Rush was a Canadian rock band that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band formed in Toronto in 1968 with Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained intact for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Mercury Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Songs such as "The Necromancer" furthered Rush's advancement into narrative-driven, fantasy-based compositions, while "The Fountain of Lamneth" was their first prog-rock "epic" to span an entire side of vinyl. Other tracks like "Bastille Day" and "Lakeside Park" became staples of the band's live setlists.
Moving Pictures is the eighth studio album by Canadian rock band Rush, released on February 12, 1981, by Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. They continued to write songs with a more radio-friendly sound, featuring tighter and shorter song structures compared to their earlier albums.
Exit... Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour.
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 in Canada by Anthem Records and on October 21, 1985 in the United States. After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up. The material continued to display the band's exploration of synthesizer-oriented music, this time with the addition of sampling, electronic drums, a string section, and choir, with power being a running lyrical theme. Power Windows was recorded in Montserrat and England with Peter Collins as co-producer and Andy Richards on additional keyboards.
Hold Your Fire is the twelfth studio album by Canadian rock band Rush, released on September 8, 1987. It was recorded at The Manor Studio in Oxfordshire, Ridge Farm Studio in Surrey, Air Studios in Montserrat and McClear Place in Toronto. Hold Your Fire was the last Rush studio album released outside Canada by PolyGram/Mercury. 'Til Tuesday bassist and vocalist Aimee Mann contributed vocals to "Time Stand Still" and appeared in the Zbigniew Rybczyński-directed video.
"The Spirit of Radio" is a song by Canadian rock band Rush, released from their 1980 album Permanent Waves. The song's name was inspired by Toronto-based radio station CFNY-FM's slogan. It was significant in the growing popularity of the band, becoming their first top 30 single in Canada and reaching number 51 on the US Billboard Hot 100.
Vital Signs were a Pakistani pop and rock band formed in Rawalpindi in 1986 by two Peshawar University students. After their formation, they soon became Pakistan's first and most commercially successful as well as critically acclaimed act. The band's popular lineup consisted of keyboardist Rohail Hyatt, bassist Shahzad Hasan, guitarist Nusrat Hussain and vocalist Junaid Jamshed. Rooted in Rawalpindi with some influence from Western music during the conservative regime of President Zia-ul-Haq, the Vital Signs utilizes several genres, ranging from pop music to rock, and often incorporating classical and other elements in innovative ways. In the early 1990s, they came to be perceived by many Pakistani fans and country's cultural observers as a "promising new era of cultural revival". Their enormous popularity significantly opened a new wave of music and a modern chapter in the history of Pakistan.
"Tom Sawyer" is a song by Canadian rock band Rush, originally released on their 1981 album Moving Pictures as its opener. The band's lead singer, bassist, and keyboardist, Geddy Lee, has referred to the track as the band's "defining piece ... from the early '80s".
"2112" is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single. The song was adapted into a comic booklet, which used the lyrics of the song as lines for the characters and the narrations from the cover as intros.
"Between the Wheels" is a song by the Canadian rock band Rush. It was released on their 1984 album Grace Under Pressure.
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It. The band had previously used the phrase for its 1976 live album. The lyrics also refer to "the camera eye", the title of the song that follows on the Moving Pictures album.
"Freewill" is the second track on the 1980 album Permanent Waves by Canadian progressive rock band Rush. The song's music was composed by Geddy Lee and Alex Lifeson, and its lyrics written by Neil Peart. In a 2016 review of Rush discography for Ultimate Classic Rock, Eduardo Rivadavia described "Freewill" as a "cerebral but remarkably radio-friendly" song. Lee has stated that the final verse of "Freewill" is at the highest part of his vocal range.
The Time Machine Tour was a concert tour by the Canadian rock band Rush that began on June 29, 2010 in Albuquerque, New Mexico and ended July 2, 2011 at The Gorge Amphitheatre in George, Washington. The tour was notable for featuring the album Moving Pictures played in its entirety for the first time live, as well as material from the band's then upcoming studio album Clockwork Angels. This tour is one of three where the setlist has been consistent throughout the entire tour, the others being the 1987 Hold Your Fire tour and the 2004 R30: 30th Anniversary Tour. This is also the first Rush tour to not include any songs from Roll the Bones in the set list since that album was released in 1991.
Hundredth is an American rock band from Myrtle Beach, South Carolina formed in 2008 led by singer and songwriter Chadwick Johnson. They have released five albums and five EPs. The band started out playing melodic hardcore that morphed into indie rock by the release of the 2017 album Rare.
"Witch Hunt" is a song by Canadian rock band Rush. It was released on their 1981 album Moving Pictures, and unlike many other Rush songs it was a true studio production, with a variety of percussion instruments and overdubs, and a separate keyboard player. It is the first of four songs in what has been called the band's "Fear" series, the other three being "The Weapon", "The Enemy Within", and "Freeze", although this song is the third part of the series in order, and went on reverse chronological order by the album.
"YYZ" is an instrumental rock composition by the Canadian rock band Rush from their 1981 album Moving Pictures. The live album Exit... Stage Left (1981) and the concert video recording A Show of Hands (1989) both include versions in which Neil Peart incorporates a drum solo – as an interlude on the former, and as a segue out of the piece on the latter.
