The Game | ||||
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Studio album by | ||||
Released | 30 June 1980 | |||
Recorded | June–July 1979, February–May 1980 | |||
Studio | Musicland Studios, Munich, West Germany | |||
Genre | ||||
Length | 35:42 | |||
Label | ||||
Producer |
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Queen chronology | ||||
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Singles from The Game | ||||
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The Game is the eighth studio album by the British rock band Queen. It was released on 30 June 1980 by EMI Records in the UK and by Elektra Records in the US. The Game features a different sound from its predecessor, Jazz (1978). The Game was the first Queen album to use a synthesizer [6] (an Oberheim OB-X [7] ).
A critical and commercial success, The Game became the only Queen album to reach No. 1 in the US, and also became their best-selling studio album in the US, with four million copies sold to date, tying with the sales for News of the World . Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rock and roll "Crazy Little Thing Called Love", both of which reached No. 1 in the US. It was reissued in May 2003 on DVD-Audio with Dolby 5.1 surround sound and DTS 5.1. The 5.1 mix of "Coming Soon" features an alternate backing track, as the final master tapes could not be found when mixing the album to 5.1.
"Play the Game" was written by Freddie Mercury. The song was released as a single in 1980, reaching No. 14 in the UK and No. 42 in the US. The song was performed live from 1980 to 1982.
"Dragon Attack" was written by Brian May. The song was a live favourite, being performed from 1980 to 1985. On the UK release of "Another One Bites The Dust", it was featured as the B-side. Two remixes of the track were scheduled to feature on the cancelled BASIC Queen Bootlegs 1992 album. The first by Jack Benson and R.A.K. featured as a bonus track on 1991 reissues of The Game. The second was an instrumental remix by Dave Ogilvie. Stylistically, "Dragon Attack" is a funk rock song. [8]
"Another One Bites the Dust" was written by John Deacon. The song is known as a funk song and was released as a single at the suggestion of American singer Michael Jackson, who was a huge fan of the group and would often see them in concert when they came to Los Angeles. "Another One Bites the Dust" was a worldwide success, reaching No. 1 in America and many other countries, and in the UK where it reached No. 7. After the success of the song, Queen recorded Hot Space , which was a more disco album. It is credited as Queen's best selling single, having sold 7 million copies worldwide. The song was played live from 1980 until the last tour with Mercury in 1986. Part of this song was performed during Queen medley songs by Extreme on The Freddie Mercury Tribute Concert in 1992.
"Need Your Loving Tonight" was written by Deacon. The song was released as a single in November 1980 and reached number 44 in the United States. The song was also played frequently during The Game Tour in 1980 and then less frequently in 1981, but was not played live thereafter. [9]
"Crazy Little Thing Called Love" was written by Mercury while lounging in a bubble bath in the Bayerischer Hof Hotel in Munich, where Queen were staying during the making of The Game. In addition to playing guitar on the record, Mercury also played guitar in concert. The song peaked at No. 2 in the UK and No. 1 in the Billboard Hot 100 in the United States for four consecutive weeks. "Crazy Little Thing Called Love" also peaked at No. 1 in Australia, Canada, Mexico and Netherlands. The song has been covered by many artists. "Crazy Little Thing Called Love" and "Another One Bites The Dust" were Queen's only No. 1 singles in the United States.
"Rock It (Prime Jive)" was written by Roger Taylor. The song begins with Mercury singing the intro and then Taylor sings the rest of the song. The song was only performed live in North and South America, and in Japan, during The Game and Hot Space Tours respectively.
"Don't Try Suicide" was written by Mercury, and is Mercury's third and final song on the album. The song has never been performed live. The song was the B-side on the American release of "Another One Bites the Dust". In 1992, DJ Muggs remixed the track for inclusion on the later cancelled BASIC Queen Bootlegs compilation.
"Sail Away Sweet Sister (To the Sister I Never Had)" was written by May and features him on lead vocals. The bridge was sung by Mercury. The song was recorded in June/July 1979. It has never been performed live by Queen, but has been by Guns N' Roses and by Brian May himself during the Another World tour in 1998. The song was sampled by Das EFX on their 1998 track "Change" from the album Generation EFX . [10]
The song has also been on compilation albums Deep Cuts, Volume 2 (1977-1982) and Queen Forever .
"Coming Soon" was written by Taylor. Mercury and Taylor share lead vocals. The song had been started during the Jazz sessions.
"Save Me" was written by May, in tribute to a friend whose marriage had recently ended. May played most of the instruments on the track including acoustic and electric guitars, piano and synthesizer. The song was performed live from 1979 to 1982. When live the song features a short piano entrance absent from the studio version. The song peaked at No. 11 in the UK Singles Chart.
The photo on the cover of the EMI CD is different from that originally used on the LP and cassette release, even though the Hollywood CD still has the original photo. The original photo (with Roger Taylor having folded arms and Brian May not having a hand resting upon his exposed hip) is shown in the article. This alternate photo was also used on the cover of the album in the Crown Jewels box set released in 1998, and on the DTS DVD-Audio edition of the album released in 2003.
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Chicago Tribune | [11] |
The Encyclopedia of Popular Music | [12] |
The Guardian | [13] |
Record Mirror | [14] |
The Rolling Stone Album Guide | [15] |
Smash Hits | 3/10 [16] |
Uncut | [17] |
Record Mirror wrote in a contemporary review, "After Zeppelin and even before the Scorpions, Queen are the most exciting band I've ever seen or heard. And I'm sure all you lovers of quality music will agree." [14] Rolling Stone felt that it was "nice to hear a Queen album with songs, not 'anthems'," but opined that "these guys know how this music should sound and feel, but they can't bend enough to get with it." [18] The Washington Post gave a scathing review, writing: "After five years of unchallenging, dismal albums, this was supposed to be Queen's comeback. But no such luck." [19] Steve Taylor, writing for Smash Hits , was equally as dismissive, writing "sandwiched between two slabs of Queen's usual symphonic and/or choral pomp-rock [...] lies a filling of utterly unoriginal corn". [16]
Creem readers voted The Game the seventh greatest album of 1980. [20] At the Grammy Awards in 1981, Queen and Mack were nominated for Producer of the Year (Non-Classical) while "Another One Bites the Dust" was nominated for Best Rock Performance by a Duo or Group with Vocal. [21] Queen received an American Music Award nomination for Favorite Pop/Rock Band/Duo/Group, while "Another One Bites the Dust" received the award for Favorite Pop/Rock Single. [22]
In a retrospective review, AllMusic's Stephen Thomas Erlewine said that the album's "disco rock blends" showed a band that has "turned away from rock and toward pop", "turning decidedly, decisively pop, and it's a grand, state-of-the-art circa 1980 pop album that still stands as one of the band's most enjoyable records." [3] AllMusic would go on to name The Game as Queen's best album of the 1980s. [23] Evan Sawdey of PopMatters called The Game a "regular ol' rock album". [1] In 2008, Out ranked the album number 28 of 100 in a poll of "more than 100 actors, comedians, musicians, writers, critics, performance artists, label reps, and DJs, asking each to list the ten albums that left the most indelible impressions on their lives." [24]
Yeah, that was when we started trying to get outside what was normal for us. Plus we had a new engineer in Mack and a new environment in Munich. Everything was different. We turned our whole studio technique around in a sense, because Mack had come from a different background from us. We thought there was only one way of doing things, like doing backing tracks: We would just do it until we got it right. If there were some bits where it speeded up or slowed down, then we would do it again until it was right. We had done some of our old backing tracks so many times, they were too stiff. Mack's first contribution was to say, "Well you don't have to do that. I can drop the whole thing in. If it breaks down after half a minute, then we can edit in and carry on if you just play along with the tempo". We laughed and said "Don't be silly. You can't do that". But in fact, you can. What you gain is the freshness, because often a lot of the backing tracks is first time though. It really helped a lot. There was less guitar on that album, but that's really not going to be the same forever; that was just an experiment.
— Brian May [25]
All lead vocals by Freddie Mercury unless noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Play the Game" | Freddie Mercury | 3:30 |
2. | "Dragon Attack" | Brian May | 4:18 |
3. | "Another One Bites the Dust" | John Deacon | 3:35 |
4. | "Need Your Loving Tonight" | Deacon | 2:50 |
5. | "Crazy Little Thing Called Love" | Mercury | 2:42 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
6. | "Rock It (Prime Jive)" | Roger Taylor | Roger Taylor with Mercury | 4:33 |
7. | "Don't Try Suicide" | Mercury | 3:52 | |
8. | "Sail Away Sweet Sister" | May | Brian May with Mercury | 3:33 |
9. | "Coming Soon" | Taylor | Mercury with Taylor | 2:51 |
10. | "Save Me" | May | 3:48 | |
Total length: | 35:42 |
No. | Title | Length |
---|---|---|
11. | "Dragon Attack" (1991 bonus remix by R.A.K. and Jack Benson) | 4:19 |
Total length: | 40:01 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Save Me" (Live at the Montreal Forum, November 1981) | 4:18 | |
2. | "A Human Body" (B-side to "Play The Game") | Taylor [26] | 3:44 |
3. | "Sail Away Sweet Sister" (Take 1 with guide vocal, February 1980) | 2:34 | |
4. | "It's a Beautiful Day" (Original spontaneous idea, April 1980) | Mercury [27] | 1:31 |
5. | "Dragon Attack" (Live at the Milton Keynes Bowl, June 1982) | 5:15 | |
Total length: | 17:22 |
No. | Title | Length |
---|---|---|
6. | "Vocal Improv/Dragon Attack" (Live at Morumbi Stadium, Sao Paulo, March 1981 [28] [29] ) | 5:02 |
7. | "Save Me" (Live at Seibu Lions Stadium, Tokyo, November 1982 [30] ) | 3:56 |
8. | "Crazy Little Thing Called Love" (Saturday Night Live, September 1982 [31] ) | 3:58 |
Total length: | 29:38 |
Queen
Additional musician
This article needs additional citations for verification .(December 2017) |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [55] | 2× Platinum | 120,000^ |
Austria (IFPI Austria) [56] | Gold | 25,000* |
Brazil (Pro-Música Brasil) [57] | Gold | 130,000 [58] |
Canada (Music Canada) [59] | 6× Platinum | 600,000^ |
Denmark (IFPI Danmark) [60] original release | Silver | 25,000 [60] |
Denmark (IFPI Danmark) [61] reissue | Gold | 10,000‡ |
Germany (BVMI) [62] | Gold | 250,000^ |
Italy (FIMI) [63] sales since 2009 | Gold | 25,000‡ |
Mexico (AMPROFON) [64] | Gold | 100,000^ |
Netherlands (NVPI) [65] | Gold | 50,000^ |
New Zealand (RMNZ) [66] | Gold | 7,500^ |
Poland (ZPAV) [67] 2008 Agora SA album reissue | Platinum | 20,000* |
Spain (PROMUSICAE) [68] | Gold | 50,000^ |
United Kingdom (BPI) [69] | Gold | 100,000^ |
United States (RIAA) [70] | 4× Platinum | 4,000,000^ |
* Sales figures based on certification alone. |
"Another One Bites the Dust" is a song by the British rock band Queen. Written by bassist John Deacon, the song was featured on the group's eighth studio album The Game (1980). It was a worldwide hit, charting at number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October. The song spent 15 weeks in the Billboard top 10, including 13 weeks in the top five, and 31 weeks total on the chart. It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen's best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard's All-Time Top Songs.
"Crazy Little Thing Called Love" is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979 and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.
Innuendo is the fourteenth studio album by the British rock band Queen, released on 4 February 1991 by Parlophone in the United Kingdom and was the band's first studio album to be released by Hollywood Records in the United States. Produced by David Richards and the band, it was the band's last album to be released in lead singer Freddie Mercury's lifetime, and their most recent one to be composed of entirely new material, save for The Cosmos Rocks by the Queen + Paul Rodgers collaboration. The album reached the No. 1 spot on the UK album charts for two weeks, and also peaked at No. 1 in Italy, the Netherlands, Germany, and Switzerland, staying at No. 1 for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.
The Miracle is the thirteenth studio album by the British rock band Queen, released on 22 May 1989 by Parlophone Records and Capitol Records in both the United Kingdom and the U.S. respectively, where it was the band's third and final studio album to be released on latter label, and their first studio album on the former label. The album was recorded as the band recovered from Brian May's marital problems and Freddie Mercury's HIV diagnosis in 1987. Recording started in January 1988 and lasted for an entire year. The album was originally going to be called The Invisible Men, but three weeks before the release, according to Roger Taylor, they changed the name to The Miracle. It was also the last Queen album with a photo of the band on the front cover.
Jazz is the seventh studio album by the British rock band Queen. It was released on 10 November 1978 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker, the album artwork was suggested by Roger Taylor, who previously saw a similar design painted on the Berlin Wall. The album's varying musical styles were alternately praised and criticised. It reached number two in the UK Albums Chart and number six on the US Billboard Top LPs & Tape chart.
Flash Gordon is the first soundtrack album and ninth studio album by the British rock band Queen, released on 8 December 1980 by EMI Records in the UK and on 27 January 1981 by Elektra Records in the US. It is one of two film soundtracks that they produced, along with Highlander. It is the soundtrack to the science fiction film Flash Gordon and features lyrics on only two tracks. "Flash's Theme" was the only single to be released from the album, under the title "Flash". The album reached number 10 on the UK charts and number 23 in the US.
Hot Space is the tenth studio album by the British rock band Queen. It was released on 4 May 1982 by EMI Records in the United Kingdom and by Elektra Records in the United States. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, R&B, dance, pop and new wave music on the album. Combined with the ongoing backlash against disco music, this made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success of their 1980 hit "Another One Bites the Dust" in the US.
"One Vision" is a song written and recorded by the British rock band Queen, first released as a single in November 1985 and then included on their 1986 album A Kind of Magic. It was conceived by the group's drummer Roger Taylor.
"The Show Must Go On" is a song by British rock band Queen, featured as the twelfth and final track on their 1991 album, Innuendo. It is credited to Queen, but was primarily written by guitarist Brian May. The song chronicles the effort of frontman Freddie Mercury continuing to perform despite approaching the end of his life, although his diagnosis with HIV/AIDS had not yet been made public in spite of ongoing media speculation that he was seriously ill. When the band recorded the song in 1990, Mercury's condition had deteriorated to the point that May had concerns as to whether he was physically capable of singing it. May recalls; "I said, 'Fred, I don't know if this is going to be possible to sing.' And he went, 'I'll fucking do it, darling' — vodka down — and went in and killed it, completely lacerated that vocal".
"Somebody to Love" is a song by the British rock band Queen, written by lead singer and pianist Freddie Mercury. It debuted on the band's 1976 album A Day at the Races and also appears on their 1981 compilation album Greatest Hits.
"Who Wants to Live Forever" is a song by the British rock band Queen. A power ballad, it is the sixth track on the album A Kind of Magic, which was released in June 1986, and was written by lead guitarist Brian May for the soundtrack to the film Highlander. Queen was backed up by an orchestra, with orchestrations by film score composer Michael Kamen. The song peaked at No. 24 in the UK charts. In 1991, it was included in the band's second compilation album, Greatest Hits II.
"Too Much Love Will Kill You" is a song written by British guitarist Brian May of Queen, Frank Musker and Elizabeth Lamers. The song reflected the breakdown of May's first marriage and attraction to his future wife, Anita Dobson. It was first recorded by Queen around 1988 or before, and was intended to be on the band's The Miracle album in 1989, but did not make the cut due to legal disputes following the band's decision that all songs on the album would be written by the group as opposed to individuals.
"I Want It All" is a song by British rock band Queen, featured on their 1989 studio album, The Miracle. Written by guitarist and vocalist Brian May and produced by David Richards, it was released as the first single from the album on 2 May 1989. "I Want It All" reached number three on the singles charts of the United Kingdom, Finland, Ireland and New Zealand, as well as on the US Billboard Album Rock Tracks chart. Elsewhere, it peaked at number two in the Netherlands and charted within the top 10 in Australia, Belgium, Germany, Norway and Switzerland. With its message about fighting for one's own goals it became an anti-apartheid protest song in South Africa.
"Heaven for Everyone" is a song written by British rock band Queen drummer Roger Taylor. It originally appeared on his side project the Cross's album Shove It, with Freddie Mercury as a guest vocalist, and it is the album's fourth track. It was reworked with Queen's music and appeared in their fifteenth and final studio album, Made in Heaven (1995), where it was the seventh track, and was released as the first single by Parlophone – four years after Mercury's death. Queen's version reached number two on the UK Singles Chart while peaking at number one in Hungary and becoming a top-ten hit in several other European nations. In 1999 it was included in Queen's compilation album Greatest Hits III.
"Play the Game" is a song by British rock band Queen, written by Freddie Mercury. It is the first track on the first side of their 1980 album The Game. It also appears on their album Greatest Hits. The single was a hit in the UK, reaching No. 14 in the charts, and in the US, peaking at No. 42.
"Need Your Loving Tonight" is a song by the rock band Queen and written by bass guitarist John Deacon. It is the fourth track on the first side of their 1980 album The Game and the second song on the album by Deacon. It was released as a single in some countries in November 1980.
"A Winter's Tale" is a song by Queen, from the album Made in Heaven, released in 1995 after Freddie Mercury's death in 1991. It was written after the Innuendo sessions, inspired as Mercury was staring out the windows of various places in Montreux. The song has a psychedelic, dreamy feel, and describes what Mercury saw outside the windows.
The Works is the eleventh studio album by the British rock band Queen. It was released on 27 February 1984 by EMI Records just shortly after recording for the album had been completed in the United Kingdom and it is the band's first studio album to be released by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music and New York funk scenes. Recorded at the Record Plant Studios in Los Angeles, California, and Musicland Studios in Munich, Germany, from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!".
As well as his work with Queen, Freddie Mercury released one solo album, one collaborative album, and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. Following Mercury's death in 1991, several posthumous box sets and compilation albums have been released.
"Made in Heaven" is the third single recorded by Freddie Mercury, and his fourth release as a solo artist. Originally featured in Mercury's first solo album, Mr. Bad Guy, the song was modified and published as a 45 rpm single paired with "She Blows Hot and Cold", described on the record sleeve as 'A Brand New Track'. The single reached No. 57 on the UK Singles Chart.
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: CS1 maint: numeric names: authors list (link)The album yielded ... 'Play the Game,' which featured the group's first use of the synthesiser...
Guitarist Brian May brings his considerable chops to songs like his own composition "Dragon Attack", a slinky funk-rock workout with lots of solid riffs and stinging leads (at times reminiscent of the extended guitar workouts on "Brighton Rock" from 1974's Sheer Heart Attack).