal Collective chronology
Live at 9:30
(2015)
Painting With
(2016)
The Painters
(2017)
Singles from Painting With
  1. "FloriDada"
    Released: November 30, 2015
  2. "Lying in the Grass"
    Released: February 1, 2016
  3. "Golden Gal"
    Released: February 15, 2016
Professional ratings
Aggregate scores
SourceRating
Metacritic 69/100 [19]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [20]
DIY MagStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [21]
Drowned in Sound 5/10 [22]
The Guardian Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [23]
Mojo Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [24]
Pitchfork 6.2/10 [25]
Rolling Stone Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [26]
Slant Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [27]
Spin 8/10 [28]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]

Painting With received mostly positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 69, based on 36 reviews, which indicates "generally favorable reviews". [19] Rolling Stone 's Jon Dolan called it "weirdly addictive and enjoyably absurd". [26] Marc Hogan of Spin praised the album for its "richness" in his review, stating, "It’s poppier, in a characteristically warped way, than even Merriweather , the group's most popular album to date. That’s down to the record’s rarely wavering energy; subtle details abound in the interplay between Lennox and Portner’s near-indistinguishably overlapping yawps, or in the giddy, ping-ponging sonic backdrops, but that’s all a bonus when the songs bounce along like Tigger in a 5 Hour Energy ad." [28] Jamie Atkins of Record Collector compared the album's sound to the soundtrack of the 1992 video game Sonic the Hedgehog 2 , "the band sounding like a motley crew of Deadheads and club kids stuck between the Mystic Cave and Oil Ocean zones, in constant fear of Dr Robotnik's frankly unreasonable temper and whichever drill or submarine he might pilot next." It continues: "It does take repeated listens for the album to really make sense, but when the mood fits, Painting Is[ sic ] hits the spot." [29]

Jamieson Cox of the Verge characterized Painting With as: "bright, tidy, and a little disappointing ... They were the last band you expected to end up sounding workmanlike." [30] Mike Powell of Pitchfork Media added, "Painting With feels, more than anything, like a kind of construction project: Each sound meticulously built and only faintly familiar, each second crammed with doodads, as though the band was worried either they or their audience might get bored. The human voice, which in the past has given their music not just a so-called human element but a devotional, almost religious glow, has been reduced to a party trick, with Avey Tare and Panda Bear trading syllables like two anxious Globetrotters. The album's best songs—"Golden Gal," "Recycling"—aren't just highlights, they're breathers." [25]

In a negative review, Lee Arizuno of The Quietus called the album "absolute dogshit from start to finish", repeatedly describing each song as "a sing-song number with faux–naïf lyrics ... and EDM belches". [31] Adam Downer of Paste compared it to the "legion of small-time blog bands in the early 2010s ... who could do a decent facsimile of the Animal Collective sound but lacked the intangibles to garner their acclaim ... [the album is] not very noteworthy, the band nowhere close to fulfilling its potential. The scariest thing Painting With leaves behind is the feeling that Animal Collective think that’s perfectly fine." [32]

Track listing

No.TitleLength
1."FloriDada"4:05
2."Hocus Pocus"3:16
3."Vertical"4:14
4."Lying in the Grass"3:34
5."The Burglars"2:43
6."Natural Selection"2:41
7."Bagels in Kiev"2:48
8."On Delay"3:48
9."Spilling Guts"1:58
10."Summing the Wretch"3:08
11."Golden Gal"4:41
12."Recycling"4:06
Total length:41:02

Personnel

Animal Collective
Additional musicians

Charts

Chart (2016)Peak
position
Australian Albums (ARIA) [33] 100
Belgian Albums (Ultratop Flanders) [34] 87
Belgian Albums (Ultratop Wallonia) [35] 121
Irish Albums (IRMA) [36] 91
Portuguese Albums (AFP) [37] 43
UK Albums (OCC) [38] 42
US Billboard 200 [39] 46

Related Research Articles

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