"Xanadu" | |
---|---|
Song by Rush | |
from the album A Farewell to Kings | |
Released | August 29, 1977 |
Recorded | 1977 |
Venue | Rockfield Studios |
Genre | Progressive rock |
Length | 11:05 |
Label | Mercury Records |
Composer(s) | Geddy Lee, Alex Lifeson |
Lyricist(s) | Neil Peart |
Producer(s) | Rush, Terry Brown |
Music video | |
"Xanadu" on YouTube |
"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings . [1] It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart, which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan .
In Peart's lyrics, the narrator describes searching for a place called "Xanadu" that will grant him immortality. After succeeding in this quest, a thousand years pass, and the narrator is left "waiting for the world to end", describing himself as "a mad immortal man".
The song is based on the poem Kubla Khan written by Samuel Taylor Coleridge. Although the song does not explicitly state where "Xanadu" is, references to Kubla Khan imply that it is a mythical place based on Shangdu, the historical summer capital of the Mongol Empire. [2]
"Xanadu" is the first Rush song in which synthesizers play an integral part. Unlike the previous albums, 2112 and Caress of Steel , "Xanadu" uses both guitar and synthesizer effects.
The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and early 1980s would see the group explore program music more systematically.
"Xanadu" requires each band member to utilize an array of instruments to affect the performance. Alex Lifeson used a double-necked Gibson electric guitar (one twelve-string, the other six-string) as well as synthesizer pedals; Geddy Lee made use of a double-necked Rickenbacker 4080/12 guitar (bass and twelve-string guitar), as well as extensive synthesizer arrangements (through both pedals and manual keyboards) in addition to singing; and Peart took on various percussion instruments (temple blocks, tubular bells, bell tree, glockenspiel, and wind chimes) in addition to his drum kit.
Despite its complexity and length, "Xanadu" was recorded in a single, uninterrupted take. According to Alex Lifeson, "Xanadu was well rehearsed before going to Rockfield, I remember that. On the day we recorded it, Pat Moran, the resident engineer, set all the mics up and we ran the song down, partially to get balances and tones. Because it was a long song, we didn't need to complete that test run. We then played it a second time from top to bottom and that's what you hear on the album. Needless to say, Pat was shocked that we ran an 11-minute song down in one complete take. Practice doesn't always make perfect, but it sure helps!"
The song was played live by the band on every tour since its release, up until the Grace Under Pressure Tour, when it was dropped. The following two tours did not feature the song, and then the next three tours featured the song. The following two tours did not feature the song, and then it was put back in the setlist during the R30 Tour. The song was then dropped for following three tours and played again for the last time on the R40 Live Tour.
All tours up until the Roll the Bones Tour had the song played in full. An abbreviated version was played on the Roll the Bones Tour and Counterparts Tour. Another abbreviated version of the song, omitting the second verse and Lee's rhythm guitar part during the ending, was performed as part of a medley during the R30 tour. However, for the R40 Live Tour, the band played the entire song with the rhythm guitar included. [3]
In a Rolling Stone readers' poll to determine the top 10 Rush songs of all time, "Xanadu" was ranked at number six. [4]
Aleksandar Živojinović, known professionally as Alex Lifeson, is a Canadian musician, best known as the guitarist for the rock band Rush. In 1968, Lifeson co-founded a band that would later become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974, after which the lineup remained unchanged until the band's dissolution in 2018. Lifeson was the only member of Rush who stayed in the band throughout its entire existence, and he and Lee were the only members to appear on all of the band's albums.
Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band's original line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up was kept intact for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
A Farewell to Kings is the fifth studio album by Canadian rock band Rush, released on Anthem Records on August 29, 1977. The album reached No. 11 in Canada and marked a growth in the band's international fanbase, becoming their first Top 40 album in the US and the UK.
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio-friendly songs, though their progressive rock blueprint is still evident on "Jacob's Ladder" and the nine-minute closer "Natural Science." Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was the first of seven studio albums that the band recorded at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.
Exit... Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour.
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 in Canada by Anthem Records and on October 21, 1985 in the United States. After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up. The material continued to display the band's exploration of synthesizer-oriented music, this time with the addition of sampling, electronic drums, a string section, and choir, with power being a running lyrical theme. Power Windows was recorded in Montserrat and England with Peter Collins as co-producer and Andy Richards on additional keyboards.
Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993, on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Test for Echo is the sixteenth studio album by the Canadian rock band Rush, released on September 10, 1996, by Anthem Records. It was the final Rush album to be co-produced by Peter Collins. The band supported the album with a world tour in 1996 and 1997, after which they went on a five-year hiatus following the deaths of drummer Neil Peart's daughter and wife, and would not record again until 2001.
Different Stages is a live album by Canadian rock band Rush, released in 1998. The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour. Five other songs from various stops along the tour were included and three songs from the 1994 Counterparts tour. The third disc is taken from a performance at the Hammersmith Odeon in London during the A Farewell to Kings tour in 1978.
"Closer to the Heart" is a song by Canadian rock band Rush. It was released in November 1977 as the lead single from their fifth studio album A Farewell to Kings. It was the first Rush song to feature a non-member as a songwriter in Peter Talbot, a friend of drummer and lyricist Neil Peart. It was Rush's first hit single in the United Kingdom, reaching number 36 in the UK Singles Chart in February 1978. It also peaked at number 45 in Canada and number 76 on the US Billboard Hot 100. It was inducted into the Canadian Songwriters Hall of Fame on March 28, 2010.
R30: 30th Anniversary World Tour is a live DVD by the Canadian rock band Rush, released on November 22, 2005 in Canada and the US, and November 28, 2005 in Europe. The DVD documents the band's R30: 30th Anniversary Tour, and was recorded on September 24, 2004 at the Festhalle Frankfurt, Germany.
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It. The band had previously used the phrase for its 1976 live album. The lyrics also refer to "the camera eye", the title of the song that follows on the Moving Pictures album.
Exit... Stage Left is a concert film by the Canadian band Rush that premiered on MTV in February 1982 and then released on CED, Laserdisc, Betamax, VHS and DVD at various times between 1982 and 2007. It documents a live concert performance by the band on their 1981 Moving Pictures tour. In October 1981, the band released an audio album of the same name of the same performance at the Montreal Forum, in Montreal, Quebec on vinyl LP, audiocassette, 8-track cartridge and (later) compact disc. The video has a different track list from the album, as well as voice-over comments from the band members about songwriting and performing. The four songs from the European dates of the Permanent Waves tour, included on the audio album, are not included on the video.
Snakes & Arrows is the eighteenth studio album by Canadian rock band Rush, released on May 1, 2007, by Anthem Records. After their R30: 30th Anniversary Tour ended in October 2004 the band took a one-year break, during which they agreed to start work on a follow-up in January 2006. The album was recorded in five weeks with co-producer Nick Raskulinecz, a fan of the group who was praised by each member for his approach and technique. It contains three instrumental tracks, the most on any Rush album.
"Roll the Bones" is a song by the Canadian rock band Rush. It was released as the second single from their 1991 album of the same name.
The R40 Live Tour was the final concert tour by Canadian rock band Rush that commemorated the 40th anniversary of drummer Neil Peart joining the band in July 1974. The title hearkens back to Rush's 2004 R30: 30th Anniversary Tour that celebrated the 30th anniversary of the band. The tour grossed US$37.8 million, with 442,337 tickets sold at 35 concerts. Although the tour was shorter than many of Rush’s preceding tours, it was very successful in terms of average concert attendance and gross, which was 12,638 and US$1,080,000 respectively. The tour also saw more sellouts than any other Rush tour in recent memory. With 26 out of the 33 reported shows being sellouts, and the remaining 7 still over 90% capacity, the band felt a taste of their success from their prime years again.
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