Voltage-controlled filter

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A voltage-controlled filter (VCF) is an electronic filter whose operating characteristics (primarily cutoff frequency) can be set by an input control voltage. [1] Voltage controlled filters are widely used in synthesizers.

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Depiction of cutoff frequency of a low-pass filter, showing Butterworth response Butterworth response.svg
Depiction of cutoff frequency of a low-pass filter, showing Butterworth response

A music synthesizer VCF allows its cutoff frequency, and sometimes its Q factor (resonance at the cutoff frequency), to be continuously varied. The filter outputs often include a lowpass response, and sometimes highpass, bandpass or notch responses. Some musical VCFs offer a variable slope which determines the rate of attenuation outside the bandpass, often at 6 dB/octave, 12 dB/octave, 18 dB/octave or 24 dB/octave (one-, two-, three- and four-pole filters, respectively). In modular analog synthesizers, VCFs receive signal input from signal sources, including oscillators and noise, or the output of other processors. By varying the cutoff frequency, the filter passes or attenuates partials of the input signal.

In some popular electronic music styles, "filter sweeps" have become a common effect. These sweeps are created by varying the cutoff frequency of the VCF (sometimes very slowly). Controlling the cutoff by means of a transient voltage control, such as an envelope generator, especially with relatively fast attack settings, may simulate the attack transients of natural or acoustic instruments.

Historically, musical VCFs have included variable feedback which creates a response peak (Q) at the cutoff frequency. This peak can be quite prominent, and when the filter's frequency is swept by a control, partials present in the input signal resonate. Some filters are designed to provide enough feedback to go into self-oscillation, and it can serve as a sine-wave source.

ARP Instruments made a multifunction voltage-controlled filter module capable of stable operation at a Q over 100; [2] it could be shock-excited to ring like a vibraphone bar. Q was voltage-controllable, in part by a panel-mounted control. Its internal circuit was a classic analog computer state variable "loop", which provided outputs in quadrature.

A VCF is an example of an active non-linear filter. The characteristic musical sound of a particular VCF depends on both its linear (small-signal) frequency response and its non-linear response to larger amplitude inputs.

Synthesizer filter types

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In signal processing, a filter is a device or process that removes some unwanted components or features from a signal. Filtering is a class of signal processing, the defining feature of filters being the complete or partial suppression of some aspect of the signal. Most often, this means removing some frequencies or frequency bands. However, filters do not exclusively act in the frequency domain; especially in the field of image processing many other targets for filtering exist. Correlations can be removed for certain frequency components and not for others without having to act in the frequency domain. Filters are widely used in electronics and telecommunication, in radio, television, audio recording, radar, control systems, music synthesis, image processing, computer graphics, and structural dynamics.

<span class="mw-page-title-main">Steiner-Parker Synthacon</span> Monophonic analog synthesizer

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<span class="mw-page-title-main">Akai AX60</span> Polyphonic analogue synthesizer

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References

  1. Trevor J. Pinch, Frank Trocco (2002). Analog Days C: the invention and impact of the Moog synthesizer. Harvard University. p. 357. ISBN   0-674-01617-3.
  2. Dennis P. Collin (1971). "Electrical Design and Musical Applications of an Unconditionally Stable Combination Voltage Controlled Filter/Resonator". AES Journal. 19 (11): 923–927.