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The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans. [1]
Antigua and Barbuda is a Caribbean nation in the Lesser Antilles island chain. The country is a second home for many of the pan-Caribbean genres of popular music, and has produced stars in calypso, soca, steeldrum, zouk and reggae. Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago.
Little to no musical research has been undertaken on Antigua and Barbuda other than this. As a result, much knowledge on the topic derives from novels, essays and other secondary sources. [1]
String instrument | |
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Classification | String instrument (plucked.) |
Hornbostel–Sachs classification | 321.32 (Composite chordophone) |
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(a standard tuned banjar) | |
Related instruments | |
Documented music in Antigua and Barbuda began only with the discovery of Antigua, then populated by Arawak and Caribs, by Christopher Columbus in 1493. The islands' early music, however, remains little studied. In the 1780s, documentation exists for African workers participating in outdoor dances accompanied by the banjar (later bangoe, perhaps related to the banjo) and toombah (later tum tum), a drum decorated with shell and tin jingles. [2] [1] By the 1840s, sophisticated subscription balls were common, held biweekly with European-derived quadrilles accompanied by fiddle, tambourine and triangle. [3] [1]
Colonial era churches and missionary activity displaced and otherwise influenced the music of the African slaves, who adopted elements of European-derived religious music. The brass bands of the Salvation Army are an important example. [1] In the mid- to late 19th century, a number of Portuguese indentured workers came to Antigua, bringing with them their styles of music. When most of the Portuguese left in the 1880s, Lebanese music was brought to the island by immigrants from that country. [1]
During the period of British and French colonial rule, African slaves were prohibited from celebrating in Carnival; they continued to do so, secretly, at home. There, an Afro-Caribbean style of percussion, dance and song called benna developed. Later, Antiguan and Barbudan folk music became more dominated by Trinidadian calypso and steelpan.
Most forms of modern Antiguan and Barbudan music are not indigenous to the islands, and were imported from France, the United Kingdom, United States, Jamaica and Trinidad. Colonial dance styles like the highland fling and the quadrille remain popular in Africanized form. The loss of Antiguan traditions can be ascribed to the lack of a French colonial past (French islands of the Lesser Antilles retain much African-derived music and dance), the influence of the powerful Codrington family, a relatively unified African ethnic identity, the lack of African immigration after the peak of slavery importation, the British military presence at Shirley Heights and a modern history of unstable economy and government. [1]
The Old Time Christmas Festival was a culturally significant celebration, replaced in 1957 by a Trinidadian-inspired Carnival. The Antiguan Christmas Festival included several elements that have been adopted into the modern Carnival. [1]
Christmas Festival traditions include both music and dance, especially related to masquerades and iron bands. The highland fling is a common Christmas Festival dance, also played in the modern Carnival, performed by people wearing Scottish kilts, masks made of wire and bearing whips of cowhide. Dancers wearing banana leaves and animal horns took part in the John Bull, while carolers paraded with long poles covered in lanterns, called carol trees, singing with accompaniment by the concertina. Stilt dancers in robes, called the Moko jumbie , Jumpa-Ben or Long Ghosts, were also common, and were accompanied by kettle and bass drums, fife, triangle (cling-a-ching) and the boompipe, made from a plumbing joint one meter long. [1]
Benna (or bennah) is an uptempo Antiguan folk song that was introduced following the prohibition of slavery. Songs usually focused on scandalous and bawdy rumors and gossip, and were in a call-and-response form with a leader and an audience. Benna's popularity and similarity to calypso helped make the island receptive to that genre's introduction. The modern performer King Short Shirt has attempted to revive the benna in modern years, with his 1977 album Harambee an influential work that began updating benna with social and political awareness. [1]
By the beginning of the 20th century, it had become a method of folk communication, disseminating news and reports from across the island. In the 1940s and 50s, an improvisational benna singer named John "Quarkoo" Thomas sang up-to-date stories on legal scandals, and the sexual affairs of the upper-class. He was eventually imprisoned because of the lyrics to "Cocoatea", which was about the daughter of a respected citizen, and her secret pregnancy while in a convent. [4] [1]
In other popular genres of music Antigua is best known for oldest and most successful soca band the Burning Flames, who have claimed the road march title for many years, most recently 2005. Another well-known Antiguan musician was Patrick "Johnny" Gomes, who worked for, among many others, the calypso giant Mighty Swallow. The most famous indigenous musician in Antigua and Barbuda may be Oscar Mason, whose son O'Neill is also a noted trombonist. [5] The Antigua Community Players [6] have been active for more than 52 years, performing a variety of musical productions in many styles, including the Antiguan folk song, benna.
Jazz guitarist Roland Prince was from Antigua.
Basil Hill, owner of King Midas Records in New York, built a large international nightclub called the Atmosphere in 1978, creating a direct outlet for Antigua and Barbudan singers and bands.
Elements of non-Antiguan and Barbudan music have continued to be imported to the islands in the latter 20th century, including the electronic gospel music of the American Baptist church, and the Afro-Jamaican drumming of Rastafarian music.
Platinum-selling Antiguan-German singer-songwriter Au/Ra was also raised in Antigua, who has excelled in dance and pop music.
See full article: Antigua Carnival
The Antiguan Carnival is a celebration of music and dance held annually from the end of July to the first Tuesday in August. The most important day is that of the j'ouvert (or juvé), in which brass and steel bands perform for much of the island's population. Barbuda's Carnival in June, and is known as Caribana. [7] The Antiguan and Barbudan Carnivals replaced the Old Time Christmas Festival in 1957, with hopes of inspiring tourism in Antigua and Barbuda. Some elements of the Christmas Festival remain in the modern Carnival celebrations, which are otherwise largely based on the Trinidadian Carnival. [1] The author Frank Manning has argued that this change, from indigenous traditions to tourist-oriented elements, has reduced Antiguans to "positions as service personnel and 'mimic men', robbing the culture of its natural integrity and cultural history". [8]
The Antigua and Barbuda international music festival, Romantic Rhythms, is a new addition to the summer line-up that peaks in August at the notorious Carnival celebrations. Geared to becoming a competing counterpart to the Carnival, the festival could eventually become the leading musical event in the entire Caribbean region. In its first year of establishment, the music festival already had some of the world's top artists perform. [9]
The steelpan comes in many different forms, and put together is called a steel orchestra. Steel bands traditionally are made up of old pieces of metal such as old irons, tire rims, or steel pipes. Antigua's steel orchestras and iron bands can be found in churches and in many villages, and have been popular since their introduction. Every Carnival there is a competition to dub the best band of the island. Antigua's largest and oldest steel orchestra that still competes is Hell's Gate. It is said that the Brute Force Steel Band was the first steelpan band to record an album.
Steel orchestras have evolved to using highly technical instruments costing up to US$1500 for one instrument. These pans are meticulously honed out of the steel drum, sunken and burned over a hot fire, chromed and tuned. This process was perfected in Trinidad and Tobago and exported to Antigua and Barbuda through various collaborations between several of the bands in both island-nations.
Calypso was sung throughout the English-speaking Caribbean, and was used by the poor as a platform for social and political commentary, using complex metaphors and folkloric references to obscure their meaning to outsiders. Later, beginning in the 1960s, a popularized kind of calypso was developed for use in tourist hotels. The first hotel calypsonians were Black Shirt, Skeetch and Dadian, who were accompanied by a string ensemble of two guitars and a bass guitar (created out of an oil drum). The Antigua Carnival, and the Antiguan Calypso King competition, began in 1957; the King that year was Styler. This era also saw a growth in patriotic calypsos, focused on an emerging sense of victorious nationalism in the wake of growing autonomy. By the middle of the 1960s, two rival calypsonians dominated the Antiguan scene, Zemaki and Lord Canary. Their conflict was perpetuated as the King Short Shirt and Swallow rivalry during the 1970s and 1980s. In the middle of the 1980s, the Burning Flames emerged, winning the road march with "Styley Tight" in 1985. They achieved pan-Caribbean acclaim. [10]
It is clear that the genre of music now called calypso had strong roots in Trinidad and Tobago, but it would be inaccurate to suggest that this music started in any one island. Every island in the Caribbean has a form of music that resembles "kaiso", more commonly referred to as calypso. It is inaccurate to attribute the origin of calypso to any island. In Belize, they call their variation punta . In Antigua they call theirs benna. [10]
Particularly in the English-speaking islands and Belize, African cultural roots have greatly influenced the beats and form of the music. All these musical forms borrow beats from West African highlife music and have fused North American pop and R&B with the Latin beats of central and South America and Cuba to form distinct musical genres which have significant variations in islands that were influenced by the French. Zouk and cadence are other popular variations. [11]
The defining staccato bass was the creation of the late Lord Shorty from Barrackpore, Trinidad and Tobago, and rose to fame as Lord Shorty with his 1963 hit "Clock and Dagger". He started out writing songs and performing in the calypso genre. In the 1970s, he began experimenting with calypso by blending it with the local chutney — the music of Trinidad's East Indian population — using instruments such as the sitar and tabla. The style was dubbed "soca".
Soca music is a genre of music defined by Ras Shorty I, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The steelpan is a musical instrument originating in Trinidad and Tobago. Steelpan musicians are called pannists.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The music of Bermuda is often treated as part of the Caribbean music area. Its musical output includes pop singer Heather Nova, and her brother Mishka. Collie Buddz has also gained international success with reggae hits in the US and the UK.
The music of Saint Vincent and the Grenadines includes thriving music scenes based on Big Drum, calypso, soca, steelpan and also reggae. String band music, quadrille, bélé music and traditional storytelling are also popular.
The music of Saint Kitts and Nevis is known for a number of musical celebrations including Carnival. The last week in June features the St Kitts Music Festival, while the week-long Culturama on Nevis lasts from the end of July into early August.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by enslaved West and Central Africans in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival. Costume, stick-fighting, limbo, and steelpan competitions are important components of the festival.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
The culture of Dominica is formed by the inhabitants of the Commonwealth of Dominica. Dominica is home to a wide range of people. Although it was historically occupied by several native tribes, it was the Taíno and Island Caribs (Kalinago) tribes that remained by the time European settlers reached the island. "Massacre" is a name of a river dedicated to the murders of the native villagers by both French and British settlers, because the river "ran red with blood for days." Each claimed the island and imported slaves from Africa. The remaining Caribs now live on a 3,700-acre (15 km2) Carib Territory on the east coast of the island. They elect their own chief.
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
The Antiguan Carnival is a celebration of emancipation from slavery, held annually on the island of Antigua. It is a thirteen-day festival of colorful costumes, beauty pageants, talent shows, and music. The festival begins in late July and ends the first Tuesday in August, known as Carnival Tuesday. Both Carnival Monday and Carnival Tuesday are public holidays on the island. Antiguan Carnival replaced the Old Time Christmas Festival in 1957, with hopes of inspiring tourism in Antigua and Barbuda. Some elements of the Old Time Christmas Festival remain in the modern Carnival celebrations.
As an overseas department of France, Martinique's culture is French, African and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
Benna is a genre of Antiguan and Barbudan music.
El-A-Kru is an Antiguan soca band. The name derives from "Little Antigua Crew".
The traditions of West Africa and the United Kingdom have the biggest impact on the culture of Antigua and Barbuda. As a crucial component of its culture, Antigua and Barbuda also has its own creole language.
Franklyn McIntosh is a St Vincent-born pianist and arranger of calypso and soca music. He is recognized as one of the pioneer music arrangers who helped usher in the soca style of West Indian popular music in the 1970s and 1980s.