OB-X | |
---|---|
![]() Oberheim OB-X | |
Manufacturer | Oberheim |
Dates | 1979–1981 |
Price | US$4,595–US$5,995 GB£99.99 (VST version) [1] |
Technical specifications | |
Polyphony | 4, 6 or 8 voices |
Timbrality | Monotimbral |
Oscillator | 2 VCOs per voice |
LFO | 1 |
Synthesis type | Analog Subtractive |
Filter | 12dB per octave resonant low-pass |
Attenuator | 2 × ADSR; one for VCF, one for VCA |
Aftertouch expression | No |
Velocity expression | No |
Storage memory | 32 patches |
Effects | None |
Input/output | |
Keyboard | 61-key |
External control | CV/Gate |
The Oberheim OB-X was the first of Oberheim's OB-series polyphonic analog subtractive synthesizers. [2] [3]
First commercially available in June 1979, the OB-X was introduced to compete with the Sequential Circuits Prophet-5, which had been successfully introduced the year before. [4] [5] About 800 units were produced before the OB-X was discontinued and replaced by the updated and streamlined OB-Xa in 1981. The OB line developed and evolved after that with the OB-8 [6] before being replaced by the Matrix series.
The OB-X was used in popular music by Rush (on Moving Pictures and Signals ), Nena, Styx member Dennis DeYoung (used frequently from late 1979 to 1984), Queen (on The Game , their first synthesizer on an album), Madonna for her debut album, Prince, [7] and Jean-Michel Jarre who used it for its "brass" sounds.
The OB-X was the first Oberheim synthesizer based on a single printed circuit board called a "voice card" (still using mostly discrete components) rather than the earlier SEM (Synthesizer Expander Module) used in Oberheim semi-modular systems, which had required multiple modules to achieve polyphony. The OB-X's memory held 32 user-programmable presets. The synthesizer's built-in Z-80 microprocessor also automated the tuning process. This made the OB-X less laborious to program, more functional for live performance, and more portable than its ancestors.[ citation needed ]
The "X" in OB-X originally stood for the number of voice-cards (notes of polyphony) installed. It came in four, six, and eight-voice models with polyphonic portamento, and sample and hold. Even the 4-voice model was expensive at US$4,595. The entire range used "paddle" levers for pitch and modulation, Oberheim's answer to the "wheel" controls of the Prophet-5. Though these controls were never as popular as the standard pitch and modulation wheels, the philosophy was to mimic the motion of a guitar player bending the strings on their guitar. On most other synthesizers the pitch bend wheel was on the left, and the modulation wheel to the right of it; on the OB-X Oberheim placed them in the opposite relative positions. In addition to this unique configuration the polarity of the paddles was distinctive; the player would pull back on the pitch lever to bend the pitch sharp, and push forward to bend flat.[ citation needed ]
In May 2022, the Oberheim OB-X8, a new 8-voice analog synthesizer with the voice architecture and filters of three classic Oberheim models: the OB-X, OB-Xa, and OB-8, along with functionality and features not included on the original models, was announced. The new synthesizer is manufactured by Sequential in partnership with Tom Oberheim. [13] [14]