Moving Pictures | ||||
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Studio album by | ||||
Released | February 12, 1981 | |||
Recorded | October–November 1980 | |||
Studio | Le Studio, Morin-Heights, Canada | |||
Genre | ||||
Length | 40:03 | |||
Label | Anthem | |||
Producer |
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Rush chronology | ||||
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Singles from Moving Pictures | ||||
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Alternative cover | ||||
Moving Pictures is the eighth studio album by Canadian rock band Rush,released on February 12,1981,by Anthem Records. After touring to support their previous album, Permanent Waves (1980),the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. They continued to write songs with a more radio-friendly sound,featuring tighter and shorter song structures compared to their earlier albums.
Moving Pictures received a positive reception from contemporary and retrospective music critics and became an instant commercial success,reaching number one in Canada and number three in both the United States and the United Kingdom. It remains Rush's highest-selling album in the United States,with five million copies sold. "Limelight","Tom Sawyer" and "Vital Signs" were released as singles across 1981,and the instrumental "YYZ" was nominated for a Grammy Award for Best Rock Instrumental Performance. Rush supported the album on tour from February to July 1981. In 2020, Rolling Stone ranked the album number 379 on its list of the "500 Greatest Albums of All Time". [3]
In June 1980,the band ended their 10-month tour of the United States,Canada and the United Kingdom in support of their previous album, Permanent Waves (1980). The tour was a commercial success for the group,becoming the first of their career to earn them a profit. During their stop in New York City a month prior,the band decided to scrap plans for a second live album in favor of making a new one in the studio. Cliff Burnstein of Mercury Records suggested the idea to the band,and Neil Peart was particularly enthusiastic about the new ideas that were being developed at sound checks and was keen to put them to tape. Geddy Lee and Alex Lifeson caught on to his enthusiasm. [4] [5] The trio pitched the idea to their manager and producer,who had already mapped out a two-year plan for them,but agreed to the change and cancelled the schedule. [6] Lifeson looked back on this change of plan as the most important one in the band's history since the decision to record 2112 (1976),which became their breakthrough hit. [4] Prior to starting on the album,Rush joined fellow Canadian rock band Max Webster to play on "Battle Scar",a track for their album Universal Juveniles (1980). During the sessions their lyricist Pye Dubois suggested a song that he thought was suitable for Rush;this was developed into "Tom Sawyer",the opening track on Moving Pictures. [5]
The band retreated to Stony Lake,Ontario to write and arrange new material. The sessions were productive;"The Camera Eye" was the first song to be worked on which was quickly followed by "Tom Sawyer","Red Barchetta",the instrumental "YYZ",and "Limelight". [5] Lee noticed a change in Peart's lyrics during this time,which had started with Permanent Waves,towards more concise and direct words. [4] Following these sessions,Rush returned to Phase One Studios with their longtime co-producer Terry Brown and prepared demos of these songs. The tracks were refined even further during subsequent rehearsals for a series of warm-up shows across the US in September and October 1980,during which "Tom Sawyer" and "Limelight" were performed live for the first time. [5]
Moving Pictures was recorded at Le Studio in Morin-Heights,Quebec in October and November 1980. [5] The album was Brown's first digitally-produced album. [7] Rush wanted to preserve the quality of their recordings as much as possible by transferring finished sections onto a fresh piece of tape and placing the original copy in storage,thereby reducing potential damage to the tape from frequent playback. [7] They experimented with a pressure zone microphone,a type of boundary microphone that picks up direct sound and no reverberated signals,that was taped onto Peart's chest as he played the drums. The audio captured from it was used to pick up the ambience in the studio room and inserted into the final mix. [8] Peart is seen wearing the microphone in the music video for "Vital Signs". [8] The album was finished three days behind schedule due to delays caused by equipment failure. [5]
"Tom Sawyer" features a backbeat in a 4
4 time signature,along with instrumental and closing sections in 7
8. It was the first Rush recording for which Lee used his 1972 Fender Jazz Bass,which provided a punchier lower end than he had been able to obtain with his usual Rickenbacker 4001. [9] The bass became Lee's primary studio instrument from the recording of Counterparts (1993) onward. Lee said the group had more trouble with "Tom Sawyer" than any other song on Moving Pictures,and at times had doubts as to whether it would work. The band had technical difficulties with the computer that mixed the tracks,so they decided to manually operate the mixing desk with each member handling their own set of faders. [4] Peart described it as "an enjoyable work" which took around a day and a half to record,"collapsing afterwards with raw,red,aching hands and feet". [8] Its instrumental section grew from what Lee would play on his synthesiser during sound checks on tour,which initially was forgotten about until the band traded ideas on what the section should be. [5] It became one of the group's best-known songs and a mainstay of subsequent live shows. The song was used as the opening music to the Brazilian dub of the spy TV show MacGyver . [4]
Peart's lyrics for "Red Barchetta" were inspired by the short story "A Nice Morning Drive" by Richard S. Foster,originally written in the November 1973 edition of the American car magazine Road &Track . [10] Lee described the tale as "Orwellian in nature" which deals with an individual taking their Barchetta on a fast ride despite the banning of high speeds and is chased after by hovering patrol cars for breaking the law. [7] Instead of an MGB roadster as featured in the original story,Peart reported the Ferrari 166 MM Barchetta was the car that inspired the song's title. In 2007,Foster and Peart met for the first time and shared their mutual interest of BMW motorcycles,which was documented in an article titled "The Drummer,The Private Eye,and Me".
"YYZ" is an instrumental titled after the IATA airport code for Toronto Pearson International Airport;its rhythm is that of the letters "YYZ" in Morse code ( ▄▄▄ ▄ ▄▄▄ ▄▄▄ ▄▄▄ ▄ ▄▄▄ ▄▄▄ ▄▄▄ ▄▄▄ ▄ ▄ ). [8] It stemmed from the band's enjoyment of recording "La Villa Strangiato",a nine-minute instrumental on Hemispheres (1978),something they wanted to do again for Moving Pictures,only shorter. [7] The music originated while Lee and Peart were jamming as a warm-up,during which Lee came up with the main riff and Peart suggested to have a more mellow section with Lee playing keyboards. "And then,almost out of nowhere,we had this song." [4]
The lyrics for "Limelight" are autobiographical and based on Peart's own dissatisfaction with fame and its intrusion into one's personal life. The song contains two self-references:the first,the line "living in a fish-eye lens,caught in the camera eye" references the album's following track,"The Camera Eye",while the line "all the world's indeed a stage,and we are merely players",references the title of the band's first live album All the World's a Stage (1976),itself taken from William Shakespeare's comedy play As You Like It .
"The Camera Eye" is a two-part track with sections unofficially titled "New York" and "London". Peart wrote the lyrics after taking walks in both cities,recalling observations and the rhythms he felt during them. [7] It was the final song the band included on a studio album with a length of over ten minutes,something which was a frequent occurrence on their earlier albums. Its title refers to short pieces of the same name in the U.S.A. trilogy of novels written by American writer John Dos Passos,which Peart admired. [11] The opening of the track features an audio clip of a busy Metropolis city from Richard Donner's Superman (1978) [4]
"Witch Hunt" opens with faint voices which were recorded on the driveway Le Studio in sub-zero temperatures,with the band and studio staff shouting in a humorous way while drinking Scotch whisky. Lifeson said one of his lines,"Fucking football",can be heard if the listener tries hard enough. The tracks were overdubbed multiple times until it sounded what Lee described as a "vigilante mob". [4] The main riff was written by cover designer Hugh Syme on a synthesizer [12] and double-tracked drums in one verse. "Witch Hunt" would become a part of the Fear series of songs,which includes "The Weapon" from Signals (1982),"The Enemy Within" from Grace Under Pressure (1984),and "Freeze" from Vapor Trails (2002),and went on reverse chronological order by the album,except "Freeze",which is the fourth part like normal chronological order.
"Vital Signs" was the last song that the band wrote for the album,which was pieced together at Le Studio. [4] It features a sequencer part produced by an Oberheim OB-X synthesizer,and shows a distinct reggae flavour. Reggae influences in Rush's music were first heard on Permanent Waves,and would later be heard more extensively on their next two albums.
The cover was designed by Hugh Syme who estimated the artwork cost $9,500 to produce. Anthem Records refused to cover the entire bill,leaving the band to pay for the rest. [13] It is a triple entendre;the front depicts movers who are carrying pictures. On the side,people are shown crying because the pictures passing by are emotionally "moving". Finally,the back cover has a film crew making a motion (moving) picture of the whole scene. [14] It was photographed outside the Ontario Legislative Building at Queen's Park,Toronto. The pictures that are being moved are the band's Starman logo featured on the reverse cover of 2112 (1976),one of the Dogs Playing Poker paintings entitled A Friend in Need,and a painting that shows Joan of Arc being burned at the stake. The film crew on the back cover actually shot the scene,from which a single frame was used for the cover. This was revealed to Rush concertgoers several years later when the still image was shown on the stage projector which suddenly came to life as a film sequence.
Mike Dixon,one of the movers on the cover of Moving Pictures and the band's next album, Exit...Stage Left (1981),discussed the various people on the Moving Pictures cover. The first,Bobby King,seen furthest to the left,was a member of Syme's design team and is credited for assisting Syme on A Farewell to Kings , Hemispheres ,and Archives . Dixon explained that King is not only one of the movers,but also the Starman logo and the man in the hat on the Hemispheres cover. The mover holding the Starman painting is Kelly Jay,singer of the Toronto band Crowbar who performed a show with Rush in 1973. Photographer Deborah Samuel is the Joan of Arc character,and her relatives are the family on the right. However,this conflicts with information provided in the Rush biography Chemistry,which states:"Hugh borrowed friends,neighbours and even his hairdresser's parents". [15]
Review scores | |
---|---|
Source | Rating |
AllMusic | [16] |
The Encyclopedia of Popular Music | [17] |
Pitchfork | 9.2/10 [18] |
The Rolling Stone Album Guide | [19] |
Moving Pictures was played in its entirety during Lee's visit to Rick Ringer's radio show on CHUM-FM in Toronto,on February 11,1981. [7] The album was released on the following day.
Kerrang! magazine listed the album at No. 43 among the "100 Greatest Heavy Metal Albums of All Time". [20] Rolling Stone has listed Moving Pictures at No. 10 on the 2012 readers poll 'Your Favorite Prog Rock Albums of All Time',at No. 3 on the 2015 list '50 Greatest Prog Rock Albums of All Time' (behind Pink Floyd's The Dark Side of the Moon at #1 and King Crimson's In the Court of the Crimson King at #2),and at No. 379 on the 2020 edition of its 500 Greatest Albums of All Time. [21] [22] [23] In 2014,readers of the Rhythm voted Moving Pictures the greatest drumming album in the history of progressive rock. [24] Moving Pictures and 2112 (1976) are the two Rush albums listed in 1001 Albums You Must Hear Before You Die . [25]
Moving Pictures was played live in its entirety for the first time to open the second set during each show of Rush's 2010–11 Time Machine Tour. [26]
In a knockout-style Facebook poll conducted in 2021,the album was voted the best album of the 1980s,narrowly beating out Depeche Mode's 1986 album Black Celebration to take the win with 52% of the vote. More than 22,100 votes were cast in the final round alone. [27]
The album was released on compact disc in 1984 by Mercury Records. Initial pressings were missing the first beat of "Tom Sawyer" by mistake but were corrected in subsequent releases. [28] In 1997,Mercury Records released a digitally remastered version. The disc tray has a logo of three fingerprints with "The Rush Remasters" printed,a feature of all remastered albums from Moving Pictures through A Show of Hands ,originally found on the cover of Retrospective II . The remaster restores all of the original artwork and lyrics found on the vinyl release (including the picture of Peart that had been left off of the original CD issue).
Moving Pictures was remastered twice in 2011. The first,by Andy VanDette,was for the "Sector" box sets which re-released all of Rush's Mercury-era albums. It is included in the Sector 2 box set. [28] The second reissue was in April 2011,as a two-disc 30th-anniversary set. The first disc contains the standard stereo mix and the second,available as a DVD-Audio or Blu-ray disc,contains the album in a stereo and 5.1 surround sound mix with music videos of the three singles as bonus features. [29]
In 2015,Moving Pictures was remastered for vinyl as part of the "12 Months of Rush" promotion. [30] The mastering was also made available in a 24-bit/48 kHz digital format on various high-resolution online music stores. These remasters have less dynamic range compression than the 1997 and 2011 versions. Sean Magee remastered the album from an analogue copy of the original digital master tape using a 192 kHz sample rate. However,as Moving Pictures was originally mixed on digital equipment at 16-bit/44.1 kHz,no audio above 22 kHz exists in the original master or any of the remasters,which explains why many digital music stores only sell the album with 48 kHz as the maximum available rate. [31]
The band released a 40th anniversary edition of Moving Pictures on April 15,2022. The five record set includes the 2015 remaster and a previously unreleased live recording of their show at Maple Leaf Gardens in Toronto on March 25,1981. [32]
All lyrics are written by Neil Peart except "Tom Sawyer", by Peart and Pye Dubois; all music is composed by Alex Lifeson and Geddy Lee, except "YYZ", by Lee and Peart.
No. | Title | Length |
---|---|---|
1. | "Tom Sawyer" | 4:34 |
2. | "Red Barchetta" | 6:10 |
3. | "YYZ" | 4:26 |
4. | "Limelight" | 4:20 |
No. | Title | Length |
---|---|---|
5. | "The Camera Eye" ( [note 1] ) | 10:58 |
6. | "Witch Hunt" (Part III of "Fear" [note 2] ) | 4:46 |
7. | "Vital Signs" | 4:46 |
Total length: | 40:03 |
Notes
The 40th Anniversary Edition's Discs 2 and 3 were recorded live at Maple Leaf Gardens, Toronto, by Guy Charbonneau using Le Mobile Remote Recording – March 24 & 25 1981; Mixed by Terry Brown at Blue Sound & Music, Toronto, ON – December 2020 – February 2021; Technical Assistance: Russ Mackay; Mastered by Peter Moore – 2021.
No. | Title | Music | Length |
---|---|---|---|
1. | "2112 – Overture" | 4:26 | |
2. | "2112 – The Temples of Syrinx" | 2:17 | |
3. | "Freewill" | 5:51 | |
4. | "Limelight" | 4:47 | |
5. | "Cygnus X-1 Book II: Hemispheres – Prelude" | 4:23 | |
6. | "Beneath, Between & Behind" | 2:51 | |
7. | "The Camera Eye" | 11:02 | |
8. | "YYZ" | Lee, Lifeson, Peart | 7:55 |
9. | "Broon's Bane" | Lifeson | 0:50 |
10. | "The Trees" | 4:20 | |
11. | "Xanadu" | 12:48 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "The Spirit of Radio" | 5:24 | ||
2. | "Red Barchetta" | 6:55 | ||
3. | "Closer to the Heart" | Peart, Peter Talbot | 3:42 | |
4. | "Tom Sawyer" | Peart, Dubois | 4:59 | |
5. | "Vital Signs" | 5:23 | ||
6. | "Natural Science" | 8:29 | ||
7. | "Medley: Working Man / Cygnus X-1 Book II: Hemispheres – Armageddon: The Battle of Heart and Mind / By-Tor & The Snow Dog / In The End / In The Mood / 2112 – Grand Finale" | 12:32 | ||
8. | "La Villa Strangiato" | Lee, Lifeson, Peart | 10:03 |
Credits are adapted from the album's 1981 liner notes. [12]
Rush
Additional musician
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [54] | 4× Platinum | 400,000^ |
United Kingdom (BPI) [55] | Gold | 100,000‡ |
United States (RIAA) [56] | 5× Platinum | 5,000,000‡ |
^ Shipments figures based on certification alone. |
Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band's original line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Mercury Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
A Farewell to Kings is the fifth studio album by Canadian rock band Rush, released on Anthem Records on August 29, 1977. The album reached No. 11 in Canada and marked a growth in the band's international fanbase, becoming their first Top 40 album in the US and the UK.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Caress of Steel is considered Rush's first progressive rock album. Songs such as "The Necromancer" furthered Rush's advancement into narrative-driven, fantasy-based compositions, while "The Fountain of Lamneth" was their first prog-rock "epic" to span an entire side of vinyl. Other tracks like "Bastille Day" and "Lakeside Park" became staples of the band's live setlists.
All the World's a Stage is a double live album by Canadian rock band Rush, released in September 1976 by Mercury Records. The album was recorded at Massey Hall in Toronto on June 11–13, 1976, during the band's breakthrough 2112 tour. The title of the album alludes to William Shakespeare's play As You Like It, and would again be referenced by Rush in the 1981 song "Limelight".
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio-friendly songs, though their progressive rock blueprint is still evident on "Jacob's Ladder" and the nine-minute closer "Natural Science." Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was the first of seven studio albums that the band recorded at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.
Exit... Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour.
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 in Canada by Anthem Records and on October 21, 1985 in the United States. After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up. The material continued to display the band's exploration of synthesizer-oriented music, this time with the addition of sampling, electronic drums, a string section, and choir, with power being a running lyrical theme. Power Windows was recorded in Montserrat and England with Peter Collins as co-producer and Andy Richards on additional keyboards.
Test for Echo is the sixteenth studio album by the Canadian rock band Rush, released on September 10, 1996, by Anthem Records. It was the final Rush album to be co-produced by Peter Collins. The band supported the album with a world tour in 1996 and 1997, after which they went on a five-year hiatus following the deaths of drummer Neil Peart's daughter and wife, and would not record again until 2001.
Different Stages is a live album by Canadian rock band Rush, released in 1998. The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour. Five other songs from various stops along the tour were included and three songs from the 1994 Counterparts tour. The third disc is taken from a performance at the Hammersmith Odeon in London during the A Farewell to Kings tour in 1978.
R30: 30th Anniversary World Tour is a live DVD by the Canadian rock band Rush, released on November 22, 2005 in Canada and the US, and November 28, 2005 in Europe. The DVD documents the band's R30: 30th Anniversary Tour, and was recorded on September 24, 2004 at the Festhalle Frankfurt, Germany.
"2112" is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single. The song was adapted into a comic booklet, which used the lyrics of the song as lines for the characters and the narrations from the cover as intros.
Exit... Stage Left is a concert film by the Canadian band Rush that premiered on MTV in February 1982 and then released on CED, Laserdisc, Betamax, VHS and DVD at various times between 1982 and 2007. It documents a live concert performance by the band on their 1981 Moving Pictures tour. In October 1981, the band released an audio album of the same name of the same performance at the Montreal Forum, in Montreal, Quebec on vinyl LP, audiocassette, 8-track cartridge and (later) compact disc. The video has a different track list from the album, as well as voice-over comments from the band members about songwriting and performing. The four songs from the European dates of the Permanent Waves tour, included on the audio album, are not included on the video.
Gold is a compilation album by Canadian rock band Rush, released on April 25, 2006.
Snakes & Arrows Live is a live double CD and DVD by Canadian band Rush. The CD was released on April 14, 2008, in the UK and on April 15, 2008, around the world. It was also released on DVD and Blu-ray on November 24, 2008. The material was taken from two performances during the first leg of the Snakes & Arrows Tour, recorded at the Ahoy Arena in Rotterdam, Netherlands on October 16 and 17, 2007. The album features nine of its 27 tracks drawn from Snakes & Arrows.
Rush Through Time is a compilation album by Rush, released in Europe as a picture disc only in 1979.
"YYZ" is an instrumental rock composition by the Canadian rock band Rush from their 1981 album Moving Pictures. The live album Exit... Stage Left (1981) and the concert video recording A Show of Hands (1989) both include versions in which Neil Peart incorporates a drum solo – as an interlude on the former, and as a segue out of the piece on the latter.
The Exit... Stage Left Tour was a concert tour by Canadian rock band Rush, in support of the band's second live album Exit... Stage Left and its accompanying video.
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