Grace Under Pressure | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 12, 1984 | |||
Recorded | November 1983 – March 1984 | |||
Studio | Le Studio, Morin-Heights, Quebec | |||
Genre | ||||
Length | 39:23 | |||
Label | Anthem | |||
Producer |
| |||
Rush chronology | ||||
| ||||
Singles from Grace Under Pressure | ||||
|
Grace Under Pressure is the tenth studio album by Canadian rock band Rush, released April 12, 1984, on Anthem Records. [5] After touring for the band's previous album, Signals (1982), came to an end in mid-1983, Rush started work on a follow-up in August. The band had decided not to work with longtime producer Terry Brown, who had collaborated with Rush since 1974. The new material accentuated the group's change in direction towards a synthesizer-oriented sound like its previous album. After some difficulty finding a suitable producer who could commit, the album was recorded with Peter Henderson.
Grace Under Pressure reached number 4 in Canada, number 5 in the UK, and number 10 on the U.S. Billboard 200. It was certified platinum in the U.S. for selling one million copies.
In July 1983, Rush ended its 1982–1983 tour of North America and the UK in support of its previous album, Signals (1982). [6] The group reconvened in mid-August to write and rehearse new material for a follow-up in a lodge in Horseshoe Valley in Barrie, Ontario. [7] The sessions were productive, partly due to the set amount of time they gave themselves to work in and that studio time had already been booked. The band adopted its usual working method of Geddy Lee and Alex Lifeson working on music while Neil Peart worked on lyrics. News stories from the Toronto-based newspaper The Globe and Mail inspired some of the lyrics on the album, particularly "Distant Early Warning," "Red Lenses" and "Between the Wheels." [8] Peart wrote that they came up with "Between the Wheels" on the first night and, after a few days, "Kid Gloves" and "Afterimage." In three weeks, the group had assembled a demo tape of the aforementioned tracks along with "Red Sector A" and "The Body Electric." [8] Development then paused in September 1983 while Rush performed five nights at Radio City Music Hall in New York City, after which the band resumed album rehearsals. [8]
Grace Under Pressure is the first Rush album that was not produced by Terry Brown since its 1974 debut effort. During the Signals tour in March 1983, Rush met with Brown in Miami to inform him that the band had decided to work with a different producer. [8] The group wished to explore different approaches and techniques that someone else might offer which in turn would develop their sound but stressed that the change did not suggest any dissatisfaction in Brown's production. Peart recalled that the split was tough for both parties considering the length of time they had worked together, but that they split on good terms. [8] Brown receives a tribute in the liner notes of Grace Under Pressure in French which translates to "And always our good old friend." [7]
The search for a new producer began during Rush's 1983 European tour, where the band met several candidates during their visit to the UK. They met Steve Lillywhite, who initially agreed to the project, but he backed out two weeks before the band was to start rehearsing, as he'd decided to work with Simple Minds instead. [9] They had producer Trevor Horn and Yes bassist Chris Squire attend their concert at Wembley Arena with the prospect of choosing one of them to produce. [10] Eventually, the group started pre-production alone, which Peart thought increased the band's desire to succeed: "This really drew us together and gave us a strong resolve and a mutual determination to make a really great record." [8] Rush then met with another English producer during rehearsals who showed promise, but various problems that hindered his availability could not be solved in time. [8] This was followed by the arrival of Englishman Peter Henderson, who the band liked and who agreed to produce and engineer, but his occasional indecisiveness ultimately left the band to handle the majority of the creative decisions themselves. [9] Despite this, Rush and Henderson are credited as co-producers in the liner notes.
After a collection of demos had been worked out, the group entered Le Studio in Morin-Heights, Quebec to record, from November 1983 to March 1984, [8] the longest period Rush had taken to record an album up to this point. [9] The band spent up to 14 hours per day in the studio. In a 1984 interview, Lifeson picked Grace Under Pressure as the "most satisfying of all our records." [11]
The album's title was inspired by a quotation from American novelist Ernest Hemingway. Peart was an avid reader and admirer of Hemingway, and liked the quotation "courage is grace under pressure" as he thought the quote reflected the ambient mood of the album's recording sessions. [12]
A music video produced for "The Enemy Within" would be the first played by the Canadian music television channel MuchMusic, which launched in August 1984. [13]
The album marks yet another development in Rush's sound; while continuing to make extensive use of keyboard synthesizers as on Signals , the band also experimented by incorporating elements of ska and reggae into some of the songs. The guitars played a larger role on this record than on Signals, with Lifeson stating, "I think the guitar on Signals took a bit of a back seat. The keyboards were really upfront ... though in a sense that's what we were trying to achieve, we wanted to go for a different perspective on the whole sound. But, possibly, we lost direction at times on Signals." [7] Lifeson also pointed out that there is no acoustic guitar on Grace Under Pressure and the lack of ballad-type songs. [14]
"Afterimage" was written about Robbie Whelan, a tape operator at Le Studio who was killed in a car accident a year prior to the album's release. [14] The album was dedicated to his memory.
"Red Sector A" talks about the Holocaust imprisonment camps that were set up during World War II, specifically from the perspective of an unspecified person in the camp.
"The Body Electric" features a guitar solo with an added harmonizing effect with a delay which Lifeson described as "pretty bizarre." [15]
The band went on tour for the album from May to November in 1984. In addition, they performed at the Radio City Music Hall in New York, New York during September of 1983 as a warm-up tour. During the 1984 tour, a setlist was made that included every song from the album, with "Afterimage" being swapped occasionally for "Kid Gloves". The tour was filmed and later released first as the Replay X 3 box set, and then individually on multiple video and audio formats in 1986 as the Grace Under Pressure Tour. [16] This was also the only tour in which (what was then) the "Fear" trilogy was played in full, which included The Enemy Within, The Weapon, and Witch Hunt.
The cover was designed and painted by Hugh Syme, the creator of all Rush album cover artwork since 1975. [7] The back cover features a band portrait by Armenian-Canadian photographer Yousuf Karsh. The group had decided to employ Karsh when they discussed ideas for the album's sleeve during rehearsals in Horseshoe Valley. Lifeson suggested to Peart a black-and-white band photograph, as the band had not done something like that on previous albums. Lee was enthusiastic towards the idea and suggested to use Karsh. Lifeson spoke of the end result: "It's definitely not a rock 'n' roll picture, but it's a very true, realistic picture of the three of us." [7] The original vinyl pressing also featured a photo depicting an egg being held in a C-clamp.
Review scores | |
---|---|
Source | Rating |
AllMusic | [17] |
The Encyclopedia of Popular Music | [18] |
Kerrang! | (very favourable) [7] |
Rolling Stone | [19] |
Grace Under Pressure was released in April 1984. It reached No. 4 in Canada, No. 5 in the UK, and No. 10 on the U.S. Billboard 200. It was certified platinum in the U.S. for selling one million copies.
Rush filmed promotional videos for "Distant Early Warning," "Afterimage," "The Body Electric" and "The Enemy Within." [7]
Guitar World magazine placed the album on their list of "New Sensations: 50 Iconic Albums That Defined 1984". [20]
Year | Label | Format | Notes |
---|---|---|---|
2015 | Mercury | CD, LP | Digitally remastered, 200 g audiophile vinyl. Also available in 24-bit/96 kHz and 24-bit/192 kHz digital formats. [21] [22] [23] |
All lyrics are written by Neil Peart; all music is composed by Geddy Lee and Alex Lifeson
No. | Title | Length |
---|---|---|
1. | "Distant Early Warning" | 4:56 |
2. | "Afterimage" | 5:04 |
3. | "Red Sector A" | 5:10 |
4. | "The Enemy Within" (Part I of "Fear") | 4:33 |
No. | Title | Length |
---|---|---|
1. | "The Body Electric" | 5:00 |
2. | "Kid Gloves" | 4:18 |
3. | "Red Lenses" | 4:42 |
4. | "Between the Wheels" | 5:44 |
Total length: | 39:23 |
Rush
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [33] | Platinum | 100,000^ |
United Kingdom (BPI) [34] | Silver | 60,000^ |
United States (RIAA) [35] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Aleksandar Živojinović, known professionally as Alex Lifeson, is a Canadian musician, best known as the guitarist for the rock band Rush. In 1968, Lifeson co-founded a band that would later become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974, after which the lineup remained unchanged until the band's dissolution in 2018. Lifeson was the only member of Rush who stayed in the band throughout its entire existence, and he and Lee were the only members to appear on all of the band's albums.
Geddy Lee Weinrib is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the rock group Rush. Lee joined the band in September 1968 at the request of his childhood friend Alex Lifeson, replacing original bassist and frontman Jeff Jones. Lee's solo effort, My Favourite Headache, was released in 2000.
Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band's original line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Mercury Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
Fly by Night is the second studio album by the Canadian rock band Rush, released on February 14, 1975, by Mercury Records. It was the first Rush album to showcase elements of progressive rock for which the band has become known. It was also the first to feature lyricist and drummer Neil Peart, who replaced original drummer John Rutsey the previous summer just prior to the band's first North American tour. Peart took over as Rush's primary lyricist, and the abundance of fantastical and philosophical themes in his compositions contrasted greatly with the simpler hard rock of the band's debut album.
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio-friendly songs, though their progressive rock blueprint is still evident on "Jacob's Ladder" and the nine-minute closer "Natural Science." Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was the first of seven studio albums that the band recorded at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 in Canada by Anthem Records and on October 21, 1985 in the United States. After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up. The material continued to display the band's exploration of synthesizer-oriented music, this time with the addition of sampling, electronic drums, a string section, and choir, with power being a running lyrical theme. Power Windows was recorded in Montserrat and England with Peter Collins as co-producer and Andy Richards on additional keyboards.
Presto is the thirteenth studio album by Canadian rock band Rush. It was released on November 17, 1989 by Anthem Records and was the band's first album released internationally by Atlantic Records, following the group's departure from Mercury. After the Hold Your Fire (1987) tour ended in 1988, the group members reconvened in December to decide their next step and agreed to take six months off before starting on a new album. Presto marked another change in Rush's sound, with guitar taking a more dominant role in the writing, a reduction in synthesizers and a return towards more guitar-driven arrangements.
Chronicles is a double compilation album by Canadian rock band Rush, released in 1990. The collection was the band's first album to be released in the 1990s, though it was assembled without the participation of the band. A companion edition of Rush music videos from 1981 to 1987, titled Chronicles: The Video Collection, was also released on VHS and laserdisc on October 23, 1990. The video edition was re-released on a single DVD in 2001, titled Rush Chronicles – The DVD Collection, with two additional video tracks that are hidden Easter eggs.
Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993, on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Test for Echo is the sixteenth studio album by the Canadian rock band Rush, released on September 10, 1996, by Anthem Records. It was the final Rush album to be co-produced by Peter Collins. The band supported the album with a world tour in 1996 and 1997, after which they went on a five-year hiatus following the deaths of drummer Neil Peart's daughter and wife, and would not record again until 2001.
Different Stages is a live album by Canadian rock band Rush, released in 1998. The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour. Five other songs from various stops along the tour were included and three songs from the 1994 Counterparts tour. The third disc is taken from a performance at the Hammersmith Odeon in London during the A Farewell to Kings tour in 1978.
"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings. It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart, which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan.
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It. The band had previously used the phrase for its 1976 live album. The lyrics also refer to "the camera eye", the title of the song that follows on the Moving Pictures album.
Exit... Stage Left is a concert film by the Canadian band Rush that premiered on MTV in February 1982 and then released on CED, Laserdisc, Betamax, VHS and DVD at various times between 1982 and 2007. It documents a live concert performance by the band on their 1981 Moving Pictures tour. In October 1981, the band released an audio album of the same name of the same performance at the Montreal Forum, in Montreal, Quebec on vinyl LP, audiocassette, 8-track cartridge and (later) compact disc. The video has a different track list from the album, as well as voice-over comments from the band members about songwriting and performing. The four songs from the European dates of the Permanent Waves tour, included on the audio album, are not included on the video.
Through the Camera Eye is a videocassette/laserdisc release by the Canadian band Rush. It was released in 1985 by PolyGram Records. It contains promotional videos issued for the band's albums Moving Pictures (1981), Signals (1982) and Grace Under Pressure (1984). Absent from the collection were the videos for "Limelight" and the album version of "Tom Sawyer", both filmed at Le Studio. The live version of "Tom Sawyer" comes from the concert video Exit... Stage Left (1982). No DVD re-issue was released.
Gold is a compilation album by Canadian rock band Rush, released on April 25, 2006.
Grace Under Pressure Tour is a concert released on Betamax, VHS, Laserdisc, and DVD by the Canadian band Rush. It documents a live concert performance by the band on their 1984 tour in support of the studio album Grace Under Pressure.
"Witch Hunt" is a song by Canadian rock band Rush. It was released on their 1981 album Moving Pictures, and unlike many other Rush songs it was a true studio production, with a variety of percussion instruments and overdubs, and a separate keyboard player. It is the first of four songs in what has been called the band's "Fear" series, the other three being "The Weapon", "The Enemy Within", and "Freeze", although this song is the third part of the series in order, and went on reverse chronological order by the album.
{{cite magazine}}
: Cite magazine requires |magazine=
(help)