"In the Mood" | ||||
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Single by Rush | ||||
from the album Rush | ||||
B-side | "What You're Doing" | |||
Released | December 1974 (US) [1] | |||
Recorded | 1973 | |||
Genre | ||||
Length | 3:37 | |||
Label | ||||
Songwriter(s) | Geddy Lee | |||
Producer(s) | Rush | |||
Rush singles chronology | ||||
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"In the Mood" is a song by the Canadian rock band Rush from their 1974 self-titled debut album. It was at least two years old when recorded for the album.
"In the Mood" is three minutes and 34 seconds long. The song was composed in the key of A major and is in 4/4 time. [2] [3] It is the only song on the album written entirely by Geddy Lee (the music on all other songs is co-written by guitarist Alex Lifeson).
Lee said that this was the first song he wrote with Lifeson that they "kind of liked". [4]
Lifeson said It "was probably at least two years old, if not three, when we recorded the first album". He also said: "Ged came in and said, 'I've got a good idea for a song' and played it from beginning to end". [5]
The St. Louis classic rock radio station KSHE used to play the song every Friday night at 7:45 because of the song lyrics mentioning "a quarter to eight". [6]
"In the Mood" was released as a single, reaching No. 31 in Canada [7] Cash Box said that "the Led Zep sound alikes are in strong form with a more innovative ditty than their last disk" and praised the vocals and backing instrumentation. [8]
Record World said that a live medley with "Fly by Night" "puts the emphasis on fuzz toned guitar and histrionic vocals." [9]
Ultimate Classic Rock thought that it was the worst Rush song released and Greg Prato of AllMusic referred to the song as "predictable". [10] [11]
The song was covered by Canadian band Sloan for the 2002 movie FUBAR. [12]
Charted version is a medley of "Fly by Night" and "In the Mood" from 1976's live album, All the World's a Stage .
Chart | Peak position |
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US Billboard Hot 100 [13] | 88 |
Aleksandar Živojinović, known professionally as Alex Lifeson, is a Canadian musician, best known as the guitarist for the rock band Rush. In 1968, Lifeson co-founded a band that would later become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974, after which the lineup remained unchanged until the band's dissolution in 2018. Lifeson was the only member of Rush who stayed in the band throughout its entire existence, and he and Lee were the only members to appear on all of the band's albums.
Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band's original line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Mercury Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
Rush is the debut studio album by Canadian rock band Rush. It was released on March 18, 1974, in Canada by Moon Records, the group's own label, before it was released internationally by Mercury Records later that year. Recorded five years after the band's formation, this first release shows much of the hard rock sound typical of many of the popular rock bands emerging earlier in the decade. Rush were fans of such bands as Led Zeppelin, Yes and Cream, and these influences can be heard in most of the songs on the album.
Fly by Night is the second studio album by the Canadian rock band Rush, released on February 14, 1975, by Mercury Records. It was the first Rush album to showcase elements of progressive rock for which the band has become known. It was also the first to feature lyricist and drummer Neil Peart, who replaced original drummer John Rutsey the previous summer just prior to the band's first North American tour. Peart took over as Rush's primary lyricist, and the abundance of fantastical and philosophical themes in his compositions contrasted greatly with the simpler hard rock of the band's debut album.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Songs such as "The Necromancer" furthered Rush's advancement into narrative-driven, fantasy-based compositions, while "The Fountain of Lamneth" was their first prog-rock "epic" to span an entire side of vinyl. Other tracks like "Bastille Day" and "Lakeside Park" became staples of the band's live setlists.
All the World's a Stage is a double live album by Canadian rock band Rush, released in September 1976 by Mercury Records. The album was recorded at Massey Hall in Toronto on June 11–13, 1976, during the band's breakthrough 2112 tour. The title of the album alludes to William Shakespeare's play As You Like It, and would again be referenced by Rush in the 1981 song "Limelight".
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
Grace Under Pressure is the tenth studio album by Canadian rock band Rush, released April 12, 1984, on Anthem Records. After touring for the band's previous album, Signals (1982), came to an end in mid-1983, Rush started work on a follow-up in August. The band had decided not to work with longtime producer Terry Brown, who had collaborated with Rush since 1974. The new material accentuated the group's change in direction towards a synthesizer-oriented sound like its previous album. After some difficulty finding a suitable producer who could commit, the album was recorded with Peter Henderson.
A Show of Hands is a live album by the Canadian rock band Rush, released in 1989. The band released a video of the same name, originally on VHS and LaserDisc, the same year. A DVD version was released as part of a box set in 2006, and as an individual DVD in 2007. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.
Different Stages is a live album by Canadian rock band Rush, released in 1998. The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour. Five other songs from various stops along the tour were included and three songs from the 1994 Counterparts tour. The third disc is taken from a performance at the Hammersmith Odeon in London during the A Farewell to Kings tour in 1978.
"The Spirit of Radio" is a song by Canadian rock band Rush, released from their 1980 album Permanent Waves. The song's name was inspired by Brampton, Ontario based radio station CFNY-FM's slogan. It was significant in the growing popularity of the band, becoming their first top 30 single in Canada and reaching number 51 on the US Billboard Hot 100.
"Tom Sawyer" is a song by Canadian rock band Rush, originally released on their 1981 album Moving Pictures as its opener. The band's lead singer, bassist, and keyboardist, Geddy Lee, has referred to the track as the band's "defining piece ... from the early '80s".
R30: 30th Anniversary World Tour is a live DVD by the Canadian rock band Rush, released on November 22, 2005 in Canada and the US, and November 28, 2005 in Europe. The DVD documents the band's R30: 30th Anniversary Tour, and was recorded on September 24, 2004 at the Festhalle Frankfurt, Germany.
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It. The band had previously used the phrase for its 1976 live album. The lyrics also refer to "the camera eye", the title of the song that follows on the Moving Pictures album.
"The Analog Kid" is a song by the Canadian progressive rock band Rush. It was released as the second single from their 1982 album Signals and reached number 19 on the Mainstream Rock chart.
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album.
"Fly by Night" is a song by Canadian rock band Rush. It was released in 1975 and is the title track of their second studio album. The music was written by bassist Geddy Lee and the lyrics were penned by drummer Neil Peart. Peart wrote the song about his first trip away from home. In 1971, at 18 years old, he left behind his small-town Canadian life and flew to England. Lee sings the lead vocals and on the song's middle eight, his voice is fed through a Leslie speaker.