Andean music is a group of styles of music from the Andes region in South America.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans and African slaves during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community.
Música criolla, creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Cumbia villera is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad.
Argentine cumbia is an umbrella term that comprises several distinct trends within the same tradition: the dance and music style known as cumbia in Argentina.
Los Shapis is a chicha musical group from Peru. They rose to prominence with their 1981 hit song "El Aguajal", a modern adaptation of traditional huayno. They were noted for their rainbow coloured costumes. The band's logo was designed by Rafael Trujillo Villacorta.
Dance in Peru is an art form primarily of native origin. There are also dances that are related to agricultural work, hunting and war. In Peru dancing bears an important cultural significance. Some choreographies show certain Christian influence.
Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomination for the music.
"Llorando se fue" is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album Canto a la mujer de mi pueblo and released as a B-side of the "Wa ya yay" single in 1982. The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French-Brazilian pop group Kaoma in 1989. Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam".
Los Ronisch are a Bolivian cumbia band. They originate from Cochabamba and are one of the most popular cumbia bands in South America. The press have called this band "the box-office record breakers" due to its vast popularity among people in Bolivia, Peru, Argentina, Ecuador and other countries.
Los Mojarras are a band from the province of El Agustino Lima Peru that formed in 1992. They released their first album in the same year, titled Sarita Colonia, and are still currently producing music and performing. Link label They have been politically active through their music, voicing political realities and views. Their music is referred to as Peruvian rock, however Luis A. Ramos-Garcia, a professor and researcher of Latin American theater and popular music from the University of Minnesota, describes their music as a "mixture of Chicha or Peruvian cumbia, Andean Cumbia, and Afro-Peruvian styling’s". Their style of music also includes blends of rock music. Critically analyzed, the music of Los Mojarras, can be thought of as a form of transculturation, in which the emergence of mixed cultures are expressed through the mixture of musical rhythms. This type of music can also be described a form of cultural hybridity, in which the music and its scene has become a new cultural production raised out of multiple existing cultures or shared meanings. As Jesus-Martin Barbero, a researcher and philosopher, who's disciplined in Cultural Studies; has stated "music is the result of mestizaje, the profane deformation of an authentic form." Link label Appropriated in musical terms, mestizaje can refer to the mixtures of different music produced as a response to the formations of new social identities; and in the search of belonging by new generations of Andean migrants in capital cities. This mixture of music has primarily been played by the "decedents of migrant Andeans, who grew up and/or were born in major cities such as Lima, in Peru". These migrants come from rural areas in Peru, moving to modernized cities often forced because of economic circumstances, exemplifying a form of local diasporic mobility. Los Mojarras lyrics range from the issues of societal displacement, dislocation of Andean migrants in major cities and working class migrant experiences and issues. Their music genre became recognized as a form of "new musical subjectivity by marginalized Urban-Andeans", that were expressing for the first time, within chicha music that has primarily been about love or romance; anger, agency, political issues and concerns. Los Mojarras created a space for people living within the marginalized sectors of Peru. These artists also brought “ attention to the problems situated within the hegemonic Creole-Spanish model maintained by privileged classes”, and narrating through music the conflicts between Limeños and Andean migrants, that arise within the city of Lima.
The New Chilean Cumbia also known as New Chilean Cumbia Rock is a subgenre of cumbia music that originated in Chile in the early 2000s and that largely surfaced in mainstream media in 2009 and 2010. In contrast to older cumbias the lyrics of New Chilean Cumbia deals more with urban life and combines aspects of rock, hip hop and a wide variety of Latin American genres like Andean music, salsa, the son, reggae, boleros, ska, Latin-African music, diablada and even folklore from the Balkans, like the Klezmer, and Gipsy music.
Ángel Aníbal Rosado Garcîa was a Peruvian composer and musician.
Bareto is a music group from Peru, famous for making their own versions of classic Peruvian cumbia songs.
Cumbia is a folkloric genre and dance from Colombia.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
Cariñito is a Peruvian cumbia song written by Limeño Ángel Aníbal Rosado in 1979 and first interpreted by the Peruvian group Los Hijos del Sol. Readapted by numerous international groups and in different musical styles, the song is one of the best-known songs in the realm of Peruvian cumbia and cumbia in general.
Los Mirlos is a Peruvian cumbia band with origins in Moyobamba, Peru.
Los Destellos is a Peruvian cumbia band formed in Lima, Peru in 1966 by Enrique Delgado Montes.
