Tangerine Reef | ||||
---|---|---|---|---|
Video by | ||||
Released | August 17, 2018 | |||
Genre | ||||
Length | 52:45 (music) 54:28 (film) | |||
Label | Domino | |||
Animal Collective chronology | ||||
|
Tangerine Reef is the second visual album by American experimental pop band Animal Collective, released on August 17, 2018, through Domino. It is the band's first full-length release without Panda Bear, and was made in collaboration with art-science duo Coral Morphologic and in celebration of the International Year of the Reef. It was the band’s first visual album since 2010’s ODDSAC . The album is accompanied by a film, which premiered on the band's website upon release.
Tangerine Reef is the product of longtime collaborations between Animal Collective and Coral Morphologic, an art-science duo consisting of marine biologist Colin Foord and musician J.D. McKay. The two groups first met in 2010 at a screening of Animal Collective's ODDSAC , when Coral Morphologic gave Deakin a DVD consisting of their work. [3] The members of Animal Collective were impressed by the footage and reached out, leading to several collaborations, such as Geologist soundtracking Coral Morphologic's 2011 short film Man o War, and Foord providing spoken word on Avey Tare's solo album Eucalyptus . [4] The two groups have also gone scuba diving together. [3]
The genesis of Tangerine Reef came in February 2017 at an art exhibition called "Coral Orgy", hosted at New World Center in Miami, where Animal Collective performed over video projections made by Coral Morphologic. [5] Material from Tangerine Reef was also played live in May 2018 during a performance at David Lynch's Festival of Disruption in Brooklyn. [6] The band recorded the initial performance with the intent of releasing it as a live album, but found the recording "unusable" due to crowd noise. [7] Rather than abandon the project, the band got together at a Baltimore studio run in part by Deakin and "took a few days and did four or five run-throughs of the Miami set." [8] To recapture the feel of the original performance, the album was recorded live and with no overdubs. The recording was then sent to Coral Morphologic to provide the video component. Animal Collective thought it could simply be paired with the video they originally performed to, but Coral Morphologic felt they needed to re-shoot parts of it. [7]
The album features the standard lineup of the band with the exception of Panda Bear, the band's first full-length release to do so. [9] Panda Bear also did not feature in the live performances of the music. His absence is due to distance, as he lives in Portugal. [7] [8]
The project commemorates the 2018 International Year of the Reef, and is intended to draw public attention to the issue of coral reef conservation. [3] According to Geologist, the band hopes that "Animal Collective fans and beyond will see this footage and be inspired to care about the ocean and care about coral reefs and do what they can." [7] For Foord, "the point is to introduce corals into pop culture", with the aim of speaking to people who would otherwise not have interest in corals. [3]
The band cited the experimental film Koyaanisqatsi as an influence on the album. [5] The work of filmmaker Jean Painlevé, and the documentary film Powers of Ten , were named by Foord as inspirations for the filmmakers. [10]
Animal Collective announced Tangerine Reef on July 16, 2018, alongside a pre-order of the album and the release of the first single "Hair Cutter", [11] [12] which was accompanied by a music video released exclusively on Apple Music and directed by John McSwain and Coral Morphologic. [13] The album's accompanying film premiered on the band's website on the same day of its release on August 17, 2018. [11]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 60/100 [14] |
Review scores | |
Source | Rating |
AllMusic | [15] |
The A.V. Club | C− [16] |
Drowned in Sound | 7/10 [17] |
The Independent | [18] |
NME | [19] |
The Observer | [20] |
Pitchfork | 6.9/10 [21] |
PopMatters | [22] |
Q | [14] |
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Tangerine Reef received an average score of 60, based on 18 reviews, indicating "generally favorable reviews". [14] Alex Hudson from Exclaim! gave the album a mixed review, saying, "For fans of Animal Collective's trippier inclinations, Tangerine Reef is a pleasant bit of oceanic escapism. For new listeners or anyone looking for the next "My Girls," this is decidedly inessential." [23] Erik Adams of The A.V. Club wrote, "The record captures all the noodling self-indulgence that makes the psych-poppers such a maddeningly inconsistent live act. But Tangerine Reef is an incomplete object in this form: It's accompaniment, not feature presentation, the drowsy soundtrack to the iridescent undersea visuals of Australian filmmakers Coral Morphologic." [16]
PopMatters critic Chris Ingalls stated, "Tangerine Reef is a project that may likely polarize Animal Collective fans, and it may not be an ideal jumping-off point for anyone looking to discover this unique band, but it's a worthy addition to their catalog, and it supports a supremely important cause in this day and age." [22] Pitchfork 's Sasha Geffen wrote, "Without Panda Bear on board, Animal Collective lose the pop edge that has resulted in their most commercially successful music, but this isn't a project for scoring hits. It's a meditative, hypnotic experience, and it's not without the sense of playfulness that has driven Animal Collective throughout their career." [21] Emily Mackay of The Observer criticized the album, saying "AC plumb depths of paucity more than subtlety in this wilfully desolate expanse of dispassionate vocals and vague, awkward ambience." [20]
No. | Title | Length |
---|---|---|
1. | "Hair Cutter" | 4:01 |
2. | "Buffalo Tomato" | 4:49 |
3. | "Inspector Gadget" | 4:19 |
4. | "Buxom" | 4:40 |
5. | "Coral Understanding" | 3:44 |
6. | "Airpipe (to a New Transition)" | 6:03 |
7. | "Jake and Me" | 4:25 |
8. | "Coral by Numbers" | 2:27 |
9. | "Hip Sponge" | 3:52 |
10. | "Coral Realization" | 3:00 |
11. | "Lundsten Coral" | 3:05 |
12. | "Palythoa" | 4:11 |
13. | "Best of Times (Worst of All)" | 4:09 |
Total length: | 52:45 |
Chart (2018) | Peak position |
---|---|
US Independent Albums (Billboard) [24] | 14 |
US Vinyl Albums (Billboard) [25] | 5 |
Region | Date | Label | Format | Ref. |
---|---|---|---|---|
Various | August 17, 2018 | Domino |
Spirit They're Gone, Spirit They've Vanished is the first collaborative studio album by Avey Tare and Panda Bear, released in August 2000. It was later retroactively classified as the debut album by Portner and Lennox's group Animal Collective. The album was first released as a CD on the band's own Animal label with only 2000 copies produced.
Here Comes the Indian is the debut studio album by American experimental pop band Animal Collective, released June 17, 2003 on Paw Tracks. It is the first release by the group on which all four members perform together: Avey Tare, Panda Bear, Geologist, and Deakin. In 2020, the band renamed the album to Ark because they felt the title objectified Native Americans.
Campfire Songs is the debut and only album by the American band Campfire Songs, released in March 2003. A collaborative work between Dave Portner, Noah Lennox, and Josh Dibb, it was later retroactively classified as the third studio album by their band Animal Collective.
David Michael Portner, also known by his moniker Avey Tare, is a musician and songwriter who co-founded the American experimental pop band Animal Collective. He has released three solo albums, as well as three collaborative albums with Panda Bear which were later retroactively classified under Animal Collective's discography.
Prospect Hummer is an EP by Animal Collective released in May 2005. It is an accompaniment to Sung Tongs.
Young Prayer is the second solo album by American experimental pop musician Panda Bear, released on September 28, 2004. It follows his debut solo album Panda Bear (1999). It is his first since co-founding Animal Collective.
Panda Bear is the debut solo album by American musician Noah Lennox who later became a founding member of Animal Collective. The album was the first use of the Panda Bear moniker which he later continued to use while performing with group. It was released on June 1, 1999 shortly before his 21st birthday on the label Soccer Star Records. The label was formed by himself and fellow future Animal Collective member and childhood friend Deakin and was initially founded only to release this album. However the label eventually morphed into Animal and then Paw Tracks. This album marks the very first Animal Collective related release, apart from the EP "Paddington Band", which was a recording by the Animal Collective precursor Automine, which featured all other members of the future group except for Lennox himself.
Person Pitch is the third solo album by American recording artist Noah Lennox under his alias Panda Bear, released on March 20, 2007, by Paw Tracks. Departing stylistically from his prior work as both a member of Animal Collective and a solo artist, the album was recorded using the Boss SP-303 sampler, with instrumentation largely composed of manipulated samples and loops, accompanied by Lennox's layered vocals. He described it as a collection of "super dubby and old sounding" songs inspired by his then-recent marriage, fatherhood, and move to Portugal.
Noah Benjamin Lennox, also known by his moniker Panda Bear, is an American musician, singer-songwriter, multi-instrumentalist, and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999, with his influential 2007 album Person Pitch inspiring numerous soundalike acts. His subsequent albums Tomboy (2011) and Panda Bear Meets the Grim Reaper (2015) both reached the Billboard 200.
Strawberry Jam is the seventh studio album by American experimental pop band Animal Collective. It was released in September 2007, the band's first on Domino Records. It was accompanied by the singles "Peacebone" and "Fireworks." The album was the band's first to chart on the Billboard 200, debuting and peaking at #72.
Water Curses is an EP by Animal Collective released in May 2008 on compact disc. 12" vinyl format was released on June 3. The first three tracks were recorded by Scott Colburn during the band's Strawberry Jam sessions in January 2007. The EP's fourth and final track, "Seal Eyeing", was recorded at Nicolas Vernhes' Rare Book Room Studio in Brooklyn, New York. Vernhes was also charged with the mixing duties for all four tracks. According to a press release issued by the band, Water Curses "find[s] Animal Collective exploring strange new waters."
Merriweather Post Pavilion is the eighth studio album by American experimental pop group Animal Collective, released in January 2009 on Domino Records. The group recorded the album as a trio featuring members Panda Bear, Avey Tare and Geologist, with co-production by Ben H. Allen. The album features an electronic sound, including the use of samplers and synthesizers as primary instruments, as well as prominent reverb. It is titled after the Maryland venue of the same name, where Portner and Weitz attended concerts in their youth.
Brian Ross Weitz, also known by his stage name Geologist, is a musician best known as a member of the experimental pop group Animal Collective. He provides electronic sound manipulations and samples for the band.
Joshua Caleb Dibb, also known by his moniker Deakin, is an American musician who co-founded the experimental pop band Animal Collective. He is the most infrequent member of the collective appearing on only six of the group's eleven studio albums. In 2016, he made his solo debut with the album Sleep Cycle. He also occasionally works as a carpenter during musical down time.
ODDSAC is a visual album by Animal Collective, featuring psychedelic visuals directed and edited by Danny Perez.
Tomboy is the fourth solo album by American musician Panda Bear, released on April 4, 2011 initially as an online stream and later physically. It was mixed by UK musician Sonic Boom. In contrast to the sample-based composition of the previous Panda Bear album Person Pitch (2007), the recording of Tomboy features a stripped-down sound built around guitar processed through Korg M3-M workstation modules.
Animal Collective is an American experimental pop band formed in Baltimore, Maryland. Its members consist of Avey Tare, Panda Bear, Geologist, and Deakin. The band's work is characterized by an eclectic exploration of styles, including psychedelia, freak folk, noise, and electronica, with the use of elements such as loops, drones, sampling, vocal harmonies, and sound collage, alongside complex production techniques. AllMusic's Fred Thomas suggests that the group "defined the face of independent experimental rock during the 2000s and 2010s."
Centipede Hz is the ninth studio album by American experimental pop group Animal Collective, released on September 4, 2012 on Domino Records. The album marks the return of band member Deakin, who sat out of the recording and touring of the band's previous album, Merriweather Post Pavilion (2009). On the US Billboard 200, it peaked at No. 16.
Painting With is the tenth studio album by American experimental pop band Animal Collective, released on February 19, 2016. The album is a follow-up to Centipede Hz (2012), and features contributions from John Cale and Colin Stetson. It peaked at No. 46 on the Billboard 200. Three singles were issued: "FloriDada" (2015), "Lying in the Grass", and "Golden Gal". A companion EP, The Painters, was released the following year.
Time Skiffs is the eleventh studio album by American experimental pop band Animal Collective, released on February 4, 2022, on Domino. It is their first album in six years and marks the return of band member Deakin, who sat out of the recording and touring of the band's previous album, Painting With (2016). Time Skiffs was preceded by four singles: "Prester John", "Walker", "Strung with Everything", and "We Go Back".