"The Analog Kid" | ||||
---|---|---|---|---|
Promotional single by Rush | ||||
from the album Signals | ||||
Released | September 9, 1982 | |||
Recorded | 1982 | |||
Genre | Progressive rock | |||
Length | 4:47 | |||
Label | Anthem | |||
Songwriter(s) | ||||
Producer(s) | Rush, Terry Brown | |||
Rush singles chronology | ||||
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"The Analog Kid" is a song by the Canadian progressive rock band Rush. It was released as the second single from their 1982 album Signals and reached number 19 on the Mainstream Rock chart. [1]
"The Analog Kid" is a moderately fast song, and was originally written in the key of A major. [2] It is played in common time. [3]
The song originates from when the band stayed at Virgin Gorda in the British Virgin Islands in January 1982, travelling on a yacht that was named Orianda. [4]
Drummer and lyricist Neil Peart wrote the lyrics for the song at first as a companion piece to "Digital Man", a song that Rush had started working on in late 1981, and presented it to bassist Geddy Lee. Peart and Lee talked about what could be done with the lyrics in a musical sense. They eventually decided on the opposite on what the words may suggest, with Peart describing the track as "a very up-tempo rocker, with some kind of a dynamic contrast for the choruses". [4]
Peart said the song was his first attempt at non-fiction: "For the longest time I stepped into characters until I had my own confidence and technique to be able to step outside them as a writer." [5]
"The Analog Kid", along with "Digital Man" (another song from the album) served as the inspiration for the writer Troy Hickman to create the comic book heroes of the same names in the 2004 comic Common Grounds . [6]
Greg Prato of AllMusic, in a review for the album, said that the song was an example that Rush did not forget to "rock out" after adding synthesizers to their sound. [7]
In 2016, Prog wrote that it was the 7th best Rush song from the 1980s. [8]
Classic Rock readers voted "The Analog Kid" the band's 24th best song. [9]
Odyssey rated the song 4.5/5, writing that its intro riff was extremely catchy. They also wrote that the solo in "The Analog Kid" was spectacular and that the song was upbeat and atmospheric. [10]
Rush was a Canadian rock band that primarily comprised Geddy Lee, Alex Lifeson (guitar) and Neil Peart. The band formed in Toronto in 1968 with Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-up changes before arriving at its classic power trio lineup with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this lineup remained intact for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
2112 is the fourth studio album by Canadian rock band Rush, released in March 1976 by Anthem Records. It reached No. 5 in Canada and became the band's commercial breakthrough in the US, peaking at No. 61.
Hemispheres is the sixth studio album by Canadian rock band Rush, released in October 1978 by Anthem Records. After touring to support the band's previous release, A Farewell to Kings, during which the group gained popularity in the UK, Rush started work on their next album. As with the band's previous studio album, Hemispheres was recorded at Rockfield Studios in Monmouthshire and Trident Studios in London with longtime engineer and arranger, Terry Brown. Rush continued its progressive rock sound with the side-long "Cygnus X-1 Book II: Hemispheres" and the nine-minute instrumental "La Villa Strangiato", which was the band's first instrumental piece.
A Farewell to Kings is the fifth studio album by Canadian rock band Rush, released in September 1977 by Anthem Records. After touring their previous album 2112 (1976), which saw the group reach a new critical and commercial peak, they started work on a follow-up. They decided to record at Rockfield Studios in Wales, the first time Rush recorded an album outside of Toronto. The band expanded their sound with each member playing new instruments that they had not previously used, and recorded a mix of concise and long songs.
Fly by Night is the second studio album by the Canadian rock band Rush, released on February 14, 1975, by Mercury Records. It was the first Rush album to showcase elements of progressive rock for which the band has become known. It was also the first to feature lyricist and drummer Neil Peart, who replaced original drummer John Rutsey the previous summer just prior to the band's first North American tour. Peart took over as Rush's primary lyricist, and the abundance of fantastical and philosophical themes in his compositions contrasted greatly with the simpler hard rock of the band's debut album.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Songs such as "The Necromancer" furthered Rush's advancement into narrative-driven, fantasy-based compositions, while "The Fountain of Lamneth" was their first prog-rock "epic" to span an entire side of vinyl. Other tracks like "Bastille Day" and "Lakeside Park" became staples of the band's live setlists.
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
Moving Pictures is the eighth studio album by Canadian rock band Rush, released on February 12, 1981 by Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. They continued to write songs with a more radio-friendly sound, featuring tighter and shorter song structures compared to their earlier albums.
Different Stages is a live album by Canadian rock band Rush, released in 1998. The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour. Five other songs from various stops along the tour were included and three songs from the 1994 Counterparts tour. The third disc is taken from a performance at the Hammersmith Odeon in London during the A Farewell to Kings tour in 1978.
"The Trees" is a song by Canadian rock band Rush, from its 1978 album Hemispheres. The song is also featured on many of Rush's compilation albums, and was long a staple of the band's live performances. On the live album Exit...Stage Left, the song features an extended acoustic guitar introduction titled "Broon's Bane."
"2112" is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single and have been featured in most of Rush's setlists since. Starting with the 1996-97 Test for Echo Tour, when any parts of the song were performed live, they were transposed down one full step, as heard on every live album and DVD from Different Stages forward, due to Lee's decreased vocal range. The song was adapted into a comic booklet, which used the lyrics of the song as lines for the characters and the narrations from the cover as intros.
"Red Lenses" is a song by the Canadian rock band Rush. It was released on their 1984 album Grace Under Pressure. In the album's liner notes, the song's title and lyrics are in lower case only.
Gold is a compilation album by Canadian rock band Rush, released on April 25, 2006.
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album.
"Fly by Night" is a song by Canadian rock band Rush. It was released in 1975 and is the title track of their second studio album. The music was written by bassist Geddy Lee and the lyrics were penned by drummer Neil Peart. Peart wrote the song about his first trip away from home. In 1971, at 18 years old, he left behind his small-town Canadian life and flew to England. Lee sings the lead vocals and on the song's middle eight, his voice is fed through a Leslie speaker.
"Freewill" is the second track on the 1980 album Permanent Waves by Canadian progressive rock band Rush. The song's music was composed by Geddy Lee and Alex Lifeson, and its lyrics written by Neil Peart. In a 2016 review of Rush discography for Ultimate Classic Rock, Eduardo Rivadavia described "Freewill" as a "cerebral but remarkably radio-friendly" song. Lee has stated that the final verse of "Freewill" is at the highest part of his vocal range.
"Mission" is a song by Canadian rock band Rush from the 1987 album Hold Your Fire.
Clockwork Angels is the nineteenth and final studio album by Canadian rock band Rush, released on June 8, 2012, on Roadrunner Records. During the band's year-and-a-half break following its Snakes & Arrows Tour, the group decided to write a new studio album. Most of the album was recorded between October and December 2011 at Revolution Recording in Toronto, Ontario, Canada.
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