OB-Xa | |
---|---|
Manufacturer | Oberheim |
Dates | 1980 – 1982 |
Price | US$4595–5595 |
Technical specifications | |
Polyphony | Monophonic or 2,4, 6 or 8 voices |
Timbrality | Bi-timbral (keyboard split/layering) |
Oscillator | 2 VCOs per voice |
LFO | 1 |
Synthesis type | Analog Subtractive |
Filter | Switchable 12dB/oct and 24dB/oct resonant low-pass |
Attenuator | 2 x ADSR; one for VCF, one for VCA |
Aftertouch expression | No |
Velocity expression | No |
Storage memory | Yes, 32 or 120 patches |
Effects | None |
Input/output | |
Keyboard | 61-key |
Left-hand control | Pitch Modulation |
External control | Oberheim system |
The Oberheim OB-Xa was the second of Oberheim's OB-series polyphonic analog subtractive synthesizers, replacing the OB-X with updated features. [1] [2]
The OB-Xa was released in December 1980, replacing the OB-X after only a year on the market. The OB-Xa was the first Oberheim product adorned with blue horizontal pinstripes on black background that would become standard trade dress for future Oberheim products. While the OB-Xa offered the same polyphony as its predecessor (4, 6 and 8-voice models were offered), its keyboard could be split into two halves (each with its own voice) or to layer voices to create thicker sound (essentially making two notes sound for every key pressed). The OB-Xa also added the ability to switch between 2-pole 12dB and 4-pole 24dB filtering. It offered Filter Envelope modulation for oscillator 2 (which allows the pitch to be modulated by the envelope) in place of the OB-X's ability to cross modulate (frequency modulation of the first VCO with the second VCO). [3]
Instead of the discrete circuits for oscillators and filters utilized by the OB-X, the OB-Xa (and the Oberheim synths to follow) switched to Curtis integrated circuits. This made the inside of the synth less cluttered, facilitating troubleshooting, and reducing the cost of manufacture. It was getting more difficult to service the OB-Xa due to the scarcity of Curtis chips; however, Curtis in June 2016, [4] Coolaudio [5] [6] and Alfa [7] all started re-manufacturing some of these chips which has breathed new life into the longevity of the OB-Xa and many other synthesizers that use these chips.
The synth was used in the famous Van Halen song "Jump". [3] Many other 1980s and '90s artists have used the synth including New Order, [3] Carpenters, The Police, Queen, Rush, Rod Stewart, Prince, Miles Davis, Simple Minds and Gary Numan. [8]
In 2017, Behringer announced it would replicate the CEM3340 VCO chips used in the OB-Xa synthesizer. The widow of chip creator Doug Curtis released a statement clarifying that the replica was made without permission and that Curtis "would be deeply saddened by the attempt of others to trade on his name and to make unsubstantiated claims of equivalency to his original inventions". [9] In 2018, Uli Behringer announced that Behringer would be producing a clone of the OB-Xa known as the UB-Xa, [10] but a microprocessor shortage delayed the project. [11] The following year, however, Behringer announced that the UB-Xa was ready for manufacture, and announced a desktop version. The first UB-Xa units were delivered in December 2023. [12]
In May 2022, the Oberheim OB-X8, a new 8-voice analog synthesizer with the voice architecture and filters of three classic Oberheim models: the OB-X, OB-Xa, and OB-8, along with functionality and features not included on the original models, was announced. The new synthesizer is manufactured by Sequential in partnership with Tom Oberheim. [13] [14]
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim.
Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but was an early Music Workstation. Although its voice generation is typically subtractive in much the same fashion as most analog synthesizers that preceded it, its oscillators are neither voltage nor "digitally controlled", but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.
The Oberheim OB-X was the first of Oberheim's OB-series polyphonic analog subtractive synthesizers.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
The Roland Jupiter-4 (JP-4) was an analog synthesizer manufactured by the Roland Corporation between 1978 and 1981. It was notable as the company's first self-contained polyphonic synthesizer, and for employing digital control of analog circuits, allowing for such features as programmable memory, voice assignment modes, an arpeggiator, polyphonic portamento and others.
The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. It was first produced in 1997 and has since been upgraded frequently, with the company releasing new models about every two years. Early models include the Virus A, Virus B, and Virus C series, each available in various hardware configurations. In November 2005, the Virus TI series was released, including the 61-key Virus TI Keyboard and the 37-key Virus TI Polar. A small desktop model was released in February 2008 called the Virus TI Snow. A revision of the TI series called TI2 came out in March 2009, featuring faster digital signal processing (DSP) controllers, additional polyphony, more effects in the effect section and a slightly changed design. The Virus series also has come out with two software plugin versions: TDM for Pro Tools and VST for TC Electronic Powercore series. The term Access Virus can be used to refer to any one of these synthesizers. In 2024 Access Music discontinued the TI2.
The Memorymoog is a polyphonic electronic music synthesizer manufactured by Moog Music from 1982 to 1985, the last polyphonic synthesizer to be released by Moog Music before the company declared bankruptcy in 1987. While comparable to other polyphonic synthesizers of the time period, such as the Sequential Circuits Prophet-5 and Oberheim OB-Xa, the Memorymoog distinguished itself with an additional, 3rd audio oscillator per voice and greater preset storage capacity.
The Korg Polysix(PS-6) is a six-voice polyphonic analog synthesizer released by Korg in 1981. It was one of the first affordable polyphonic synthesizers on the market, and was released as a cheaper alternative to the Sequential Prophet-5 and Oberheim OB-X, priced at approximately a third of the cost of its contemporaries in the polysynth market. It includes one VCO per voice, enhanced by a chorus/ensemble effect for added richness. It also comes equipped with 32 program memories and an integrated arpeggiator.
The Oberheim OB-8 is a subtractive analog synthesizer launched by Oberheim in early 1983 and discontinued in 1985. As the fourth product in the OB-series of polyphonic compact synthesizers, the OB-8 was the successor to the OB-Xa. The number of production was about 3,000 units.
The Oberheim OB•12 is a Virtual Analog synthesizer, designed and realised by the Italian musical instrument manufacturer Viscount, in production between 2000 and 2005.
The Oberheim Xpander is an analog synthesizer launched by Oberheim in 1984 and discontinued in 1988. It is essentially a keyboardless, six-voice version of the Matrix-12. Utilizing Oberheim's Matrix Modulation technology, the Xpander combined analog audio generation with the flexibility of digital controls logic.
The Korg Mono/Poly (MP-4) is a paraphonic analog synthesizer released by Korg in 1981, bridging the gap between monophonic and polyphonic synthesis. Released in the same year as the Korg Polysix, as a complementary synth, The Mono/Poly is equipped with four VCOs and can operate as a four-voice paraphonic synth with limited capabilities, or as a monophonic synth using all four oscillators. Upon its release, it was the only monophonic synthesizer with an integrated quad-VCO design available on the market.
The Korg PS-3300 is a polyphonic analog synthesizer released by Korg in 1977. It was released alongside the PS-3100, a more compact variant featuring a complete synthesizer voice board for each of its 48 keyboard notes. The PS-3300 essentially combines three PS-3100 units, triggering all voices simultaneously with each key press and mirroring the PS-3100's overall design, featuring a total of 144 synth voices. The PS-3300 uses the PS-3010, a detachable keyboard equipped with an assignable joystick called the X-Y Manipulator.
The Split-8 is a polyphonic analogue keyboard synthesizer manufactured by Sequential Circuits. Built in Japan and going by the alternative name Pro-8 in some markets, this was one of the last synthesizers produced by the company and was assigned model number 608. It was released in 1985 at a list price of $1,199. This and some other Sequential Circuits synthesizers were built around the Curtis Electronics CEM 3394 "synth-on-a-chip" integrated circuit, and used a Z80 as their central microprocessor.
The Roland MKS-80 Super Jupiter is a rack mount sound module version of the Roland Jupiter-6 and the Roland Jupiter-8 synthesizers. It is an 8-voice polyphonic analog synthesizer that was manufactured by Roland between 1984 and 1987. It is the only one of the MKS series of synthesizers to have analogue voltage-controlled oscillators (VCOs) instead of analogue digitally-controlled oscillators (DCOs). The voice architecture is almost identical to the Jupiter-6 synthesizer. The service manual states that "The module board of MKS-80 features the following in addition to that of JP-6, its brother module. 1) HPF. 2) Low boost circuit in the 2nd VCA. 3) DC supply current boost circuit (IC50)."
The AX60 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in the mid-1980s. It was Akai's answer to the popular Roland Juno series synthesizers. The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electronics CEM 3394 integrated circuit.
The Korg Minilogue is a polyphonic analog synthesizer released in 2016 by Korg. It offers users four-voice polyphony with two analog VCOs per-voice and was designed to be affordable. It was designed by Korg engineer and synthesizer designer Tatsuya Takahashi, who said "the concept of the Minilogue was to build an analog synthesizer that doesn't rely on the fame and success of an old synth".
The Neutron is a dual-oscillator monophonic synthesizer manufactured by Behringer. Released in 2018, the Neutron has an analogue signal path and uses subtractive synthesis to produce sounds. It is semi-modular and compatible with Eurorack voltages.