| OB-1 | |
|---|---|
| Oberheim OB-1 | |
| Manufacturer | Oberheim |
| Dates | 1977 - 1979 |
| Price | US$1,895 |
| Technical specifications | |
| Polyphony | Monophonic |
| Timbrality | Monotimbral |
| Oscillator | 2 VCOs |
| LFO | 1 |
| Synthesis type | Analog Subtractive |
| Filter | 1 VCF (2 or 4 pole switchable) |
| Attenuator | 2 ADSR envelope generators (one for VCF, one for VCA) |
| Aftertouch expression | No |
| Velocity expression | No |
| Storage memory | 8 patches |
| Effects | No |
| Input/output | |
| Keyboard | 37 keys |
| Left-hand control | Pitch bend/modulation lever |
| External control | CV/gate |
The Oberheim OB-1 was a monophonic analog synthesizer introduced by Oberheim Electronics in late 1977. With the ability to store and recall up to 8 instances of its sound settings, it was the first completely programmable synthesizer, [1] [2] and the first of Oberheim's OB-series of synthesizers.
Oberheim's OB-series was developed as a replacement for the previous generation of Oberheim SEM-based instruments and intended to be used for live performance. [3] [4] Building on the technology developed for their Polyphonic Synthesizer Programmer, Oberheim designed the OB-1 with the ability to store and recall up to 8 instances of its sound settings, making it the world's first completely programmable synthesizer. [2] [1] It originally sold for $1,895.
A slightly updated version, the Oberheim OB-1a, was introduced in 1979 that features the grey color scheme of its polyphonic sibling, the OB-X. [5]
The OB-1 features two voltage-controlled oscillators (VCOs), each selectable between either "Pulse Type" or "Saw Type" waveform, with continuously-variable control ranging from a square wave to a narrow pulse wave for the "Pulse Type" setting, or from a triangle wave to a sawtooth wave for the "Saw Type". The oscillators can be synced, and there is an available square wave sub-oscillator. The voltage-controlled filter is switchable between either 2- or 4-pole, with frequency cutoff and resonance controls. There are two ADSR envelopes: one for the filter, the other for the voltage-controlled amplifier. [3] There are eight program memory buttons for storing and recalling the OB-1's settings. [1] [2]
There is a portamento knob allowing for adjustment of portamento amount, as well as a pitch bend/modulation lever. [1] [2]
Notable users of the OB-1 include Vince Clarke and the bands Tangerine Dream, Rush, and The Grid. [3]
A 2014 feature on the French radio station France Inter claimed that the OB-1 had been used by Star Wars sound engineer Ben Burtt to create the voice of R2-D2, and that the name of another Star Wars character, Obi-Wan Kenobi, derives from a transliteration of "OB-1". [6] [7] However, Star Wars was first released in May 1977, prior to the OB-1's release, and most sources credit the ARP 2600 synthesizer as being used to create R2-D2's voice. [8] [9]
In 2024, GForce Software released the Oberheim OB-1 software synthesizer, an emulation of the OB-1. [10]