Centipede Hz | ||||
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Studio album by | ||||
Released | September 4, 2012 | |||
Recorded | January–February 2012 | |||
Studio | Sonic Ranch, Tornillo, Texas | |||
Genre | ||||
Length | 53:33 | |||
Label | Domino | |||
Producer | Animal Collective, Ben H. Allen III | |||
Animal Collective chronology | ||||
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Singles from Centipede Hz | ||||
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Centipede Hz is the ninth studio album by American experimental pop group Animal Collective, released on September 4, 2012, on Domino Records. The album marks the return of band member Deakin, who sat out of the recording and touring of the band's previous album, Merriweather Post Pavilion (2009). [4] On the US Billboard 200, it peaked at No. 16.
In November 2010, Deakin rejoined Animal Collective, after sitting out on the recording and touring of the band's eighth studio album, Merriweather Post Pavilion (2009). With the band receiving significantly more attention, the four members of Animal Collective moved back to their hometown of Baltimore, Maryland in early 2011 to begin writing their ninth studio album. Avey Tare noted, "I moved into a house that was blocks away from our high school - it was definitely a little bit weird to feel this mixture of old and new. [...] Just driving the same roads, going to Josh's mom's place. It's pretty much where we all started playing together for days and nights when we were in high school." Deakin elaborated, "Just having the experience of seeing each other every day was what marked this record." [5]
Almost four years after the album's release, Weitz intimated that "Coming back for Centipede Hz was difficult. It was a super emotional time. Because of the way we set the making of that album up, taking us all to Baltimore, the unsettled nature came out on the record. It was just a very different process from the more easy going one that Merriweather had been. ... we wrote it for the stage and, before recording ... some of us got set ideas about what songs should sound like and where certain parts should fit in. Then, when we went to ooze all four of those different perspectives together—there weren't battles, but it did lead to a lot of things staying in the mix." [6]
The album was recorded at Sonic Ranch in January and February 2012 and was mixed at Maze Studios in Atlanta. [7] Ben Allen, who co-produced the group's previous album Merriweather Post Pavilion, returned as the co-producer. [4]
In an interview with Pitchfork Media, Avey Tare called Centipede Hz "more grounded in one location" and less ambient than the group's previous album. [4] The group also wanted the album to have a "live-band feel" to it. In turn, live instruments were used such as a sit-down drum kit and live keyboards. Centipede Hz also featured the first Animal Collective song where Deakin sang lead vocals, on "Wide Eyed". [7]
Whereas Merriweather Post Pavilion and Fall Be Kind were more oriented around lush sound design and pop structures, Centipede Hz returns to Animal Collective's experimental roots, incorporating surreal and noisy textures, as well as complicated song structures. [8] The band drove inspiration from styles such as psychedelic rock, Chicha music, Tropicália and avant-garde music, with members using songs by artists and bands from the aforementioned styles to indicate the musical direction and sound design of the album during its production. [9]
Radio commercials and station identifications were additional influences on the album's sound; processed recordings of station idents as well as sound effects of radio interference and white noise can be heard throughout the album. [7] The band got the idea for using radio interference while rewriting then in-progress songs on Centipede Hz for a live performance at the 2011 Coachella Valley Music and Arts Festival. The group wanted a continuous sound when playing the Centipede Hz songs live, and they revolved this using radio interference as transitions; this further inspired them with the album's eventual studio production, aiming to recreate their live sound. [10]
Avey Tare noted:
My brother was a DJ when I was growing up, and there was a radio station called B104 in Baltimore. He had recently got a CD of all the radio identifications that come between [songs], and we were going back through everything, listening to how weird and spacey and experimental it sounded.
He also compared the sound of these idents out of their original context to musique concrète , which allowed the band to interpret these samples as musical textures. [5]
Centipede Hz was announced on May 13, 2012, with an official video on their website which contained titles of the songs on the album. [11] The majority of the track list was debuted live during their 2011 tour. The album was also announced to be released in three formats: a standard CD, a standard 2xLP, and a deluxe 2xLP version. All three formats are available to pre-order and include a bonus DVD containing the music files and a video of the band's 2011 Prospect Park show in Brooklyn. [12]
On July 29, as part of the lead-up to the album, Animal Collective began broadcasting weekly "Centipede Radio" shows from a section of their website. [13] During the first show, the first single from the album, "Today's Supernatural" was premiered. The single was also uploaded to Domino Records' YouTube channel on the same day. [14] A music video for "Today's Supernatural" was released on August 16, 2012. [15] On August 19, 2012, the album was streamed in its entirety on Animal Collective's official website, with each song accompanied by a custom video directed by Abby Portner. [16] [17]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.5/10 [18] |
Metacritic | 75/100 [19] |
Review scores | |
Source | Rating |
AllMusic | [20] |
The A.V. Club | C+ [21] |
Entertainment Weekly | B [22] |
The Guardian | [2] |
Los Angeles Times | [23] |
NME | 8/10 [24] |
Pitchfork | 7.4/10 [25] |
Q | [26] |
Rolling Stone | [27] |
Spin | 8/10 [28] |
Centipede Hz received mostly positive reviews, although initial critical reaction to the album was more mixed compared to the group's widely acclaimed previous album, Merriweather Post Pavilion.[ citation needed ] On Metacritic, the album has a score of 75 out of 100, indicating "generally favorable reviews". [19]
Barry Nicolson of NME called the album "a flawed and imperfect jumble of garish colours and disconnected sensations," but nevertheless gave the album a positive review, concluding: "It's chaotic and confounding. It will frustrate as much as it delights. And no, not everything they throw at the wall manages to stick. But my, what a lovely mess they've made." [24] BBC Music's Mike Diver gave the album a positive review, writing "submit fully to Centipede Hz and it will infect you, quite deliciously, for the foreseeable." [29] Rolling Stone 's Jon Dolan gave the album a score 3+1⁄2 stars out of five, writing "What gives Centipede Hz its relatable gravity is that, this time out, Animal Collective sound more like creatures who put their skinny jeans on one hoof at a time [...] For a band that usually seems to be eternally shambling toward transcendence, a shot of ambivalence is a brave new kind of pick-me-up." [27]
Much of the criticism of the album was directed at the album's dense sound. Pitchfork 's Stuart Berman, while giving the album a positive review, criticized the songs for being too cluttered compared to those on previous albums, writing: "Centipede Hz, by comparison, feels like someone throwing a burrito on your windshield: The songs hit with a jolt, instantly splaying all their ingredients before you." [25] Commenting on the return of Deakin, Tom Ewing of The Guardian wrote: "It explains some of the record's bluntness – every track is full of incident, and most incidents are mixed to a similar level, so at first the songs hit you as unresolved slabs of babble." Ewing continued: "This makes Centipede Hz a tough listening experience to begin with, but not a particularly weird one. Once you adjust to the new method and peer through the layers of detail and clustered production, these are often quite conventional – if meandering – indie-rock songs." [2] The A.V. Club 's Marc Hirsh, while praising the songs "Pulleys" and "Wide Eyed", wrote "other songs are so densely packed with sonic information that they become nearly impenetrable". Hirsh concluded: "Animal Collective runs riot on the head front so thoroughly that it overlooks its own eagerness to please. Instead, Centipede Hz insists that listeners think their way to liking it." [21]
The album debuted at No. 16 on the Billboard 200 albums chart on its first week of release, [30] with around 17,000 copies sold in the United States. It also debuted at No. 6 on the Billboard's Rock Albums chart, [31] and No. 5 on the Alternative Albums chart. [32] As of January 2016, the album has sold 47,000 copies in the US. [33]
All tracks are written by Animal Collective
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Moonjock" | Avey Tare | 5:04 |
2. | "Today's Supernatural" | Avey Tare | 4:18 |
3. | "Rosie Oh" | Panda Bear | 2:57 |
4. | "Applesauce" | Avey Tare | 5:34 |
5. | "Wide Eyed" | Deakin | 5:00 |
6. | "Father Time" | Avey Tare | 4:35 |
7. | "New Town Burnout" | Panda Bear | 6:01 |
8. | "Monkey Riches" | Avey Tare | 6:46 |
9. | "Mercury Man" | Avey Tare | 4:18 |
10. | "Pulleys" | Avey Tare | 3:31 |
11. | "Amanita" | Avey Tare | 5:39 |
Total length: | 53:33 |
Sample credits
Chart (2012) | Peak position |
---|---|
Australian Albums (ARIA) [34] | 75 |
Belgian Albums (Ultratop Flanders) [35] | 32 |
Belgian Albums (Ultratop Wallonia) [36] | 54 |
Danish Albums (Hitlisten) [37] | 36 |
Dutch Albums (Album Top 100) [38] | 68 |
Dutch Alternative Albums (MegaCharts) [38] | 9 |
French Albums (SNEP) [39] | 66 |
Norwegian Albums (VG-lista) [40] | 34 |
Swedish Albums (Sverigetopplistan) [41] | 38 |
UK Album (OCC) [42] | 55 |
US Billboard 200 [43] | 16 |
US Rock Albums ( Billboard ) [43] | 6 |
US Independent Albums ( Billboard ) [43] | 4 |
US Alternative Albums ( Billboard ) [43] | 5 |
Spirit They're Gone, Spirit They've Vanished is the first collaborative studio album by Avey Tare and Panda Bear, released in August 2000. It was later retroactively classified as the debut album by Portner and Lennox's group Animal Collective. The album was first released as a CD on the band's own Animal label with only 2000 copies produced.
Campfire Songs is the debut and only album by the American band Campfire Songs, released in March 2003. A collaborative work between Dave Portner, Noah Lennox, and Josh Dibb, it was later retroactively classified as the third studio album by their band Animal Collective.
David Michael Portner, also known by his moniker Avey Tare, is a musician and songwriter who co-founded the American experimental pop band Animal Collective. He has released four solo albums, as well as four collaborative albums with Panda Bear three of which were later retroactively classified under Animal Collective's discography.
Noah Benjamin Lennox, also known by his moniker Panda Bear, is an American musician, singer-songwriter, multi-instrumentalist, and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999, with his 2007 album Person Pitch inspiring the chillwave genre and numerous other acts. His subsequent albums Tomboy (2011) and Panda Bear Meets the Grim Reaper (2015) both reached the Billboard 200.
Strawberry Jam is the seventh studio album by American experimental pop band Animal Collective. It was released in September 2007, the band's first on Domino Records. It was accompanied by the singles "Peacebone" and "Fireworks." The album was the band's first to chart on the Billboard 200, debuting and peaking at #72.
Water Curses is an EP by Animal Collective released in May 2008 on compact disc. 12" vinyl format was released on June 3. Scott Colburn recorded the first three tracks during the band's Strawberry Jam sessions in January 2007. The EP's fourth and final track, "Seal Eyeing", was recorded at Nicolas Vernhes' Rare Book Room Studio in Brooklyn, New York. Vernhes was also charged with the mixing duties for all four tracks. According to a press release issued by the band, Water Curses "find[s] Animal Collective exploring strange new waters."
The discography of Animal Collective, an American experimental pop group, consists of 12 studio albums, 4 live albums, 2 video albums, 12 extended plays and 19 singles.
Merriweather Post Pavilion is the eighth studio album by American experimental pop group Animal Collective, released on January 6, 2009, through Domino Records. The group recorded the album as a trio featuring members Panda Bear, Avey Tare and Geologist, with co-production by Ben H. Allen. It is titled after the Maryland venue of the same name, where Portner and Weitz attended concerts in their youth.
Brian Ross Weitz, also known by his stage name Geologist, is a musician best known as a member of the experimental pop group Animal Collective. He provides electronic sound manipulations and samples for the band.
Joshua Caleb Dibb, also known by his moniker Deakin, is an American musician who co-founded the experimental pop band Animal Collective. He is the most infrequent member of the collective appearing on only seven of the group's twelve studio albums. In 2016, he made his solo debut with the album Sleep Cycle. He also occasionally works as a carpenter during musical down time.
"My Girls" is a song by Animal Collective, released as the first single from their critically acclaimed 2009 album Merriweather Post Pavilion. It was released on March 23, 2009 by Domino Records as a promo CD only.
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Cows on Hourglass Pond is the third solo studio album by American musician Avey Tare. It was released on March 22, 2019, by Domino Recording Company. The album follows 2017's Eucalyptus and was supported by a tour. Its announcement was accompanied by the release of the video for "Saturdays (Again)", directed by Avey Tare's sister, Abby Portner.
Time Skiffs is the eleventh studio album by American experimental pop band Animal Collective, released on February 4, 2022, on Domino. It is their first album in six years and marks the return of band member Deakin, who sat out of the recording and touring of the band's previous album, Painting With (2016). Time Skiffs was preceded by four singles: "Prester John", "Walker", "Strung with Everything", and "We Go Back".
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