Geddy Lee Weinrib is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the rock group Rush. Lee joined the band in September 1968 at the request of his childhood friend Alex Lifeson, replacing original bassist and frontman Jeff Jones. Lee's solo effort, My Favourite Headache, was released in 2000.
Rush was a Canadian rock band that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band formed in Toronto in 1968 with Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained intact for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Mercury Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
Hemispheres is the sixth studio album by Canadian rock band Rush, released on October 24, 1978 by Anthem Records. It reached No. 14 in Canada and the UK, and No. 47 in the US. The album was a steady seller in the group's catalogue, and was certified platinum by the Recording Industry Association of America for selling one million copies 15 years later.
A Farewell to Kings is the fifth studio album by Canadian rock band Rush, released on Anthem Records on August 29, 1977. The album reached No. 11 in Canada and marked a growth in the band's international fanbase, becoming their first Top 40 album in the US and the UK.
Rush is the debut studio album by Canadian rock band Rush. It was released on March 18, 1974, in Canada by Moon Records, the group's own label, before it was released internationally by Mercury Records later that year. Recorded five years after the band's formation, this first release shows much of the hard rock sound typical of many of the popular rock bands emerging earlier in the decade. Rush were fans of such bands as Led Zeppelin, Yes and Cream, and these influences can be heard in most of the songs on the album.
Fly by Night is the second studio album by the Canadian rock band Rush, released on February 14, 1975, by Mercury Records. It was the first Rush album to showcase elements of progressive rock for which the band has become known. It was also the first to feature lyricist and drummer Neil Peart, who replaced original drummer John Rutsey the previous summer just prior to the band's first North American tour. Peart took over as Rush's primary lyricist, and the abundance of fantastical and philosophical themes in his compositions contrasted greatly with the simpler hard rock of the band's debut album.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Songs such as "The Necromancer" furthered Rush's advancement into narrative-driven, fantasy-based compositions, while "The Fountain of Lamneth" was their first prog-rock "epic" to span an entire side of vinyl. Other tracks like "Bastille Day" and "Lakeside Park" became staples of the band's live setlists.
Moving Pictures is the eighth studio album by Canadian rock band Rush, released on February 12, 1981, by Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. They continued to write songs with a more radio-friendly sound, featuring tighter and shorter song structures compared to their earlier albums.
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio-friendly songs, though their progressive rock blueprint is still evident on "Jacob's Ladder" and the nine-minute closer "Natural Science." Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was first of seven studio albums that the band recorded at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.
Exit... Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour.
Test for Echo is the sixteenth studio album by the Canadian rock band Rush, released on September 10, 1996, by Anthem Records. It was the final Rush album to be co-produced by Peter Collins. The band supported the album with a world tour in 1996 and 1997, after which they went on a five-year hiatus following the deaths of drummer Neil Peart's daughter and wife, and would not record again until 2001.
Hugh Syme is a Canadian Juno Award-winning graphic artist and member of the Premier Artists Collection (PAC) who is best known for his artwork and cover concepts for rock and metal bands. He is also a musician and has appeared on some Rush albums as a keyboard player. Syme is notably responsible for all of Rush's album cover art since 1975's Caress of Steel as well as creating Rush's famous Starman logo. In 1983 he told Jeffrey Morgan that he never imagined the band would use it as their main logo. Syme also plays piano on the album Thrilling Women, which Morgan recorded with Dean Motter.
R30: 30th Anniversary World Tour is a live DVD by the Canadian rock band Rush, released on November 22, 2005 in Canada and the US, and November 28, 2005 in Europe. The DVD documents the band's R30: 30th Anniversary Tour, and was recorded on September 24, 2004 at the Festhalle Frankfurt, Germany.
"2112" is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single. The song was adapted into a comic booklet, which used the lyrics of the song as lines for the characters and the narrations from the cover as intros.
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album.
Clockwork Angels is the nineteenth and final studio album by Canadian rock band Rush, released on June 8, 2012, on Roadrunner Records. During the band's year-and-a-half break following its Snakes & Arrows Tour, the group decided to write a new studio album. Most of the album was recorded between October and December 2011 at Revolution Recording in Toronto, Ontario, Canada.
"Lock and Key" is a song written, produced and performed by Canadian rock band Rush. It is a promotional single from their twelfth studio album, Hold Your Fire. The song deals with the theme of every human being’s primal, violent instincts underneath their civil appearance - their “killer instinct”. Critics gave the song liking reviews, with some saying it had quality of a hit single, and would make it on the Billboard Hot Mainstream Rock Tracks chart; it went on to reach number 16 on the chart. The song's music video was originally released in 1987, and was produced by Bob Jason and directed by T. Vanden Ende. The song was only played live by the band on the Hold Your Fire Tour.
